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Cromwell Day provides dedicated time and space for reflection and education about diversity, racism and inclusion. Originally established to celebrate the legacy of Otelia Cromwell, class of 1900, Smith’s first African American graduate, Cromwell Day has been a Smith tradition since 1989. The day has since expanded to also celebrate Cromwell’s niece, Adelaide Cromwell ’40, who was the first African American professor appointed at Smith. Through the work of the Office for Equity & Inclusion (OEI), together with campus partners, the college seeks to take individual and community responsibility for our behavior with an awareness of how that behavior furthers and disrupts patterns of structural oppression.

Cromwell Day is Tuesday, November 12, 2024. 

All morning and afternoon classes are canceled so that students may attend the events.

Attend in person or watch the livestream.

Cromwell Day 2024 Keynote

Now What?: Liberation in the Midst of Uncertainty

(Prior to Cromwell Day, explore the work of Tourmaline by attending a screening of some of her short films highlighting the capacity of Black queer and trans people and communities to make and transform worlds. November 7 at 7 p.m. in Graham Hall, Hillyer.)

Tourmaline

Keynote Speaker

Tourmaline is an artist, filmmaker, writer, and activist renowned for her deep engagement with the histories of Black, queer, and trans communities. Her multimedia works challenge mainstream narratives and cultural histories, striving to initiate paradigm shifts and envision a future rich in joy and liberation. Tourmaline’s practice is a call to fundamentally reshape our beliefs about what is possible, drawing from her robust academic background and rich experience in activism.

A graduate of Columbia University with a B.A. in comparative ethnic studies, Tourmaline’s academic journey was heavily concentrated in African American studies, which has profoundly influenced her work. Her early career as an organizer for Queers for Economic Justice and later, Critical Resistance, helped forge her path as a powerful voice in the fight against the prison-industrial complex and for LGBTQIA+ rights. These experiences also shaped her approach to filmmaking, leading to poignant works that engage with the lives and legacies of notable figures like Marsha P. Johnson and Miss Major Griffin-Gracy.

Though she had no formal film training, Tourmaline credits her time as an assistant to Dee Rees on the film Mudbound as a pivotal educational experience that honed her skills in storytelling and visual communication. Her films not only celebrate the spirit of her characters but also challenge viewers to reconsider the past and its impact on contemporary social contexts.

Her profound impact on both art and activism has been recognized widely; she is a TIME 100 honoree, a 2024 Blackstar Film Festival Luminary awardee, and a Guggenheim Fellow.

Tourmaline’s contributions to the arts have been recognized and showcased in prestigious institutions worldwide, including The Studio Museum in Harlem, the Tate Modern, and the Whitney Museum of American Art, among others. Her works are held in the permanent collections of major museums such as The Metropolitan Museum of Art, the Guggenheim, the Tate, the J. Paul Getty Museum, and the Museum of Modern Art.

Currently, Tourmaline’s solo exhibition “Video Room: Tourmaline” is on view at MASP in São Paulo. She is also featured in the 2024 Whitney Biennial and has ongoing exhibitions at MASS MoCA and The Metropolitan Museum of Art Afrofuturist period room, where her explorations into Afrofuturism continue to inspire audiences.

Her biography of Marsha P Johnson published by Penguin Random House and Tiny Reparations comes out in spring of 2025.

Activities & Workshops

Activity descriptions and additional details will be available soon. All activities and events—apart from student-only workshops—are open to students, faculty, and staff—all are welcome.

Schedule Overview

Activity

Time

Morning Activities
Socioeconomic Datashare
with the Office of Equity & Inclusion and Institutional Research
 

Mindfulness for Social Engagement
with Anna Ostow, CRSL
 

Black Community Building on Campus
with SACSA
 

Forum to Discuss Concerns Regarding Commemorations in the Name of L. Clarke Seelye
with Floyd Cheung

10–10:50 a.m.
 


10–10:50 a.m.
 


10:30–11:50 a.m.
 


10:30–11:50 a.m.

Lunch

12:15 p.m.

Ceremony & Keynote Address
Tourmaline

1:30–3 p.m.

