Inténtelo de nuevo
 

Considerando el mestizaje

1492, An Ongoing Voyage. 1992. Washington, D.C.: Library of Congress.

Acuña, René, ed. 1982-1988. Relaciones geográficas del siglo XVI, 10 vols. Mexico City: Universidad Nacional Autónoma de México.

Adorno, Rolena. 1990. “The Depiction of Self and Other in Colonial Peru,” Art Journal 49: 110-118.

Aguilar, María, et al. 1993. Mudéjar iberoamericano: una expresión cultural de dos mundos. Granada: Universidad de Granada.

Aguilera, Carmen, et al. 1985. El mueble mexicano. Mexico City: Fomento Cultural Banamex.

Aguirre, Yolanda. 1985. Influencias económicas en la arquitectura colonial de Cuba. Havana: Editorial Pueblo y Educación.

Alarcón, Norma. 2003. “Traductora, Traditora: A Paradigmatic Figure of Chicana Feminism.” In Perspectives on Las Américas: A Reader in Culture, History and Representation. Matthew Gutmann, et al., eds. pp. 33-49. London: Blackwell Publishing.

Alfaro, Alfonso and María del Consuelo Maquívar. 1995. Corpus aureum: escultura religiosa. Mexico City: Museo Franz Mayer/Artes de México.

America Bride of the Sun. 1992. Antwerp: Royal Museum of Fine Arts.

Anderson, Arthur J.O., Frances Berdan and James Lockhart. 1976. Beyond the Codices. Los Angeles, California: University of California Press.

Anderson, Duane, ed. 1999. Legacy: Southwest Indian Art at the School of American Research. Santa Fe, New Mexico: School of American Research Press.

Araúz, Reina Torres de. 1980. San Francisco de la Montaña: joyel del arte barroco americano. Panama: Instituto Nacional de Cultura.

Arellano, Alfonso. 1996. La Casa del Deán: un ejemplo de pintura mural civil del siglo XVI en Puebla. Puebla: Universidad Nacional Autónoma de México.

Armella de Aspe, Virginia and Guillermo Tovar de Teresa. 1993. Escudos de monjas novohispanos. Mexico City: Gutsa.

Arte mudéjar: exploraciones. 2001. Mexico City: Artes de México, vol. 54.

El arte plumaria en México. 1993. Mexico City: Fomento Cultural Banamex.

Artes y oficios en las calles de la Ciudad de México. 2000. Mexico City: Comité Editorial del Gobierno del Distrito Federal.

Avila Hernández, J. 1997. El influjo de la pintura china en los enconchados de Nueva España. Mexico City: INAH.

Berdan, Frances and Patricia R. Anawalt. 1997. The Essential Codex Mendoza. Berkeley and Los Angeles, California: University of California Press.

Bibby, Brian. 1996. The Fine Art of California Indian Basketry. Sacramento, California: Crocker Art Museum and Heyday Books.

Boone, Elizabeth Hill. 1983. The Codex Magliabechiano and the Lost Prototype of the Magliabechiano Group. Los Angeles, California: University of California Press.

Boone, Elizabeth Hill. 2000. Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs. Austin, Texas: University of Texas Press.

Boone, Elizabeth Hill and Tom Cummins, eds. 1998. Native Traditions in the Postconquest World. Washington, D.C.: Dumbarton Oaks Research Library and Collection.

Bretos, Miguel. 1987. Arquitectura y arte sacro en Yucatán, 1545-1823. Mérida: Producción Editorial Dante.

Brooks, James. 2002. Captains and Cousins: Slavery, Kinship and Community in the Southwest Borderlands. Chapel Hill, North Carolina: University of North Carolina Press.

Bucher, Bernadette. 1981. Icon and Conquest: A Structural Analysis of the Illustrations of de Bry’s Great Voyages. Chicago and London: University of Chicago Press.

Bunting, Bainbridge. 1976. Early Architecture in New Mexico. Albuquerque, New Mexico: University of New Mexico Press.

Bush, Barbara. 1989. Slave Women in Caribbean Society, 1650-1838.  Bloomington, Indiana: Indiana University Press.

Campodonica, Carol. 1996. How to Build a California Mission, San Carlos de Borromeo del Rio Carmelo (Carmel). San Jose, California: Buzzard Press International.

Carrera, Magali. 2003. Imagining Identity in New Spain: Race, Lineage and the Colonial Body in Portraiture and Casta Paintings. Austin, Texas: University of Texas Press.

Castañeda, Quetzil. 1996. In the Museum of Maya Culture: Touring Chichén Itzá. Minneapolis, Minnesota: University of Minnesota Press.

Castedo, Leopoldo. 1976. The Cuzco Circle. New York: Center for Inter-American Relations.

Chambers, Sarah C. 1999. From Subjects to Citizens: Honor, Gender, and Politics in Arequipa, Peru, 1780-1854. University Park, PA: Penn State Press.

Cline, Howard. 1969. “Hernando Cortés and the Aztec Indians in Spain.” Quarterly Journal of the Library of Congress XXVI (April): 70-90.

Cockcroft, Eva Sperling and Holly Barnet-Sánchez, eds. 1993. Signs from the Heart: California Chicano Murals. Albuquerque, New Mexico: University of New Mexico Press.

Cummins, Thomas B.F. 1991. “'We Are the Other': Peruvian Portraits of Colonial Kurakakuna.” In Transatlantic Encounters: Europeans and Andeans in the Sixteenth Century. Kenneth Andrien and Rolena Adorno, eds., pp. 203-231. Berkeley and Los Angeles, California: University of California Press.

Cummins, Thomas B.F. 1994. “Representation in the Sixteenth Century and the Colonial Image of the Inka.” In Writing Without Words: Alternative Literacies in Mesoamerica and the Andes. Elizabeth Hill Boone and Walter D. Mignolo, eds., pp. 188-219. Durham, North Carolina: Duke University Press.

Cummins, Thomas B.F. 1999. "Retrato de los Mulatos de Esmeraldas: don Francisco de la Robe y sus hijos Pedro y Domingo." In Los siglos de oro en los virreinatos de América: 1550-1700, pp. 170-172. Madrid: Sociedad Estatal para la Conmemoracion de los Centenarios de Felipe II y Carlos V.

Cummins, Thomas B.F. 2002. Toasts with the Inca: Andean Abstraction and Colonial Images on Quero Vessels. Ann Arbor, Michigan: University of Michigan Press.

Cummins, Thomas B.F. and Joanne Rappaport. 1998. "The Reconfiguration of Civic and Sacred Space: Architecture, Image and Writing in the Colonial Northern Andes." Latin American Literary Review XXVI (52): 174-200.

Cummins, Thomas B.F. and William Taylor. 1998. “The Mulatto Gentlemen of Esmeraldas, Ecuador.” In Colonial Spanish America: A Documentary History. Kenneth Mills and William Taylor, eds., pp. 147-149. Wilmington, Delaware: Scholarly Resources.

Deagan, Kathleen and Darcie MacMahon. 1995. Fort Mose, Colonial America’s Black Fortress of Freedom. Gainesville, Florida: University of Florida Press.

Dean, Carolyn S. 1998. “Creating a Ruin in Colonial Cusco: Sacsahuamán And What Was Made Of It.” Andean Past 5: 161-183.

Dean, Carolyn. 1996. “The Renewal of Old World Images and the Creation of Colonial Peruvian Visual Culture.” In Converging Cultures: Art and Identity in Spanish America. Diana Fane, ed., pp. 171-182. Brooklyn, New York: The Brooklyn Museum and Harry Abrams.

Dean, Carolyn. 1999. Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru. Durham, North Carolina: Duke University Press.

Deans-Smith, Susan. 1992. Bureaucrats, planters and workers: the making of the tobacco monopoly in Bourbon Mexico. Austin: University of Texas Press.

Dujovne, Marta. 1984. Las pinturas con incrustaciones de nácar. Mexico City: Universidad Nacional Autónoma de México.

Edgerton, Samuel. 2001. Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico. Albuquerque, New Mexico: University of New Mexico Press.

Estenssoro, Juan Carlos, et al. 1999. Los cuadros del mestizaje del Virrey Amat. Lima: Museo de Arte de Lima.

