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72p.76StijnAlsteensetal.eds.RaphaeltoRenoirDrawingsfromtheCollectionofJeanBonnaNewYorkMetropolitanMuseumofArt2009p.216undercat.95n.2.ExHIBITIONParisGalerielx19OeilDessinsetaquarellesduXIXesi-cle1970cat.34LondonJean-LucBaroniMasterDrawingsandOilSketches2010cat.21.NOTESIamgratefultoJessicaWatsonSmithclassof2011andHenrietteKetsdeVriesfortheirassistancewiththisentry.LindaMuehligandSuzanneFoldsMcCullaghreadearlydraftsandprovidedhelpfulcomments.1.Bazin1987x1394vol.11987pp.165x1369.2.B.220ZoubaloffsketchbookMuseduLouvrefol.45B.755coledesBeaux-ArtsParisB.1146JeanBonnacollectionB.1148SmithCollegeMuseumofArtB.1709pri-vatecollectionB.1710Krugier-PoniatowskicollectionGeneva.3.Bazin1987x1394vol.51992p.76.BazinnotesthatGricaultx19srstbiographerCharlesClmentconsideredthispaintingtohavebeenmadeaftertheartistx19svoyagetoEnglandbutBazinwasoftheopinionthatitwasmadebeforethattrip.4.Itisnotknownhowthistitlewasassignedtothedrawingnorhoworwhyitchangeddur-ingtheinterveningyears.BythetimeitwaspublishedbyBazinin1992hecalleditVuedeMontmartre.5.SeeGaryTinterowx1cHeroicLandscapesTheTimesofDayx1dMetropolitanMuseumofArtBulletin48no.3Winter1990x1391pp.41x1342andBrunoCheniqueinAlsteensetal.2009pp.214x1316cat.95.6.Thereisa4.5-mmdifferencebetweenthelengthsofthejoinedcoledesBeaux-Artssheetsandthedrawingcataloguedhereanda1-mmdifferencebetweentheirheights.ThecoledesBeaux-Artssheetsoverlapatthejoinafactthatisnottakenintoconsiderationinthemeasurements.7.London2010cat.21.8.Thereareanumberofstudiesofupturneddogsx19headsforPortraitofOlivierBroB.17351818.ParticularlynoteworthyinthisregardisasheetinthecollectionofMuseBoymans-VanBeuningenRotterdamB.1739.Otherhunt-ingscenesthatincludeimagesofsnarlingandsnappingdogsB.768x1372aredatedbyEgbertHaverkamp-Bergemannasc.1817x1318seeEgbertHaverkamp-BergemannandAnne-MarieS.LoganEuropeanDrawingsandWatercolorsintheYaleUniversityArtGallery1500x131900NewHavenYale8.Theoilsketchisillustratedonlineatwww.SuperStock.comacommercialsiteforthepurchaseofimages.ItislocatedunderLon-doniox19snameno.1788-13266amongotheroilsketchesbytheartist.Nolocationfortheseworksisgiven.78.Jean-JacquesdeBoissieuPortraitofaFarmhouseoutsideLyon17801800PROVENANCEJ.Pratvielinscriptionversou.c.A.ChariatteL.88aversoc.l.WilliamBatesonL.2604aversoc.l.hissaleSothebyx19sLondonApr.231929lot130VanWisselinghAmsterdamP.D.deBoerFoundationAmsterdam.PurchasedfromW.M.BradyCo.Inc.NewYork1995.NOTES1.Pierre-JeanMariettePhilippedeChenn-eviresandAnatoledeCourdedeMontaigionAbecedariodeP.J.Marietteetautresnotesinditesdecetamateursurlesartsetlesartistes.Ouvragepublidx19aprslesmanuscritsautographesconservsaucabinetdesestampesdelaBibliothqueimprialeetannotparmm.Ph.deChenn-eviresetA.deMontaiglonParisJ.