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Books/Manuscripts

1492, An Ongoing Voyage. 1992. Washington, D.C.: Library of Congress.

Acuña, René, ed. 1982-1988. Relaciones geográficas del siglo XVI, 10 vols. Mexico City: Universidad Nacional Autónoma de México.

Adorno, Rolena. 1990. “The Depiction of Self and Other in Colonial Peru,” Art Journal 49: 110-118.

Adorno, Rolena. 2000. Guaman Poma: Writing and Resistance in Colonial Peru. Austin, Texas: University of Texas Press/Institute of Latin American Studies.

America Bride of the Sun. 1992. Antwerp: Royal Museum of Fine Arts.

Anderson, Arthur J.O., Frances Berdan and James Lockhart. 1976. Beyond the Codices. Los Angeles, California: University of California Press.

Berdan, Frances and Patricia R. Anawalt. 1997. The Essential Codex Mendoza. Berkeley and Los Angeles, California: University of California Press.

Bermúdez, Jorge R. 1990. De Gutenberg a Landaluze. Havana: Editorial Letras Cubanas.

Bleichmar, Daniela. 2006. "Painting as Exploration: Visualizing Nature in 18th-century Colonial Science." Colonial Latin American Review 15 (1): 81-104.

Boone, Elizabeth Hill. 1983. The Codex Magliabechiano and the Lost Prototype of the Magliabechiano Group. Los Angeles, California: University of California Press.

Boone, Elizabeth Hill. 2000. Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs. Austin, Texas: University of Texas Press.

Boone, Elizabeth Hill and Tom Cummins, eds. 1998. Native Traditions in the Postconquest World. Washington, D.C.: Dumbarton Oaks Research Library and Collection.

Brienen, Rebecca P. and Margaret A. Jackson, eds. 2008. Invasion and Transformation: Interdisciplinary Perspectives on the Conquest of Mexico. Boulder: University Press of Colorado.

Brown, Larissa. 1988. Africans in the New World, 1493-1834: An Exhibition at the John Carter Brown Library. Providence, Rhode Island: John Carter Brown Library.

Bucher, Bernadette. 1981. Icon and Conquest: A Structural Analysis of the Illustrations of de Bry’s Great Voyages. Chicago and London: University of Chicago Press.

Carrasco, David and Scott Sessions, eds. 2007. Cave, City and Eagle Nest: an Interpretive Journey through the Mapa de Cuauhtinchan no. 2. Albuquerque, New Mexico: University of New Mexico Press.

Cieza de León, Pedro. 1984 [1553]. Crónica del Perú, Primera Parte. F. Pease, ed. 2nd edition. Lima, Peru. 

Conley, Tom. 1992. “De Bry’s Las Casas.” In Amerindian Images and the Legacy of Columbus. René Jara and Nicholas Spadaccini, eds., pp. 103-131. Minneapolis, Minnesota and London: University of Minnesota Press.

Cummins, Thomas B.F. 1994. “De Bry and Herrera: 'Aguas Negras' or the Hundred Years War Over an Image of America.” In Arte, Historia e Identidad en América: Visiones Comparativas. Gustavo Curiel, Renato González Mello, Juana Gutiérrez Haces, eds., pp. 17-31. Mexico City: Universidad Nacional Autónoma de México.

Cummins, Thomas B. F. and Barbara Anderson. 2008. The Getty Murúa: Essays on the Making of Martín de Murúa's "History general del Piru." Los Angeles, California: Getty Research Institute.

Diel, Lori Boornazian. 2008. The Tira de Tepechpan: Negotiating Place under Aztec and Spanish Rule. Austin, Texas: University of Texas Press.

Donahue-Wallace, Kelly. 2001. “Printmakers in Eighteenth-Century Mexico City: Francisco Sylverio, José Mariano Navarro, José Benito Ortuño, and Manuel Galicia de Villavicencio.” Anales del Instituto de Investigaciones Estéticas, 78: 221-234.

Douglas, Eduardo. 2010. In the Palace of Nezahualcoyotl: Painting, Manuscripts, Writing the Pre-Hispanic Past in Early Colonial Tetzcoco, Mexico. Austin: University of Texas Press.

Duviols, Jean-Paul and Charles Minguet. 1994.  Humboldt: savant-citoyen du monde. Paris: Gallimard.

Estrada de Gerlero, Elena I. 1994. "La labor anticuaria novohispana en la época de Carlos IV; Guillermo Dupaix, precursor de la historia del arte prehispánico." In Arte, historia e identidad en America: visiones comparativas, ed. Gustavo Curiel et al., 1:191-205. Mexico City: Universidad Nacional Autónoma de México.

