Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18
36THELEGACYoFDWIGHTTRYoNANDCHARLESFREERcmmunitytappreciateartrmtherculturesandtheprinciplesitshareswithWesternart.HeparticularlypraisedanumberinterestingpaintingsincludingKurdaTksCarpwhichisnwattheFreerGalleryArtg.18.20InterestinglyTrynhimselwasalverbatingandshingandtenenjyedsummerutdractivitiesnthecastNewEngland.SurelyFreerwasrememberingthispastimehisldriendwhenhesentTrynaMingdynastyhangingscrllagiantjumpingcarpawrkthatTryneventuallygavettheMuseumin1921cat.n.9.21InfuencedbyFreerTrynalsbegantcllectJapaneseprintsandChineseceramicsinthemid1890sreceivingccasinalgitsvertheyearsaswellasabequestAsianantiquitiesrmFreer.ocurseFreerwasasignicantinfuenceinpersuadingTryntheimprtantrlethatartrmnnWesternculturesculdplayinthedevelpmentstudentsabilitytcreateandappreciateart.InalettertTrynFreerwrtetheappreciatinbeautyculdbestrengtheneddeepenedandbradenedbyintelligentcmparativestudysuggestingthatAsianartshuldbeusedthelpstudentsWesternartsearchrultimatebeauty.22TryncertainlyhadlearnedthrughFreersexhibitinthevalueAsianartrteachingstudentsanderingviewersinspiratinalmmentsespeciallyatatimewhentheArtsandCratsMvementbegantthriveinNewEngland.AsaresultinMarch1901FIG.18.KurdaTk.Japanese17851846.Carp.Edperidrsthal19thcentury.Hangingscrllinkandclrnsilk17x33in.44.9x85.8cm.FreerGalleryArtSmithsnianInstitutinWashingtnD.C.GitCharlesLangFreerF1896.92.