Estrada de Gerlero, Elena Isabel. 1994. "Las pinturas de castas, imágenes de una sociedad variopinta." In México en el mundo de las colecciones de arte: Nueva España, vol. 2. Pp. 78-113. Mexico City: Azabache.

Estrada de Gerlero, Elena Isabel. 1994. “La plumaria, expression artística por excelencia.” In Mexico en el mundo de las colecciones de Arte, Nueva España, vol. 1. Pp. 72-117. Mexico City: El Gobierno de la República.

Fane, Diana, ed. 1996. Converging Cultures: Art and Identity in Spanish America. Brooklyn, New York: The Brooklyn Museum and Harry Abrams.

Flores Ochoa, Jorge. 1990. El Cuzco. Resistencia y continuidad. Cuzco: Centro de Estudios Andinos Cuzco.

Fontana, Bernard L. 1994. Entrada: The Legacy of Spain and Mexico in the United States. Tucson, Arizona: Southwest Parks and Monuments Association.

Fort Mose: America’s Black Colonial Fortress of Freedom.” Florida Museum of Natural History. http://www.flmnh.ufl.edu/anthro/histarch/mose.htm. [Last Accessed July 2005]

Frank, Larry and Francis H. Harlow. 1974. Historic Pottery of the Pueblo Indians, 1600-1880. Boston: New York Graphic Society.

García Canclini, Nestor. 1990. Culturas híbridas: estrategias para entrar y salir de la modernidad. Mexico City: Grijalbo

García Canclini, Nestor. 1995. Hybrid Cultures: Strategies for Entering and Leaving Modernity. Minneapolis, Minnesota: University of Minnesota Press.

García Sáiz, María Concepción. 1989. Las castas mexicanas: un género pictórico americano. Milan: Olivetti.

Gavin, Robin F. 1994. Traditional Arts of Spanish New Mexico: The Hispanic Heritage Wing at the Museum of International Folk Art. Santa Fe, New Mexico: Museum of New Mexico Press.

Gisbert, Teresa. 1994. Iconografías y mitos indígenas en el arte. La Paz: Gisbert y Cía-Fundación BHN.

Gockel, Wolfgang. 1999. Guatemala, Belize, Honduras und El Salvador: Maya-Städte und Kolonialarchitecktur in Mittelamerika. Köln: DuMont.

González, Cristina. 2003. Doña Marina, la Malinche y la formación de la identidad mexicana. Madrid: Encuentro Ediciones.

The Grandeur of Viceregal Mexico: Treasures from the Museo Franz Mayer/ La grandeza del México virreinal:  tesoros del Museo Franz Mayer. 2002. Houston. Texas and Mexico City: The Museum of Fine Arts, Houston and Museo Franz Mayer.

Grizzard, Mary. 1986. Spanish Colonial Art and Architecture of Mexico and the U.S. Southwest. Lanham, Maryland: University Press of America.

Gruzinski, Serge. 1991. La colonización de lo imaginario: sociedades indígenas y occidentalización en el México español: siglos XVI-XVIII. Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 1993. The Conquest of Mexico: The Incorporation of Indian Societies into the Western World, 16th-18th centuries. Cambridge, Massachusetts: Polity Press.

Gruzinski, Serge. 1994. El águila y la sibila: frescoes indios de México. Barcelona: M. Moleiro Editor.

Gruzinski, Serge. 1994. La guerra de las imágenes: de Cristóbal Colón a "Blade Runner" (1492-2019). Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 2001. Images at War: Mexico from Columbus to Blade Runner (1492-2019). Heather MacLean, tr. Durham, North Carolina: Duke University Press.

Guaman Poma de Ayala, Felipe. 1980 [1613]. El primer nueva corónica i buen gobierno, por Felipe Guamán Poma de Ayala (Waman Puma). John V. Murra and Rolena Adorno, eds., Jorge L. Urioste tr. del quechua.  Mexico City: Siglo Veintiuno.

Guaman Poma de Ayala: The Colonial Art of an Andean Author. 1992. New York: Americas Society.

Gutiérrez, Ramón. 1987. Arquitectura virreynal en Cuzco y su región. Cuzco: Editorial Universitaria.