Fajardo de Rueda, Marta. 1994. “La obra artística de la real expedición botánica del Nuevo Reino de Granada, 1783-1816.” In Arte, Historia e Identidad en América, Visiones comparatives, tomo I. Pp. 206-221. Mexico City: Universidad Nacional Autónoma de México/Instituto de Investigaciones Estéticas.

Fajardo de Rueda, Marta. 1999. El arte colonial neogranadino a la luz del estudio iconográfico e iconológico. Santafé de  Bogotá: Convenio Andrés Bello.

Gibson, Charles. 1971. The Black Legend: Anti-Spanish Attitudes in the Old World and New. New York: Alfred A. Knopf.

Gisbert, Teresa and José de Mesa. 1986. La tradición bíblica en el arte virreynal. La Paz: Los Amigos del Libro.

Gruzinski, Serge. 1991. La colonización de lo imaginario: sociedades indígenas y occidentalización en el México español: siglos XVI-XVIII. Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 1993. The Conquest of Mexico: The Incorporation of Indian Societies into the Western World, 16th-18th centuries. Cambridge, Massachusetts: Polity Press.

Gruzinski, Serge. 1994. La guerra de las imágenes: de Cristóbal Colón a "Blade Runner" (1492-2019). Mexico City: Fondo de Cultura Económica.

Gruzinski, Serge. 2001. Images at War: Mexico from Columbus to Blade Runner (1492-2019). Translated by Heather MacLean. Durham, North Carolina: Duke University Press.

Guaman Poma de Ayala, Felipe. 1980 [1613]. El primer nueva corónica i buen gobierno, por Felipe Guamán Poma de Ayala (Waman Puma). John V. Murra and Rolena Adorno, eds., Jorge L. Urioste tr. del quechua.  Mexico City: Siglo Veintiuno.

Guaman Poma de Ayala: The Colonial Art of an Andean Author. 1992. New York: Americas Society.

Gutiérrez Haces, Juana. 1995. “Las antigüedades Mexicanas en las descripciones de don Antonio de León y Gama." In Los discursos sobre el arte. Juana Gutiérrez Haces, ed., pp. 121-146. Mexico City: Universidad Nacional Autónoma de México.

Hampe, Theodor. 1994 [1927]. Authentic Everyday Dress of the Renaissance: All 154 Plates from the “Trachtenbuch.” New York: Dover Publications.

Haskett, Robert. 2005. Visions of Paradise: Primordial Titles and Mesoamerican History in Cuernavaca. Norman: University of Oklahoma Press.

Histoire naturelle des Indes: The Drake Manuscript In the Pierpont Morgan Library. 1996. New York: Norton.

The Huarochirí Manuscript: A Testament of Ancient and Colonial Andean Religion. 1991. Frank Salomon and George L. Urioste, tr.; annotations and introductory essay by Frank Salomon; transcription by George L. Urioste. Austin, Texas: University of Texas Press.

Huarochirí : manuscrito quechua del siglo XVII. 2001. Gerald Taylor, tr. Lima, Perú: IFEA, Lluvia Editores.

Johnson, Julie Greer. 1988. The Book in the Americas: The Role of Books and Printing in The Development of Culture and Society in Colonial Latin America. Providence, Rhode Island: John Carter Brown Library.

Kagan, Richard. 1998. Imágenes urbanas del mundo hispánico, 1493-1780. Madrid: Viso.

Kagan, Richard. 2000. Urban Images of the Hispanic World, 1493-1793. New Haven, Connecticut and London: Yale University Press.

Kellogg, Susan and Matthew Restall, eds. 1998. Dead Giveaways: Indigenous Testaments of Colonial Mesoamerica and the Andes. Salt Lake City, Utah: University of Utah Press.

Kennedy, Alexandra, ed. 1992. Barroco de la Nueva Granada: Colonial Art from Colombia and Ecuador. New York: Americas Society.

Kraemer, Ruth and Verlyn Klinkenborg. 1996. The Drake Manuscript in the Pierpont Morgan Library: Histoire naturelle des Indes.  London: André Deutsch.

Kubler, George. 1985. “The Colonial Plan of Cholula.” In Studies in Ancient American and European Art: The Collected Essays of George Kubler. Thomas Reese, ed., pp. 92-101. New Haven, Connecticut: Yale University Press.

Kubler, George. 1985. Studies in Ancient American and European Art: The Collected Essays of George Kubler. Thomas Reese, ed. New Haven, Connecticut: Yale University Press.

