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Reckoning with Mestizaje

Adorno, Rolena. 1990. “The Depiction of Self and Other in Colonial Peru,” Art Journal 49: 110-118.

Aguilar, María, et al. 1993. Mudéjar iberoamericano: una expresión cultural de dos mundos. Granada: Universidad de Granada.

Alarcón, Norma. 2003. “Traductora, Tradiora: A Paradigmatic Figure of Chicana Feminism.” In Perspectives on Las Américas: A Reader in Culture, History and Representation. Matthew Gutmann, et al., eds. pp. 33-49. London: Blackwell Publishing.

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Carrera, Magali. 2003. Imagining Identity in New Spain: Race, Lineage and the Colonial Body in Portraiture and Casta Paintings. Austin, Texas: University of Texas Press.

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Cummins, Thomas B.F. 1999. "Retrato de los Mulatos de Esmeraldas: don Francisco de la Robe y sus hijos Pedro y Domingo." In Los siglos de oro en los virreinatos de América: 1550-1700, pp. 170-172. Madrid: Sociedad Estatal para la Conmemoración de los Centenarios de Felipe II y Carlos V.

Cummins, Thomas B.F. and William Taylor. 1998. “The Mulatto Gentlemen of Esmeraldas, Ecuador.” In Colonial Spanish America: A Documentary History. Kenneth Mills and William Taylor, eds., pp. 147-149. Wilmington, Delaware: Scholarly Resources.

Deagan, Kathleen and Darcie MacMahon. 1995. Fort Mose, Colonial America’s Black Fortress of Freedom. Gainesville, Florida: University of Florida Press.

Dean, Carolyn. 1996. “The Renewal of Old World Images and the Creation of Colonial Peruvian Visual Culture.” In Converging Cultures: Art and Identity in Spanish America. Diana Fane, ed., pp. 171-182. Brooklyn, New York: The Brooklyn Museum and Harry Abrams.

Dean, Carolyn. 1999. Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru. Durham, North Carolina: Duke University Press.

Deans-Smith, Susan. 2005. "Creating the Colonial Subject: Casta Paintings, Collectors and Critics in Eighteenth-Century Mexico and Spain." Colonial Latin American Review 14 (2): 169-204.

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Estrada de Gerlero, Elena Isabel. 1994. “La plumaria, expresión artística por excelencia.” In Mexico en el mundo de las colecciones de Arte, Nueva España, vol. 1. Pp. 72-117. Mexico City: El Gobierno de la República.

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Fontana, Bernard L. 1994. Entrada: The Legacy of Spain and Mexico in the United States. Tucson, Arizona: Southwest Parks and Monuments Association.

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García Canclini, Nestor. 1995. Hybrid Cultures: Strategies for Entering and Leaving Modernity. Minneapolis, Minnesota: University of Minnesota Press.

García Sáiz, María Concepción. 1989. Las castas mexicanas: un género pictórico americano. Milan: Olivetti.

Gavin, Robin F. 1994. Traditional Arts of Spanish New Mexico: The Hispanic Heritage Wing at the Museum of International Folk Art. Santa Fe, New Mexico: Museum of New Mexico Press.

González, Cristina. 2003. Doña Marina, la Malinche y la formación de la identidad mexicana. Madrid: Encuentro Ediciones.

The Grandeur of Viceregal Mexico: Treasures from the Museo Franz Mayer/ La grandeza del México virreinal:  tesoros del Museo Franz Mayer. 2002. Houston. Texas and Mexico City: The Museum of Fine Arts, Houston and Museo Franz Mayer.

Gruzinski, Serge. 1991. La colonización de lo imaginario: sociedades indígenas y occidentalización en el México español: siglos XVI-XVIII. Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 1993. The Conquest of Mexico: The Incorporation of Indian Societies into the Western World, 16th-18th centuries. Cambridge, Massachusetts: Polity Press.

Gruzinski, Serge. 1994. El águila y la sibila: frescos indios de México. Barcelona: M. Moleiro Editor.

Gruzinski, Serge. 1994. La guerra de las imágenes: de Cristóbal Colón a "Blade Runner" (1492-2019). Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 2001. Images at War: Mexico from Columbus to Blade Runner (1492-2019). Heather MacLean, tr. Durham, North Carolina: Duke University Press.

Guaman Poma de Ayala, Felipe. 1980 [1613]. El primer nueva corónica i buen gobierno, por Felipe Guamán Poma de Ayala (Waman Puma). John V. Murra and Rolena Adorno, eds., Jorge L. Urioste tr. from the Quechua. Mexico City: Siglo Veintiuno.

Guaman Poma de Ayala: The Colonial Art of an Andean Author. 1992. New York: Americas Society.

Herrera, Robinson A. 2003. Natives, Europeans, and Africans in Sixteenth-Century Santiago de Guatemala. Austin, Texas: University of Texas Press.

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Kartunnen, Frances. 1997. “Rethinking Malinche.” In Indian Women of Early Mexico. Susan Schroeder, Stephanie Wood, and Robert Haskett, eds., pp. 291-312. Norman, Oklahoma: University of Oklahoma Press.

Katzew, Ilona, ed. 1996. New World Orders: Casta Painting and Colonial Latin America. New York: Americas Society.

Katzew, Ilona. 2004. Casta Painting: Images of Race in 18th-century Mexico. New Haven, Connecticut: Yale University Press.

Kessell, John L. 1979. Kiva, Cross and Crown: The Pecos Indians and New Mexico, 1540-1840. Washington, D.C.: National Park Service.

