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Textiles

Der Altertum der Neuen Welt: Voreuropäishe Kulturen Amerikas. 1992. Vienna: Museum für Völkerkunde.

Altieri, Radamés and Carol Mackey, 1990. Quipu y yupana. Lima: Consejo Nacional de Ciencia y Tecnología, Ministerio de la Presidencia.

El arte plumaria en México. 1993. Mexico City: Fomento Cultural Banamex.

Ascher, M and R. Ascher. 1981. The Code of the Quipu: A Study in Media, Mathematics and Culture. Ann Arbor, Michigan: University of Michigan Press.

Bailey, Gauvin. 2005. Art of colonial Latin America. London and New York: Pantheon Books.

Boone, Elizabeth Hill and Tom Cummins, eds. 1998. Native Traditions in the Postconquest World. Washington, D.C.: Dumbarton Oaks Research Library and Collection.

Brumfiel, Elizabeth. 1996. "The Quality of Tribute Cloth: The Place of Evidence in Archaeological Argument." American Antiquity, 61 (3): 453-462.

Cammann, Schuyler. 1964. "Chinese Influence in Colonial Peruvian Tapestries." Textile Museum Journal, 1 (3): 21-34.

Carrera Stampa, Manuel. 1954. Los gremios mexicanos. Mexico City: EDIAPSA.

Cruz de Amenabar, Isabel. 1986. Arte y sociedad en Chile 1550-1650. Santiago de Chile: Ediciones Universidad Católica de Chile.

Cruz de Amenabar, Isabel. 1995. El traje: transformaciones de una segunda piel. Santiago de Chile: Ediciones Universidad Católica de Chile.

Curiel, Gustavo, et al. 1999. Pintura y vida cotidiana. Mexico City: Banamex.

Curiel, Gustavo, et al. 2002. Pintura y vida cotidiana en México: siglos XVII-XX. Seville: Fundación Cultural Banamex, Fundació Caixa de Girona, Fundación el Monte.

Dallas Museum of Art: A Guide to the Collection. 1997. Dallas: Dallas Museum of Art.

Donahue-Wallace, Kelly. 2008. Art and Architecture of Viceregal Latin America, 1521-1821. Albuquerque, New Mexico: University of New Mexico Press.

Estrada de Gerlero, Elena Isabel. 1994. “La plumaria, expresión artística por excelencia.” Inxico en el mundo de las colecciones de Arte, Nueva España, vol. 1. Pp. 72-117. Mexico City: El Gobierno de la República.

Fane, Diana, ed. 1996. Converging Cultures: Art and Identity in Spanish America. Brooklyn, New York: The Brooklyn Museum and Harry Abrams.

Feest, Christian. 1990. “Vienna’s Mexican Treasures. Aztec, Mixtec, and Tarascan Works from 16th-century Austrian Collections.” Archiv für Völkerkunde 44:1-64.

Franz Mayer: una colección. 1984. Mexico City: Museo Franz Mayer.

Gisbert, Teresa, Silvia Arze, and Martha Cajías. 1987. Arte textil y mundo andino. La Paz: Gisbert y Cía.

The Grandeur of Viceregal Mexico: Treasures from the Museo Franz Mayer/ La grandeza del México virreinal:  tesoros del Museo Franz Mayer. 2002. Houston. Texas and Mexico City: The Museum of Fine Arts, Houston and Museo Franz Mayer.

Gretenkord, Barbara. 1993. Künstler der Kolonialzeit in Lateinamerika. Berlin: Akademie Verlag.

Gutiérrez, Ramón. 1995. Pintura, escultura y artes útiles en Iberoamérica, 1500-1825. Madrid: Cátedra.

Jeter, James and Paula Marie Juelke. 1978. The Saltillo Serape. Santa Barbara, California: New World Arts.

Keleman, Pal. 1977. Vanishing Art of the Americas. New York: Walker.

Kennedy, Alexandra. 2002. Arte de la real Audiencia de Quito, siglos XVII-XIX. Hondarribia, Spain: Editorial Nerea.

Kennedy, Alexandra, ed. 1992. Barroco de la Nueva Granada: Colonial Art from Colombia and Ecuador. New York: Americas Society.

Majluf, Natalia, Cristóbal Makowski and  Francisco Stastny. 2001. Art in Peru: Works from the Collection of the Museo de Arte de Lima. Lima, Perú: Museo de Arte de Lima, Promperú.

