Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82HIGHLIGHT: WALKER THIS WORK IS PART OF AN EARLY SERIES OF NINE works called disasters by multimedia artist Kelley Walker. Appropriating an image of a destroyed bridge, the artist digitally re-colored the river in day-glo orange, yellow and green, and applied the text “resist capitalism/ interrogate spatial relationships.” These two interven- tions change the image from a photo document of a specific event to a work that brings into question the specific roles of photography, fine art and propaganda, as well as the role of the artist and the creation of the unique art object. Walker further plays with these notions by including a CD that contains a digital file of the image with each print. With the CD, he invites further partici- pation on the part of the owner/viewer/audience: The disc and the image it contains can be reproduced and disseminated as often as the holder desires. Whoever receives a copy of the disc or image can likewise reproduce/disseminate either as desired and so on. Furthermore, anyone with a disc or reproduction can manipulate the image and reproduce/disseminate it in its altered state. All forms of reproduction/deviation derived from the image on the disc signed Kelley Walker perpetuate a continuum correlating to the artwork. ...” This represents an open invitation to participate in creating new meanings for the artwork, and engaging in an open dialogue around a diversity of cultural issues presented. ABOVE: Kelley Walker. American, born 1969 laughing, we joked that under the paving stones, there was gold from disasters, 2001 CD ROM and inkjet print Gift of Anne Donovan Bodnar, class of 1978 58 ACQUISITIONS