Afternoon Workshops
Q&A with Tourmaline and Floyd Cheung
 

Black Spirituality
with the Center for Religious & Spiritual Life
 

Critical Fishbowl Dialogues:
Joining Together in Dynamic Conversations About Our Present Social/Historical/Political Moment
with the Roundtable Group
 

Student Workshops

All 3:15–4:45 p.m.

Dance Performance by Shakia Barron

5–6 p.m.

Poetry Reading by John Murillo and Nicole Sealey

7 p.m.

Activity Details

Socioeconomic Datashare

with the Office for Equity & Inclusion and Institutional Research
Klingenstein Browsing Room, Neilson Library
10–11 a.m.

Mindfulness for Social Engagement

Helen Hills Hills Chapel Sanctuary
10–11 a.m.

Join Anna Ostow of the Center for Religious and Spiritual Life, for a mindfulness practice and discussion open to students, staff, and faculty. Program is suitable for beginners and experienced alike, and will include mindfulness practice, reflection, and discussion.

Black Community Building on Campus

10:30–11:50 a.m.

Forum to Discuss Concerns Regarding Commemorations in the Name of L. Clarke Seelye

with Floyd Cheung, Vice President for Equity & Inclusion
Seelye Hall 201
11 a.m.-noon

Q&A with Tourmaline and Floyd Cheung, Vice President of Equity & Inclusion

Stoddard Hall G2
3:15–4:45 p.m.

The Spiritual Foundation of Flow: Black Spirituality Workshop

with the Center for Religious & Spiritual Life
Bodman Lounge, Helen Hills Hills Chapel
3:15–4:45 p.m.

This workshop will create conversations around the spiritual understanding of Hip Hop flow, and overall, spark conversation around black rhythmic expression and Black spiritualism. Flow is something that is fluid and infinite and allows emcees to express themselves through creative story-telling, which is rooted in Black spiritualism. People who embrace hip hop as a culture and take part in it along with those who are interested in artistic spaces that reimagine and embrace blackness will enjoy this workshop. It will show that Hip hop is more than a genre of music, but a universe in itself replete with culture and lifestyle that produces deejays, emcees, dancers, stylists, artists, designers and visionaries. The workshop is not intended to present the history of Hip hop as a chronological/linear exploration but rather to analyze traditions within Hip hop surrounding the complexity of flow along with different factors that determine the spiritual fluidity of flow. Sponsored by the Center for Religious and Spiritual Life. 

Moderator: Kylie Gregory ’26
Presenter: Lena Santana ’26

Critical Fishbowl Dialogues

Joining together in dynamic conversations about our present social/historical/political moment with the Smith Roundtable Group
Helen Hills Hills Chapel Sanctuary
3:15–4:45 p.m.

The Smith community is invited to a space where we can talk, share, and process a range of thoughts, ideas and reactions. What does this moment call us to do and how can we support each other through it?

Working Toward the Many Facets of Liberation with LASO and BSA

3:15–4:45 p.m.

In this student-led workshop, explore the ongoing struggles in Venezuela, Haiti, Congo, and Sudan, and learn about the trailblazers working for change. Through a focused presentation, we’ll shed light on what liberation looks like in different contexts, examining how unique forms of activism are helping communities rebuild and putting the work towards healing in the face of crisis. Discover how the journey toward freedom takes many forms and inspires diverse approaches across the globe.

Hip Hop Dance Workshop and Performance with Shakia Barron

Join us for an inspiring dance workshop celebrating joy, justice, and the power of movement in community! This workshop is open to all levels, welcoming anyone with a desire to move and connect. Together, we’ll explore foundational dance movements, with plenty of room to make each step your own. In a safe and supportive space, you’ll have the chance to showcase your unique style and learn from those around you.

Our time together will culminate in a heartfelt performance focused on finding joy, celebrating resilience, and honoring the strength it takes to persevere. Whether you’re a seasoned dancer or new to movement, come and be part of this powerful experience.
Hallie Flanagan Studio Theatre, Mendenhall
5–6 p.m.