Hannaford, Donald and Revel Edwards. 1990. Spanish Colonial or Adobe Architecture of California, 1800-1850. Stamford, Connecticut: Architectural Book Publishing Company.

Heilskov Rasmussen, Christian and Luis Millet Cámara. 1994. Mérida en la época colonial y del oro verde. Merida: Ediciones de la Universidad Autónoma de Yucatán

Herrera, Robinson A. Natives, Europeans, and Africans in Sixteenth-Century Santiago de Guatemala. Austin, Texas: University of Texas Press.

The Huarochirí Manuscript: A Testament of Ancient and Colonial Andean Religion. 1991. Frank Salomon and George L. Urioste, tr.; annotations and introductory essay by Frank Salomon; transcription by George L. Urioste. Austin, Texas: University of Texas Press.

Huarochirí : manuscrito quechua del siglo XVII. 2001. Gerald Taylor, tr. Lima, Perú: IFEA, Lluvia Editores.

Ivey, James. 1988. In the Midst of Loneliness: The Architectural History of the Salinas Missions. Santa Fe, New Mexico: Southwest Cultural Resources Center.

Kartunnen, Frances. 1997. “Rethinking Malinche.” In Indian Women of Early Mexico. Susan Schroeder, Stephanie Wood, and Robert Haskett, eds., pp. 291-312. Norman, Oklahoma: University of Oklahoma Press.

Katzew, Ilona, ed. 1996. New World Orders: Casta Painting and Colonial Latin America. New York: Americas Society.

Katzew, Ilona. 2004. Casta Painting: Images of Race in 18th-century Mexico. New Haven, Connecticut: Yale University Press.

Kessell, John L. 1976. The Missions of New Mexico since 1776. Albuquerque, New Mexico: University of New Mexico Press.

Kessell, John L. 1979. Kiva, Cross and Crown: The Pecos Indians and New Mexico, 1540-1840. Washington, D.C.: National Park Service.

Kirakofe, James. 1995. “Architectural Fusion and Indigenous Ideology in Early Colonial Teposcolula.” Anales del Instituto de Investigaciones Estéticas 66: 45-84.

Kirchhoff, Paul, with Lina Odena Güemes and Luis Reyes García, trans. and eds. 1976. Historia Tolteca-Chichimeca. Mexico: CIS-INAH.

Klor de Alva, J. Jorge. 1995. "The Postcolonization of the (Latin) American Experience: A Reconsideration of 'Colonialism,' 'Postcolonialism,' and 'Mestizaje.'" In After Colonialism: Imperial Histories and Postcolonial Displacements. Gyan Prakash, ed., pp. 241-275. Princeton, New Jersey: Princeton University Press. 

Koentzke, Richard. 1953-1969. Colección de documentos para la historia de la formación social de Hispanoamérica, 1493-1810. Madrid: Consejo Superior de Investigaciones Científicas.

Kubler, George. 1985 [1961]. "On the Colonial Extinction of the Motifs of Pre-Columbian Art." In Studies in Ancient American and European Art. Thomas Reese, ed., pp. 66-74. New Haven, Connecticut and London: Yale University Press.

Kubler, George. 1985. Studies in Ancient American and European Art: The Collected Essays of George Kubler. Thomas Reese, ed. New Haven, Connecticut: Yale University Press.

Landers, Jane. 1999. Black Society in Spanish Florida. Urbana: University of Illinois Press.

Lane, Kris. 2002. Quito 1599: City and Colony in Transition. Albuquerque, New Mexico: University of New Mexico Press.

Leibsohn, Dana. In press. Of Time Immemorial: Pre-Hispanic History and the Historia Tolteca-Chichimeca. Washington, D.C.: Dumbarton Oaks.

León Portilla, Miguel. 1999. Bernardino de Sahagún: pionero de la Antropología. Mexico City: Universidad Nacional Autónoma de México.

León Portilla, Miguel. 2002. Bernardino de Sahagún: First Anthropologist. Trans.  Mauricio J. Mixco. Norman, Oklahoma: University of Oklahoma Press.