Mather, Christine. 1983. Colonial Frontiers: Art and Life in Spanish New Mexico: The Fred Harvey Collection. Santa Fe, New Mexico: Ancient City Press.

Melero, José García. 1992. Influencias artísticas entre España y América. Madrid: Editorial MAPFRE.

México en el mundo de las colecciones de arte, Nueva España. 1994. Mexico City: Azabache.

Mexico: Splendors of Thirty Centuries. 1990. New York: Metropolitan Museum of Art.

Money, Mary. 1983. Los obrajes, el traje y el comercio de ropa en La Paz y la audiencia de Charcas. La Paz: Instituto de Estudios Bolivianos, Facultad de Humanidades, UMSA.

Museo de Arte de Lima: 100 obras maestras/Art Museum of Lima: 100 Masterpieces. 1992. Lima, Asociación Museo de Arte de Lima y Banco Latino.

Niles, Susan. 1992. "Artist and Empire in Inca and Colonial Textiles." In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts, Boston. Rebecca Stone-Miller, ed., pp. 51-65. New York: Thames and Hudson.

Palmer, Gabrielle and Donna Pierce. 1992. Cambios: The Spirit of Transformation in Spanish Colonial Art. Santa Barbara, California: Santa Barbara Museum of Art.

Phipps, Elena, Johanna Hecht, and Cristina Esteras Martín, eds. 2004. The Colonial Andes: Tapestries and Silverwork, 1530-1830. New York: Metropolitan Museum of Art; New Haven and London: Yale University Press.

Pierce, Donna and Marta Weigle, eds. 1996. Spanish New Mexico: The Spanish Colonial Arts Society Collection. Santa Fe, New Mexico: Museum of New Mexico Press

Pillsbury, Joanne. 2002. “Inka Unku: Strategy and Design in Colonial Peru.” Cleveland Studies in the History of Art 7: 68-103.

Quilter, Jeffrey and Gary Urton, eds. 2002. Narrative Threads: Accounting and Recounting in Andean Khipu. Austin, Texas: University of Texas Press.

Quiroz Chueca, Francisco. 1986. Las ordenanzas de gremios de Lima (siglos XVI-XVIII). Lima.

Rishel, Joseph with Suzanne Stratton-Pruitt, orgs. 2006. The Arts in Latin America, 1492-1820. New Haven: Yale University Press.

Romero de Terreros, Manuel. 1982. Las artes industriales en la Nueva España. Mexico City: Fomento de Cultura Banamex A.C.

Russo, Alessandra, 2002. “Plumes of Sacrifice: Transformations in Sixteenth-Century Mexican Feather Art.” RES 42 (Autumn): 226-250.

Salomon, Frank. 2004. The Cord Keepers: Khipus and Cultural Life in a Peruvian Village. Durham, North Carolina: Duke University Press.

Sarabia Viejo, M.J. 1994. La grana y el añil: técnicas tintóreas en México y América Central. Seville: Escuela de Estudios Hispanoamericanos.

Sayer, Chloë. 1985. Costumes of Mexico. Austin, Texas: University of Texas Press.

Seibold, Katharine E. 1992.  “Textiles and cosmology in Choquecancha, Cuzco, Peru.” In Andean Cosmologies through Time: Persistence and Emergence. R. Dover, K. Seibold and J. McDowell, eds., pp. 166-201.  Bloomington: Indiana Univ. Press.

Stastny, Francisco. 1981. Las artes populares del Perú. Madrid: Ediciones Edubanco.

Stone-Miller, Rebecca. 1992. To Weave for the Sun: Andean Textiles in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts.

Urton, Gary. 2003. Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records. Austin, Texas: University of Texas Press.

Vega de Boyrie, Bernardo. 1973. “Un cinturon tejido y una careta de Madera de Santo Domingo, del periodo de transculturación taíno-español.” Boletín del Museo del Hombre Dominicano 3: 199-256.

Weigle, Martha, ed. 1983. Hispanic Arts and Ethnohistory in the Southwest. Santa Fe, New Mexico: Ancient City Press.

Weismann, Elizabeth Wilder. 1976. Americas: The Decorative Arts in Latin America in the Era of the Revolution. Washington, D.C.: Renwick Gallery.

 
 

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Copyright 2010, Dana Leibsohn and Barbara Mundy
Please credit as: Leibsohn, Dana, and Barbara Mundy, Vistas: Spanish American Visual Culture, 1520-1820.
https://www.smith.edu/vistas, 2010.