Poetry Reading by John Murillo and Nicole Sealey

Followed by a conversation with Nathan McClain
Co-sponsored by the Boutelle-Day Poetry Center
Weinstein Auditorium, Wright Hall
7 p.m.

Creative Career Lunch with Tourmaline

November 13 from noon–1:30 p.m.

Quilting & Collaging as a Practice in Social Justice & Community Building

Join the Meridians team for an evening of collaging, paper quilting, and learning using materials from our previous issues.
22 Green Street, Meridians Office
November 14 from 6–8 p.m.

Confronting Challenges. Creating Change.

Through individual and community engagement, we reach hearts. Through inclusive education and programming, we nourish minds. Through institutional change and collaborations, we realign systems. Since its beginning, Smith has been at the forefront of envisioning a world where we all belong. Cromwell Day gives us an opportunity to reflect upon our accomplishments and look ahead to all that we can still do to evolve and transform. Every voice matters, and every step—whether large or small—makes a difference.

Toward Racial Justice at Smith Action Plan

The History of Cromwell Day

Mary Maples Dunn, then president of Smith College, initiated Otelia Cromwell Day in 1989 to provide an opportunity for further education and reflection about issues of diversity and racism. At the 2019 ceremony, the college announced that the event would be renamed Cromwell Day, following the wishes of the Cromwell family and to honor the legacies of both Otelia Cromwell 1900 and her niece, Adelaide Cromwell ’40.

About Otelia Cromwell

Born in Washington, D.C., in 1874, Otelia Cromwell (class of 1900) was the first of six children born to Lucy McGuinn and John Wesley Cromwell, a journalist, educator and the first African American to practice law with the Interstate Commerce Commission. Otelia Cromwell’s life and work were characterized by a deep sense of justice and responsibility toward others.

Portrait of Otelia Cromwell

About Adelaide Cromwell

Adelaide Cromwell ’40 was the first African American professor appointed at Smith. After teaching at the college, she served for more than 30 years on the sociology faculty at Boston University. There she co-founded the African studies program in 1953 and founded the Afro-American studies program in 1969, the first graduate program in the country in that field. 

Portrait of Adelaide Cromwell

After graduating from the Miner Normal School, Otelia Cromwell taught in the Washington, D.C., public schools for several years. She transferred to Smith College in 1898 and graduated in 1900. She returned to teaching for a number of years and then resumed her education, receiving a master of arts from Columbia University and a doctorate from Yale University in 1926; Cromwell was the first African American woman to receive a Yale doctorate. She soon became professor and chair of the department of English language and literature at Miner Teachers College in Washington, D.C.

Cromwell remained at Miner Teachers College until her retirement in 1944. A distinguished scholar and teacher, she authored three books and numerous articles including Readings From Negro Authors, for Schools and Colleges, the result of collaboration with Eva B. Dykes and Lorenzo Dow Turner. It was one of the first collections of its kind. She received an honorary degree from Smith College in 1950.

After her retirement from teaching, Cromwell accomplished her most significant scholarly work, The Life of Lucretia Mott, the Quaker abolitionist and women's rights activist. It was published in 1958 by Harvard University Press and continues to be cited by contemporary scholars. Cromwell passed away in 1972 at the age of 98.

Adelaide Cromwell was also a leader and activist in Africa, convening the first conference of West African social workers in Ghana in 1960, and serving on a commission to assess the state of higher education in what was then called the Belgian Congo. A member of the executive council of the American Society of African Culture, the American Negro Leadership Conference in Africa and the advisory council on Voluntary Foreign Aid, among others, she also maintained active membership in the Council on Foreign Relations and a number of professional organizations.

She is the author of several books, including Unveiled Voices, Unvarnished Memories: The Cromwell Family and Slavery and Segregation, 1692–1972, and An African Victorian Feminist: The Life and Times of Adelaide Smith Casely Hayford, 1868–1960.

Cromwell earned a master’s degree in sociology from the University of Pennsylvania and a doctorate in sociology from Radcliffe College. A recipient of the Smith Medal in 1971 and an honorary degree in 2015, she was the niece of Otelia Cromwell, class of 1900. Adelaide Cromwell passed away in 2019 at the age of 99.