Levine, Frances. 1999. Our Prayers are in this Place: Pecos Pueblo identity over the centuries. Albuquerque: University of New Mexico Press.

Lockhart, James. 1999 [1985, 1993]. "Double Mistaken Identity: Some Nahua Concepts in Postconquest Guise." Of Things of the Indies: Essays Old and New in Early Latin American History. Pp. 98-119. Stanford, California: Stanford University Press.

Lockhart, James. 1992. The Nahuas After the Conquest: A Social and Cultural History of the Indians of Central Mexico, Sixteenth through Eighteenth Centuries. Stanford, California: Stanford University Press.

López Baralt, Mercedes. 1989. Icono y conquista: la crónica de Indias ilustrada como texto cultural. Madrid: Hiperión.

López Guzmán, Rafael. 1992. Arquitectura y carpintería mudéjar en Nueva España. Mexico City: Azabache.

López Guzmán, Rafael. 2000. Arquitectura mudéjar: del sincretismo medieval a las alternativas hispanoamericanas. Madrid: Cátedra.

MacCormack, Sabine. 1991. Religion in the Andes: Vision and Imagination in Early Colonial Peru. Princeton, New Jersey: Princeton University Press.

Majluf, Natalia. 1999. Los cuadros de mestizaje del virrey Amat: la representación etnográfica en el Perú colonial. Lima: Museo de Arte.

Majluf, Natalia, Cristóbal Makowski and  Francisco Stastny. 2001. Art in Peru: Works from the Collection of the Museo de Arte de Lima. Lima, Perú: Museo de Arte de Lima, Promperú.

Martínez, Mario Felipe. 1997. Cuatro centros de arte colonial provinciano hispano crillo en Honduras. Tegucigalpa: Editorial Universitaria.

Massing, Jean Michel. 1992. "Map of Tenochtitlán and the Gulf of Mexico." In Circa 1492: Art in the Age of Exploration. Jay Levenson, ed., pp. 572-573. Washington, D.C.: National Gallery of Art.

El mestizaje racial en la pintura colonial americana. 1976. San Juan, Puerto Rico: Instituto Cultural Puertorriqueño.

Mignolo, Walter. 1987. “El mandato y la ofrenda: la Descripcion de la ciudad y provincia de Tlaxcala de Diego Muñoz Camargo, y las Relaciones de Indias.” Nueva Revista de Filologia Hispanica 35 (2): 451-84.

Mignolo, Walter. 1995. The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. Ann Arbor, Michigan: University of Michigan Press.

Miller, Marilyn. 1997. “Covert Mestizaje and the strategy of ‘passing’ in Diego Muñoz Camargo’s Historia de Tlaxcala." Colonial Latin American Review 6 (June): 41-59.

Monasterio de Santa Catalina. 2004. http://www.santacatalina.org.pe/ [Last Accessed July 2005]

Mundy, Barbara. 1998. “Mapping the Aztec Capital: The 1524 Nuremberg map of Tenochtitlan, Its Sources and Meanings.” Imago Mundi 50: 1-22.

Murua, Martín de. 1987. Historia general del Perú. Manuel Ballesteros, ed. Madrid: Hermanos García Noblejas.

Museo de Arte de Lima: 100 obras maestras/Art Museum of Lima: 100 Masterpieces. 1992. Lima, Asosciación Museo de Arte de Lima y Banco Latino.

Museo nacional de virreinato: Tepotzotlán la vide y la obra en la nueva España. 2003. Mexico City: Consejo Nacional para la Cultura y las Artes, CONACULTA.

Museo Pedro de Osma. 1995. Lima: Fundación Pedro de Osma Gildemeister.

Nabokov, Peter and Robert Easton. 1989. Native American Architecture. Oxford: Oxford University Press.

Niles, Susan. 1992. "Artist and Empire in Inca and Colonial Textiles." In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts, Boston. Rebecca Stone-Miller, ed., pp. 51-65. New York: Thames and Hudson.

Oettinger, Marion. 1983. Lienzos coloniales: guía de la exposición de pinturas de terrenos comunales de México (siglos XVII-XIX). Mexico City: Universidad Nacional Autónoma de México.