-B.Dumoulin1851vol.1p.143.2.Marie-FliciePrezx1cLesdessinsdeJean-JacquesdeBoissieu1736x131810conservsdanslescollectionspubliquesdeLyonx1dBulletindesMusesetMonumentsLyonnais21993p.35.3.SeeDavidC.A.AgnewProtestantExilesfromFranceintheReignofLouisXIVortheHugue-notRefugeesTheirDescendantsinGreatBritainandIrelandLondonReevesTurner1871p.170alsoWilliamBethamTheBaronetageofEnglandorTheHistoryoftheEnglishBaronetsandSuchBaronetsofScotlandasAreofEnglishFamilieswithGenealogicalTablesandEngravingsofTheirCoatsofArmsIpswichBurrellandBransby1801p.294.79.ThodoreGricaultALandscapeViewLookingtowardMontmartreversoStudiesofaHandandtheHeadandLegsofaDog181718PROVENANCECollectionE.HerriotLyon9CollectionClaudeAubryParis10privatecollectionFrancepur-chasedfromJean-LucBaroniLtd.London2011.LITERATUREJeanSelzXIXthDrawingsandWatercolorsNewYorkCrownPublishers1968p.41GermainBazinThodoreGricaulttudecritiquedocumentsetcatalogueraisonn7vols.ParisBibliothquedesArts1987x1394vol.51992cat.1709andExHIBITIONNationalGalleryofArtWashingtonD.C.Pri-vateTreasuresFourCenturiesofEuropeanMasterDraw-ingsMay6x13Sept.162007notincatalogue.NOTESIamindebtedtoAlvinL.ClarkJr.forshar-ingtheLondoniodrawingleatHarvardandconveyingtheinformationthatformercuratorAgnesMongannotedthatitwasJamesByamShawwhorecognizedLondoniox19shandindraw-ingsatthe1964auctionatSothebyx19sLondon.1.AusefulbibliographyfortheartistappearsinSimonettaCoppaandCristinaGeddoTraArcadiaeilluminismoinLombardiaLaraccoltadistudidiFrancescoLondonioexh.cat.MilanElecta2002.Thecitationsinthiscataloguerevealthateachauthorhaswrittenontheartistanumberoftimessincethe1980sCoppahascontributedentriesonLondoniox19spaintingsinexhibitionandcollectioncataloguesandGeddohaswrit-tenbiographicalmaterialtowhichcanbeaddedherentryinDizionariobiogracodegliItalianiRomeIstitutodellaEnciclopediaItaliana2005vol.65pp.610x1313.Foranoverviewoftheartistx19sworkinallmediaseeMarcoBonaCastellottiandCristinaGeddoFrancescoLondonio1723x131783MilanPivaeCo.1998.TheearliestmodernmonographicstudyisLinaBhmx1cPittorimila-nesidelSettecentoFrancescoLondoniox1dRivistadx19Arteser.216x13171934x1335pp.229x1361.2.SeealsoCoppaandGeddo2002p.16.3.Sothebyx19sLondonMay51964lot170thePropertyoftheExecutorsoftheLateWil-liam7thEarlofDartmouthremovedfromPatshullHouseWolverhamptondescribedasx1cASmallParcelcontainingstudiesofpeasantsmostlychildrenblackandwhitechalksonblueandbuffpaper.x1d4.ByamShawworkedforthermofP.D.Colnaghiformanyyears.Healsoproducedsub-stantialscholarlycataloguesincludingthosefortheItaliandrawingsatChristChurchOxfordandintheLugtCollectionParis.5.CatalogueoftheCollectionofDrawingsItalianSchoolsSupplementOxfordOxfordUniversityPress1980pp.170x1371cat.1021-2A.Macan-drewnotesthatanotherdrawingTwoDonkeysno.1021-2Bisknowninaretouchedcounterproof.6.F.BasanandothersaslistedinMonicaScolaandPaoloBelliniCatalogoragionatodelleinci-sionidiFrancescoLondonioMilanEdi.Artes1994.7.TheetchingisScola86MuccapastorelloegreggeCowShepherdandFlock.Itisundatedbutbasingherjudgmentonstylisticevidencesimi-lartoadatedseriesofprintsScolaplacesitin1763x1364providingasuggesteddateforthisdrawing.