Smith Voices: Progress & Possibilities

Linda Smith Charles ’74
“We certainly wanted to make sure that the institution understood our needs as Black women on this campus ... I found Smith, in hindsight, really doing its best to try to accommodate the needs. They didn’t know what to do, but were certainly willing to listen ...”—On student activism, in an interview for the Alumnae Oral History Project.

Sylvia Lewis ’74
“... I think what Smith learned was about how they should embrace change, or can embrace change, and that it really is good, and will be something that would be very impactful and very positive for the future generations.”—On the formation of the African American Studies Program, in an interview for the Alumnae Oral History Project.

Ryan Rasdall ’11
“... I think the campus was moving in the right direction of trying to grapple with this and understand, Why did this happen? What can we do to be more supportive? To be a better — make people feel safe on our campus?”—On the atmosphere on campus after a racist incident, in an interview for the Alumnae Oral History Project.

Celebrating Otelia Cromwell

For the 2021 Cromwell Day convocation, the Smith community created an inspiring digital quilt. “The Life and Legacy of Otelia Cromwell” was created as part of the college’s 25th annual Cromwell Day celebration honoring Smith’s first African American graduate.

“Maven” by Nikky Finney

Smith College commissioned poet Nikky Finney to compose a poem in honor of Otelia Cromwell. She debuted “Maven” in 2009. Hear Camille Ollivierre ’20’s recitation at the 2019 ceremony (starting at 21:20).

Read “Maven”

For Otelia Cromwell, 1874–1972

GENUS: DAUGHTER

"When you are a thinking woman neither violence or sugar plums can muzzle the power of thought."

Imagine, hatch, comprehend, apprehend:
Know the inside and the out. You are just
a girl when your mother dies. Left to tend
the rest of the flock, you, the oldest,
the one most like your father, taught
to leave no stone unturned, marry thrift
and industry, while burying your head
in the stacks. Sang-froid but never
silent. Inquire, picture, ponder, think
over, think and think, again. Giddy
with your own mind, "Master everything"
is the family crest, no veil feigning, faking,
guise, masquerade, or fanfare. There is
a right way and a wrong. When you give
your hand to the world, your responsibility:
To have a mind, keep in mind, change
a mind—and be the last to die.

GENUS: SCHOLAR

"An educated group is a thinking group."

Intuit, divine, check and recheck, invent:
Know the backward and the forward.
You care nothing for the popular, even
less for the slipshod. Your arms flower
with all the leading out books, choosing
wisely what and who trains you: Frankness,
virtuoso, mastery, crackerjack. Think and
think, again. You leave college and university
exceptionally prepared. You are complex
and astute, as calm as a comma. No time
for jewelry or parlor beaus. There is
a gold watch, a signet ring, a Smith
College pin: White letters on gold just
above the heart. Diligent, proficient, self-
possessed, you weigh in with words, to state
your tolerance to the inefficient. You never
back down from what is right. Young Adelaide
is your "dependable" and the 9th graders
leaning in to your instruction whisper: This
must be college. You gray beautifully—but early.

GENUS: WRITER

"The genius does not write to please."
               (nor live to marry)

Veritas. Words pulled through a fine-tooth
comb, then, before sleep, pulled through,
again. You refuse to segregate language from
life, read German for sport and swing golf
clubs just to stay on the qui vive. You write
of the legality of taxes, pica out democracy,
vow and edit for the intergral Negro intellectual.
Winnow, probe, sift through, quest: Think
and think, again. Solemnly engaged now to
Lucretia & Thomas, you dislike being called
"Dr." and remain forever keen on "Miss."
What the dutiful trained hand can perfectly
stitch delights you. Unconventional and easy-
going, your desire never wanes: To be put
through the paces, edify, enlighten, to work
outward—from simple seam to monogram.
We herald your bright hallmark of firsts,
those sprightly high-waisted truths; the soft-
spoken whippersnapper, eloping still.

All words in italics are the words of Otelia Cromwell.
©2009 Nikky Finney.