| Presentation
Basket, ca. 1822. María Marta. | ||||||||||
| This extraordinary basket is one of the few works created in Spanish America that was signed by an indigenous woman. Made in the northern reaches of New Spain, in the territory that is currently the state of California in the U.S., this basket is one of several known today that bears imagery adapted from Spanish coins. The woven inscription at the rim of the basket tells us the weaver’s name, and perhaps its patron. It reads, “María Marta, neofita de la mision de el Serafico Doctor San Buenaventura me hizo an…(María Marta, neophyte in the mission headed by the seraphic Doctor San Buenaventura made me in the year…)—the year did not fit upon the basket’s rim. At the time this basket was made, the Chumash people were living in, or under the aegis of Catholic missions. And their baskets became highly-admired, often purchased, collected, or offered as gifts. While it is not known why the pillar motif or the emblems of Castile and León—all of which were drawn from Spanish silver coins—were chosen for the design, Marta followed Chumash practices in her weaving technique, carefully coiling local grasses and plants. Unlike so many works in Vistas, this one was not made within a guild or a male-dominated workshop. Rather, basketry, like other arts practiced by indigenous women, would have been taught informally within the household. As such, the basket is a type of artistic production (small-scale and domestic) that stands at the other end of the spectrum from works produced en masse in large guild workshops. BIBLIOGRAPHY “ Presentation Basket.” In A Century of Collecting: Beginnings: The Phoebe Hearst Era (1901-1920). http://hearstmuseum.berkeley.edu/exhibitions/cent/gallery1_3_9.html. | ||||||||||
| GLOSSARY
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Copyright 2005, Dana Leibsohn and Barbara Mundy Please credit as: Leibsohn, Dana, and Barbara Mundy, Vistas: Spanish American Visual Culture, 1520-1820. https://www.smith.edu/vistas, 2005. |