Andy Rotman

Professor of Religion, Buddhist Studies Concentration, South Asian Concentration

Andy Rotman

Contact & Office Hours

Pierce Hall 203

413-585-3348

Education

Ph.D., University of Chicago

B.A., Columbia University

Biography

For the last 25 years, Andy Rotman has engaged in textual and ethnographic work on the role of narratives, images and markets in South Asia and the religious, social and political functions that they serve. This focus is apparent in his research on early Indian Buddhism, South Asian media and the modern economies of the North Indian bazaar.

His recent publications include Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2015), co-written with William Elison and Christian Novetzke, which offers a multiperspectival exegesis of one of India’s most popular films; Thus Have I Seen: Visualizing Faith in Early Indian Buddhism (Oxford University Press, 2009), which considers the construction of faith as a visual practice in Buddhism, and how seeing and believing function as part of intersecting visual and moral systems; and Divine Stories: Translations from the Divyāvadāna, part 1 (Wisdom Publications, 2008), the first half of a two-part translation of an important collection of ancient Buddhist narratives. This volume inaugurated a new translation series from Wisdom Publications called Classics of Indian Buddhism, of which he is also the chief editor. The second volume, Divine Stories: Translations from the Divyāvadāna, part 2, is complete and forthcoming with Wisdom Publications in 2017.

Rotman's current research focuses on two book projects, both of which explore the intersection of religion and the market, and the role of mercantilism in creating and resisting moral worlds: (1) Bazaar Religion: Marketing and Moral Economics in Modern India (Harvard University Press, under contract), a longitudinal study of the main bazaars in Varanasi, which examines the moral economy behind the objective economy of visible transactions and the ways that it creates, mediates and sacralizes various moods and modes of behavior; and (2) Saving the World through Commerce? Buddhists, Merchants, and Mercantilism in Early India, which chronicles the close relationship that Buddhism had with merchants and mercantilism in the early centuries of the Common Era, and how the market left its imprint on the foundations of Buddhism, particularly on Buddhist conceptions of morality.

Rotman's courses are concerned with South Asian religion, both premodern and modern, and though he believes that religious studies offer an important heuristic for penetrating the complexities of many social phenomena, he likes to teach materials from a variety of disciplines as a way of triangulating issues. He was trained to examine problems as a scholar of religion and as a philologist, anthropologist and cultural historian, and he trains his students to do the same. Rotman also likes to use nontraditional media in the classroom, such as chromolithographs, advertisements, video archives and devotional recordings to offer insight into under-represented aspects of South Asian religious life, contextualize traditional materials and animate discussions.


Selected Course Syllabi


Books

Divine Stories: Translations from the Divyāvadāna, part 2. Classics of Indian Buddhism Series. Boston: Wisdom Publications, (forthcoming 2017).

Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation. Co-written with William Elison and Christian Novetzke. Cambridge: Harvard University Press, 2015.

Thus Have I Seen: Visualizing Faith in Early Indian BuddhismNew York: Oxford University Press, 2009.

Divine Stories: Translations from the Divyāvadāna, part 1. Classics of Indian Buddhism Series, inaugural volume. Boston: Wisdom Publications, 2008.


Selected Publications and Presentations

"In Varanasi We Trust." In The City and South Asia, pp. 53–55. Cambridge: Harvard South Asia Institute, 2014.

"Buddhism and Hospitality." In Richard Kearney and James Taylor, eds. Housing the Stranger: Between Religions, pp. 115–122. New York: Continuum, 2011.

"Baba's Got a Brand New Bag: Indian Jute Bags and Exotic Others." In Aaron Sinfit, ed. 5 Year Plan: Literary Supplement, pp. 31–55. Jaipur: Krishna Printers, 2010.

"Liberation through Images: Seeing the Buddha in Indian Art and Architecture." Lecture at Boston College, in conjunction with Asian Journeys: Collecting Art in Post-War America, an exhibit at the McMullen Museum of Art, April 2010.

"Marketing Morality: The Economy of Faith in Early Indian Buddhism." In Shripad G. Bhat, Shilpa Sumant, and Ambarish Vasant Khare, eds. Śrīnidhiḥ: Professor Shrikant Shankar Bahulkar's Gratitude Volume, pp. 253–290. Pune: Saṁvidyā Institute of Cultural Studies, 2009.

"The Power of Proximity: Creating and Venerating Shrines in Indian Buddhist Narratives." In Jason Hawkes and Akira Shimada, eds. Buddhist Stūpas in South Asia: Recent Archaeological, Art-Historical, and Historical Perspectives, pp. 51–62. Delhi: Oxford University Press, 2009.

"White African Masks: Representing Africa in a Johannesburg Hotel." Co-written with April Strickland. Material World, October 2007.

"The Erotics of Practice: Objects and Agency in Buddhist Avadāna Literature." Journal of the American Academy of Religion 71.3 (2003): 555–578.

"The Midnight Buffet." Co-written with Elizabeth Pérez. Public Culture 13.2 (2001): 329–332.


Image Archives

"Rotman Collection of Vintage Stereographs of India." Contains 99 19th-century stereographic photographs available online in both two-dimensional and three-dimensional form.

"Tales of the Third Dimension: Bringing 19th-Century India into Wondrous Focus." Insight, April 15, 2013.