Ortiz de Zevallos, M. Augusto and Jorge Bernales Ballesteros. 1986. Lima a los 450 años. Lima: Centro de Investigación, Universidad del Pacífico.

Otarola Alvarado, Carlos Alberto. 1995. Qeros decorados del Qosqo. Cuzco: Municipalidad del Qosqo.

Palmer, Gabrielle and Donna Pierce. 1992. Cambios: The Spirit of Transformation in Spanish Colonial Art. Santa Barbara, California: Santa Barbara Museum of Art

Perry, Richard and Rosalind Perry. 1988. Maya Missions: Exploring the Spanish Colonial Churches of Yucatan. Santa Barbara, California: Espadaña Press.

Peterson, Jeanette. 1988. “The Florentine Codex Imagery and the Colonial Tlacuilo.” In The Work of Bernardino de Sahagún: Pioneer Ethnographer of Sixteenth-Century Aztec Mexico. Edited by Jorge Klor de Alva, H.B. Nicholson and Eloise Quiñones Keber, pp. 275-294. Albany, New York: Institute of Mesoamerican Studies.

Peterson, Jeanette. 1993. The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-century Mexico. Austin, Texas: University of Texas Press.

Phipps, Elena. 2004. “Tunic (unku) for a child or a statue.” The Colonial Andes: Tapestries and Silverwork, 1530-1830. Elena Phipps, Johanna Hecht, and Cristina Esteras Martin, eds., pp. 270-272. New York: Metropolitan Museum of Art.

Phipps, Elena, Johanna Hecht, and Cristina Esteras Martin, eds. 2004. The Colonial Andes: Tapestries and Silverwork, 1530-1830. New York: Metropolitan Museum of Art; New Haven and London: Yale University Press.

Pillsbury, Joanne. 2002. “Inka Unku: Strategy and Design in Colonial Peru.” Cleveland Studies in the History of Art 7: 68-103.

Pruecel, Robert, ed. 2002. Archaeologies of the Pueblo Revolt: Identity, Meaning and Renewal in the Pueblo World. Albuquerque, New Mexico: University of New Mexico Press.

Rama, Angel. 1982. Transculturación narrativa en América Latina. Mexico City: Siglo Veintiuno.

El retrato novohispano en el siglo XVIII. 1999. Puebla: Museo Poblano de Arte Virreinal.

Reyes-Valerio, Constantino. 1978. Arte indocristiano: escultura del siglo XVI. Mexico City: Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete", SEP, INAH.

Robertson, Donald. 1994 [1959]. Mexican Manuscript Painting of the Early Colonial Period: The Metropolitan Schools. Introduction by Elizabeth Hill Boone. Norman, Oklahoma: University of Oklahoma

Robles, Kathleen and Richard Griswold del Castillo. Project Directors. “The History of Chicano Park.” http://www.chicanoparksandiego.com. [Last Accessed July 2005]

Rodríguez G. de Ceballos, Alfonso. 1999. “Unión de la descendencia imperial incaica con las casas de Loyola y Borja.” Los siglos de oro en los virreinatos de América: 1550-1700. Pp.186-87. Madrid: Sociedad Estatal para la Conmemoracion de los Centenarios de Felipe II y Carlos V.

Rosen, Martin and James Fisher, 2001. “Chicano Park and the Chicano Park Murals: Barrio Logan, City of San Diego, California.” Public Historian 23(4): 91-112.

Rostworowski de Diez Canseco, María. 1970. “El Repartimiento de Doña Beatriz Coya, en el Valle de Yucay.” Historia y Cultura: Organo del Museo Nacional de Historia (Lima, Peru), vol. 4, pp. 153-267.

Rowe, John H. 1951. “Colonial Portraits of Inca Nobles.” In The Civilizations of Ancient America: Selected Papers of the 29th International Congress of Americanists. Sol Tax, ed., pp. 258-268. Chicago.

Russo, Alessandra, 2002. “Plumes of Sacrifice: Transformations in Sixteenth-Century Mexican Feather Art.” RES 42 (Autumn): 226-250.

