When Paula Ferris Einaudi ’65 arrived at Smith for commencement and reunion celebrations in May, she immediately went in search of a beloved campus touchstone: a bronze owl sculpture by artist Leonard Baskin that had stood in front of Wright Hall since 1963.
Einaudi, a former Smith trustee who lives in Maryland, was alarmed when she crossed Chapin Lawn and saw “a big hole in the ground” where the owl should be.
“I started asking around to see where it had gone,” she says. “The owl is such a wonderful piece of art! And it’s something my class took such pleasure in.”
Einaudi was relieved to learn that the iconic bird sculpture—which is part of the Smith College Museum of Art’s collection—had been moved in March to a spot in Capen Garden, as its original location is in the footprint of the new Neilson Library. A harness and protective lumber frame were rigged to protect the owl and its granite base during the move.
For Einaudi and other members of the class of 1965, the change brought back vivid memories of another owl move that temporarily ruffled feathers on campus.
It was 1985, the year of the class’ 20th reunion. Eager to visit the owl sculpture, alumnae were dismayed to discover it had disappeared from its perch in front of Wright Hall.
“It had been removed during another library renovation that was going on at the time, and nobody seemed to know where it was,” recalls Peggy White Leppik ’65 of Minnesota, who had just been elected class president.
Leppik—a former 12-year member of the Minnesota House of Representatives—organized an informal search party to track down the huge bronze bird.
They finally found the sculpture in a basement storage area “upside down with its feet in the air,” Leppik says. “We decided that just could not be. We wanted to see to it that the owl was remounted in front of Wright Hall.”
Why was the owl so important to members of the class of 1965?
Einaudi says one reason is that its creator, world-renowned sculptor and graphic artist Leonard Baskin, was a member of the faculty at Smith. (Baskin—who taught at Smith from 1953 to 1974—died in 2000 at the age of 77.)
Leppik says students of her era also enjoyed playful interactions with the owl, frequently leaving eggs beneath it and decorating the sculpture with leis, scarves and hats.
“We made the owl our class logo,” Leppik says. “We just felt really attached to that bird.”
After finding the owl in storage, members of the class of ’65 launched a fundraising drive as part of their 25th reunion class gift to return the sculpture to its home base in front of Wright Hall—a spot originally commissioned by an anonymous donor, according to a news release in the Smith College Archives.
“The new bronze owl will brave the winter snows and summer sun of Northampton from a three-foot pedestal in front of the recently completed Wright Hall,” it reads. “The giant bird, which measures approximately a yard from beak to tail feathers and somewhat less across its massive chest,…is a unique cast, commissioned specifically by an anonymous donor for its present location.”
In a ceremony held in 1990—the class of 1965’s 25th reunion year—the owl was returned to its pedestal with a new plaque inscribed with a quote from Shakespeare’s A Midsummer Night’s Dream: “The clamorous owl that nightly hoots/And wonders/At our quaint spirits.”
Regardless of the owl’s location after work on a new Neilson is completed in 2020, Einaudi and Leppik hope the artwork will remain an icon for future generations of Smithies.
“The owl was part of my Smith experience right from the start,” says Einaudi. “It’s just such an important part of the community.”