Kubler, George. 1991. Esthetic Recognition of Ancient Amerindian Art. New Haven, Connecticut: Yale University Press.

Lara, Jaime. 2008. Christian texts for Aztecs: Art and Liturgy in Colonial Mexico. Notre Dame, Indiana: University of Notre Dame Press.

Lee, Jongsoo. 2008. The Allure of Nezahualcoyotl: pre-Hispanic History, Religion and Nahua Poetry. Albuquerque: University of New Mexico Press.

Leibsohn, Dana. 2009. Script and Glyph: Pre-Hispanic History, Colonial Book-Making and the Historia Tolteca-Chichimeca. Washington, D.C.: Dumbarton Oaks Research Library and Collection.

León Portilla, Miguel. 1999. Bernardino de Sahagún: pionero de la Antropología. Mexico City: Universidad Nacional Autónoma de México.

León Portilla, Miguel. 2002. Bernardino de Sahagún: First Anthropologist. Trans.  Mauricio J. Mixco. Norman, Oklahoma: University of Oklahoma Press.

León y Gama, Antonio. 1792, reissued, with additions, 1832. Descripción histórica y cronológica de las dos piedras que se hallaron en la Plaza Principal de México. Mexico.

Lockhart, James. 1992. The Nahuas After the Conquest: A Social and Cultural History of the Indians of Central Mexico, Sixteenth through Eighteenth Centuries. Stanford, California: Stanford University Press.

López Baralt, Mercedes. 1989. Icono y conquista: la crónica de Indias ilustrada como texto cultural. Madrid: Hiperión.

MacCormack, Sabine. 1991. Religion in the Andes: Vision and Imagination in Early Colonial Peru. Princeton, New Jersey: Princeton University Press.

Macera, Pablo, Arturo Jiménez Borja and Irma Franke. 1997. Trujillo del Perú. Baltazar Jaime Martínez Compañón. Acuarelas—Siglo VIII. Lima: Fundación del Banco Continental. 

Martínez, Pedro Santos. 1994. Mapas, planos, croquis y dibujos sobre Cuyo durante el período hispánico (1561-1810). Mendoza: Ediciones Culturales de Mendoza, Junta de Estudios Históricos de Mendoza. 

Martínez de Compañón, Baltazar Jaime. 1978-1985-1994. Trujillo del Perú, a fines del S. XVIII, dibujos y acuarelas que mandó hacer el Obispo don Baltazar J. Martínez de Compañón. 9 vols. Madrid: Cultural Hispánica.

Mason, Peter. 1994. "From Presentation to Representation: Americana in Europe." Journal of the History of Collections 6: 1-20.

Massing, Jean Michel. 1991. “Early European Images of America: The Ethnographic Approach.” In Circa 1492: Art in the Age of Exploration. Jay Levenson, ed., pp. 515-520. Washington, D.C.: National Gallery of Art.

Megged, Amos. 2010. Social Memory in Ancient and Colonial Mesoamerica. Cambridge: Cambridge University Press.

México en el mundo de las colecciones de arte, Nueva España. 1994. Mexico City: Azabache.

Mexico: Splendors of Thirty Centuries. 1990. New York: Metropolitan Museum of Art.

Mignolo, Walter. 1987. “El mandato y la ofrenda: la Descripción de la ciudad y provincia de Tlaxcala de Diego Muñoz Camargo, y las Relaciones de Indias.” Nueva Revista de Filologia Hispanica 35 (2): 451-84.

Mignolo, Walter. 1995. The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. Ann Arbor, Michigan: University of Michigan Press.

Miller, Marilyn. 1997. “Covert Mestizaje and the strategy of ‘passing’ in Diego Muñoz Camargo’s Historia de Tlaxcala." Colonial Latin American Review 6 (June): 41-59.

Minguet, Charles 1985. Alejandro de Humboldt, historiador y geógrafo de la América Española (1799-1804). J. Padín Videla, trans. México, D.F.: Universidad Nacional Autónoma de México.

Mínguez Cornelles, Víctor. 1995. Los reyes distantes: Imágenes del poder en el México virreinal. Castelló de la Plana: Universitat Jaume I.

Mundy, Barbara. 1996. The Mapping of New Spain: Indigenous Cartography and the Maps of the Relaciones Geográficas. Chicago: University of Chicago.

Murúa, Martín de. 1987. Historia general del Perú. Manuel Ballesteros, ed. Madrid: Hermanos García Noblejas.

Noguez, Xavier, 2001. “Techialoyan Manuscripts,” In Oxford Encyclopedia of Mesoamerican Cultures. Ed. Davíd Carrasco. Vol. 3, pp. 189-190. New York: Oxford University Press.

