Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 8227 DEFA Film Library, which, in conjunction with the exhibition, organized a Kollwitz-related film series and launched Images of a Life, a newly remastered Kollwitz film. One of the most important collaborations happened with the Davis Museum at Wellesley College, which planned a Kollwitz exhibition for the spring of 2015. The joint production of a catalogue, Käthe Koll- witz and the Women of War: Femininity, Identity, and Art in Germany during World Wars I and II, which was the first book-length English-language study of Kollwitz in two decades, crystallized the collaborative exchang- es between the shows. Available from Yale University Press, it was written by staff and faculty at both institu- tions and edited by Claire Whitner, associate director of curatorial affairs and senior curator of the Davis Museum. Besides the Library of Congress, our generous lenders included the William Benton Museum of Art in Connecticut, Galerie St. Etienne in New York and the private collector Lisa Baskin. We are indebted to the Baltimore Museum of Art and an anonymous collector for the loans of the sculptural works. Taiga Ermansons AC ‘03 was the lead educator for this exhibition. Mothers’ Arms: Käthe Kollwitz’s Women and War was funded in part by the Louise Walker Blaney, class of 1939, Fund for Exhibitions; the Maxine Weil Kunstadter, class of 1924, Fund; the Publications and Research Fund of SCMA; the Massachusetts Cultural Council, a state agency; and the Carlyn Steiner ’67 and George Steiner Endowed Fund, in honor of Joan Smith Koch. OPPOSITE: Hildegard Bachert, Kollwitz expert and co-director of Galerie St. Etienne, New York, NY, and Henriette Kets de Vries, curator of the Kollwitz exhibition, in the Cunningham Center ABOVE: Student visitors in the exhibition during Night at Your Museum 2016 For detailed information about this exhibition and related programs visit the Mothers’ Arms website: