b'connecting people to art8above:Aprile Gallant, associate director of curatorial affairs and senior curator of prints, drawings and photographsMORE THAN A PASSIVE STOREHOUSE FOR traveling exhibitions spanning three centuries. Becoming artworks, a museum is built by people for people.a Woman in the Age of Enlightenment: French Art from Collections are ongoing resources for study and inquiry;the Horvitz Collection illuminated the ways that what exhibitions provide access to works not commonly seenit meant to be a woman were described, theorized or give a new perspective on works that may be familiar.and codified during the Enlightenment in 18th-centuryAnd what makes it all possible are the staff and visitorsFrance. This provided one view on a complex topic. who activate works of art, elucidating the goals of theConnected installations, including The Many Facesartist and creating new ways of uncovering content.of Womanhood in East Asia, Lauren Greenfield: GirlThis is particularly true for a college art museum, whereCulture and Inas Halabi: Letters to Fritz and Paul, interdisciplinary learning is the goal. Theoretically, aprovided complementary explorations of themes from student may visit the museum with multiple classes,the exhibition, broadening the topic to include new making connections and generating knowledgevantage points. Similarly, the online resource Thinking through contact with the same objects consideredAbout Womxn Today created by Tara Sacerdote 18 through different disciplinary lenses.provided an updated view of the woman question. In order to reach the largest number of people,A rich slate of programs, from a lecture by exhibition the exhibition and collecting program at SCMA is wide- curator Melissa Hyde to a program for toddlers, opened ranging. In 20182019, the staff presented two majorup the exhibition to SCMAs varied audience.connecting people to art'