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Klor de Alva, J. Jorge. 1995. "The Postcolonization of the (Latin) American Experience: A Reconsideration of 'Colonialism,' 'Postcolonialism,' and 'Mestizaje.'" In After Colonialism: Imperial Histories and Postcolonial Displacements. Gyan Prakash, ed., pp. 241-275. Princeton, New Jersey: Princeton University Press. 

Landers, Jane. 1999. Black Society in Spanish Florida. Urbana: University of Illinois Press.

Lane, Kris. 2002. Quito 1599: City and Colony in Transition. Albuquerque, New Mexico: University of New Mexico Press.

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León Portilla, Miguel. 2002. Bernardino de Sahagún: First Anthropologist. Trans.  Mauricio J. Mixco. Norman, Oklahoma: University of Oklahoma Press.

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Lockhart, James. 1999 [1985, 1993]. "Double Mistaken Identity: Some Nahua Concepts in Postconquest Guise." Of Things of the Indies: Essays Old and New in Early Latin American History. Pp. 98-119. Stanford, California: Stanford University Press.

Lockhart, James. 1992. The Nahuas After the Conquest: A Social and Cultural History of the Indians of Central Mexico, Sixteenth through Eighteenth Centuries. Stanford, California: Stanford University Press.

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López Guzmán, Rafael. 1992. Arquitectura y carpintería mudéjar en Nueva España. Mexico City: Azabache.

López Guzmán, Rafael. 2000. Arquitectura mudéjar: del sincretismo medieval a las alternativas hispanoamericanas. Madrid: Cátedra.

Majluf, Natalia. 1999. Los cuadros de mestizaje del virrey Amat: la representación etnográfica en el Perú colonial. Lima: Museo de Arte.

El mestizaje racial en la pintura colonial americana. 1976. San Juan, Puerto Rico: Instituto Cultural Puertorriqueño.

Mignolo, Walter. 1987. “El mandato y la ofrenda: la Descripcion de la ciudad y provincia de Tlaxcala de Diego Muñoz Camargo, y las Relaciones de Indias.” Nueva Revista de Filologia Hispanica 35 (2): 451-84.

Mignolo, Walter. 1995. The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. Ann Arbor, Michigan: University of Michigan Press.

Miller, Marilyn. 1997. “Covert Mestizaje and the strategy of ‘passing’ in Diego Muñoz Camargo’s Historia de Tlaxcala." Colonial Latin American Review 6 (June): 41-59.

Murúa, Martín de. 1987. Historia general del Perú. Manuel Ballesteros, ed. Madrid: Hermanos García Noblejas.

Oettinger, Marion. 1983. Lienzos coloniales: guía de la exposición de pinturas de terrenos comunales de México (siglos XVII-XIX). Mexico City: Universidad Nacional Autónoma de México.

Palmer, Gabrielle and Donna Pierce. 1992. Cambios: The Spirit of Transformation in Spanish Colonial Art. Santa Barbara, California: Santa Barbara Museum of Art.

Parra, William. 2006. Mestizos y mestizaje en la iconografía colonial venezolana. Caracas: Fundación Editorial El Perry y la Rana.

Perry, Richard and Rosalind Perry. 1988. Maya Missions: Exploring the Spanish Colonial Churches of Yucatan. Santa Barbara, California: Espadaña Press.

Peterson, Jeanette. 1993. The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-century Mexico. Austin, Texas: University of Texas Press.

Phipps, Elena, Johanna Hecht, and Cristina Esteras Martín, eds. 2004. The Colonial Andes: Tapestries and Silverwork, 1530-1830. New York: Metropolitan Museum of Art; New Haven and London: Yale University Press.

Pierce, Donna and Ronald Otsuka. 2009. Asia and Spanish America: Trans-Pacific and Cultural Exchange, 1500-1850. Norman, Oklahoma: University of Oklahoma Press

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Reyes-Valerio, Constantino. 1978. Arte indocristiano: escultura del siglo XVI. Mexico City: Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete", Secretaria de Educación Pública, Instituto Nacional de Antropología e Historia.

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Sullivan, Edward. 2007. The Language of Objects in the Art of the Americas. New Haven and London: Yale University Press.

Szászdi, Adam. 1986. “El Trasfondo de un cuadro: ‘Los Mulatos de Esmeraldas’ de Andrés Sánchez Galque.” Cuadernos Prehispánicos (Valladolid, Spain) 12 (1986-1987): 93-142.

Treib, Marc. 1993. Sanctuaries of Spanish New Mexico. Berkeley and Los Angeles: University of California Press.

Ulloa, Antonio de. 1807. A Voyage to South America: Describing at large the Spanish Cities, Towns, Provinces &c. on that Extensive Continent, 2 vols. Trans. John Adams. London: John Stockdale.

Umberger, Emily and Tom Cummins, eds. 1995. Native Artists and Patrons in Colonial Latin America. Tucson, Arizona: University of Arizona Press.

Vargaslugo, Elisa, et. al. 2005. Imágenes de los naturales en el arte de la Nueva España, siglos XVI-XVIII. Mexico City: Grupo Financiero Banamex.

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Villa Rodríguez, José, ed. 2000. Potosí: plata para Europa. Sevilla: Universidad de Sevilla/Fundacíon El Monte.

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Young, Robert. 1995. Colonial Desire: Hybridity, in Theory, Culture, and Race. London and New York: Routledge.

 

 
 

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Copyright 2010, Dana Leibsohn and Barbara Mundy
Please credit as: Leibsohn, Dana, and Barbara Mundy, Vistas: Spanish American Visual Culture, 1520-1820.
https://www.smith.edu/vistas, 2010.