Noguez , Xavier and Stephanie Wood, eds. 1998. De tlacuilos y escribanos: estudios sobre documentos indígenas coloniales del centro de México. Mexico: El Colegio de Michoacán; Zinacantepec: El Colegio Mexiquense.

Oettinger, Marion. 1983. Lienzos coloniales: guía de la exposición de pinturas de terrenos comunales de México (siglos XVII-XIX). Mexico City: Universidad Nacional Autónoma de México.

Palop Martínez, Josefina and Alejandro Cerdá Esteve, 1997. "Nuevos documentos sobre las expediciones arqueológicas de Guillermo Dupaix por México, 1805-1808." Revista Española de Antropología Americana 27: 129-152.

Peterson, Jeanette. 1988. “The Florentine Codex Imagery and the Colonial Tlacuilo.” In The Work of Bernardino de Sahagún: Pioneer Ethnographer of Sixteenth-Century Aztec Mexico. Jorge Klor de Alva, H.B. Nicholson and Eloise Quiñones Keber, eds. Pp. 275-294. Albany, New York: Institute of Mesoamerican Studies.

Peterson, Jeanette. 2003. “Crafting the Self: Identity and the Mimetic Tradition in the Florentine Codex.” In Sahagún at 500: Essays in Commemoration of the Quincentenary of the Birth of Fr. Bernardino de Sahagún.  John Schwaller, ed. Washington, D.C.: The Academy of American Franciscan History.

Quiñones Keber, Eloise. 2002. Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún. Boulder, Colorado: University of Colorado Press.

Rama, Angel. 1982. Transculturación narrativa en América Latina. Mexico City: Siglo Veintiuno.

El Regreso de Humboldt: exposición en el Museo de la Ciudad de Quito, junio-agosto del 2001. 2001. Quito.

Robertson, Donald. 1975. “Techialoyan Manuscripts and Paintings, with a Catalog.” In Handbook of Middle American Indians, Vol. 14, pp. 253-280. Howard Cline, ed. Austin: University of Texas Press.

Robertson, Donald. 1994 [1959]. Mexican Manuscript Painting of the Early Colonial Period: The Metropolitan Schools. Introduction by Elizabeth Hill Boone. Norman, Oklahoma: University of Oklahoma.

Russo, Alessandra, 2005. El realismo circular: tierras, espacios y paisajes de la cartografía novohispana, siglos XVI y XVII. Mexico City: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas.

Sahagún, Bernardino de. [1565-1580] 1959. Historia general de las cosas de Nueva España, vol. 10. A.J.O. Anderson and Charles Dibble, ed. and tr., 83-97. Salt Lake City, Utah and Santa Fe, New Mexico: University of Utah Press and School of American Research.

Sahagún, Bernardino de. 1979. Códice Florentino de Fray Bernardino de Sahagún, facsimile edition, 3 vols. Florence and Mexico: Giunti Barbera and the Archivo General de la Nación.

Sánchez, Joseph. 1990. Spanish Colonial Research Center Collection of Spanish Colonial Maps, Architectural Plans and Sketches. Albuquerque, New Mexico: Spanish Colonial Research Center, National Park Service.

Sir Francis Drake: An Exhibition to Commemorate Francis Drake's Voyage Around the World, 1577-1580. 1977. London: The British Library.

El sitio de Guaman Poma/The Guaman Poma Website. Royal Library of Denmark. http://www.kab.dk/elib/mss/poma.

Shean, Julia. 2009. "'From His Roots a Branch Will Bear Fruit': The Developments of Missionary Iconography in Late 18th-century Cult Images of Sebastian de Aparicio (1502-1600)." Colonial Latin American Review 18 (1): 17-50.

Terraciano, Kevin. 2002. Mixtecs of Colonial Oaxaca: Nudzahui History, Sixteenth through Eighteenth Centuries. Stanford: Stanford University Press.

Umberger, Emily and Tom Cummins, eds. 1995. Native Artists and Patrons in Colonial Latin America. Tucson, Arizona: University of Arizona Press.

Weiditz, Christoph. 2001. El Códice de los trajes (Trachtenbuch). Valencia, Spain: Grial.

Weigle, Martha, ed. 1983. Hispanic Arts and Ethnohistory in the Southwest. Santa Fe, New Mexico: Ancient City Press.

 
 

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Copyright 2010, Dana Leibsohn and Barbara Mundy
Please credit as: Leibsohn, Dana, and Barbara Mundy, Vistas: Spanish American Visual Culture, 1520-1820.
https://www.smith.edu/vistas, 2010.