Sahagún, Bernardino de. 1959 [1565-1580]. Historia general de las cosas de Nueva España, vol. 10. A.J.O. Anderson and Charles Dibble, ed. and tr., pp. 83-97. Salt Lake City, Utah and Santa Fe, New Mexico: University of Utah Press and School of American Research.

Sahagún, Bernardino de. 1979. Códice Florentino de Fray Bernardino de Sahagún, facsimile edition, 3 vols. Florence and Mexico: Giunti Barbera and the Archivo General de la Nación.

Los siglos de oro en los virreinatos de América: 1550-1700. 1999. Madrid: Sociedad Estatal para la Conmemoracion de los Centenarios de Felipe II y Carlos V.

El sitio de Guaman Poma/The Guaman Poma Website. Royal Library of Denmark. http://www.kb.dk/elib/mss/poma. [Last Accessed July 2005]

Stone-Miller, Rebecca. 1992. To Weave for the Sun: Andean Textiles in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts.

Szászdi, Adam. 1986. “El Trasfondo de un cuadro: ‘Los Mulatos de Esmeraldas’ de Andrés Sánchez Galque.” Cuadernos Prehispánicos (Valladolid, Spain) 12 (1986-1987): 93-142.

Timberlake, Marie. 1999. “The Painted Colonial Image: Jesuit and Andean Fabrication of History in Matrimonio de García de Loyola con Nusta Beatriz.” Journal of Medieval and Early Modern Studies 29 (3): 563-598.

Treib, Marc. 1993. Sanctuaries of Spanish New Mexico. Berkeley: University of California Press.

Ulloa, Antonio de. 1807. A Voyage to South America: Describing at large the Spanish Cities, Towns, Provinces &c. on that Extensive Continent, 2 vols. Trans. John Adams. London: John Stockdale.

Umberger, Emily and Tom Cummins, eds. 1995. Native Artists and Patrons in Colonial Latin America. Tucson, Arizona: University of Arizona Press.

Vargas, George, 2000. “A Historical Overview: Update on the State of Chicano Art.” In Chicano Renaissance: Contemporary Cultural Trends, ed. David Maciel, Isidro Ortíz, and María Herrera-Sobek. Tucson: University of Arizona Press.

Vega de Boyrie, Bernardo. 1973. “Un cinturon tejido y una careta de Madera de Santo Domingo, del periodo de transculturación taíno-español.” Boletín del Museo del Hombre Dominicano 3: 199-256.

Villa Rodríguez, José, ed. 2000. Potosí: plata para Europa. Sevilla: Universidad de Sevilla/Fundacíon El Monte.

Visiones apocalípticas: cambio y regeneración. Siglos XVI al XX. 2000. Tepotzotlán, Mexico: Museo Nacional del Virreinato.

Waisman, Marina and Alexander Ricardo Jesse. 1987. Arquitectura colonial argentina. Buenos Aires: Summa.

Weigle, Martha, ed. 1983. Hispanic Arts and Ethnohistory in the Southwest. Santa Fe, New Mexico: Ancient City Press.

Weismann, Elizabeth Wilder. 1976. Americas: The Decorative Arts in Latin America in the Era of the Revolution. Washington, D.C.: Renwick Gallery.

Weismann, Elizabeth Wilder. 1985. Art and Time in Mexico: From the Conquest to the Revolution. New York: Harper and Row.

Weismann, Elizabeth Wilder. 1990. El arte y tiempo en México: de la conquista a la revolución. Mexico City: Harla.

Young, Robert. 1995. Colonial Desire: Hybridity, in Theory, Culture, and Race. London and New York: Routledge.

Zegarra López, Dante. 1985. Monasterio de Santa Catalina de Sena de Arequipa y Da. Ana de Monteagudo, priora. Arequipa: Corporación Departamental de Desarrollo de Arequipa.

 
 


Página Principal
| Informaciones | Temas | Galería | Glosario | Enlaces | Bibliografía | Cultura visual | Contacto

 
 
Derechos reservados © Dana Leibsohn and Barbara Mundy
Favor de citar: Leibsohn, Dana, y Barbara Mundy, Vistas: Cultura visual de Hispanoamérica, 1520-1820.
https://www.smith.edu/vistas, 2005.