Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18
34THELEGACYoFDWIGHTTRYoNANDCHARLESFREERtheseag.17.ThesubtlegradatindarkblueinthisseascapealsrefectsacldausteritythatpssiblyinspiredTrynwhiletravelingtMaineearlierthatyear.InalettertTrynFreerexpressedhisexcitementabutthequalitythispaintingcmparingitttheamusmasterpieceshesawinKytItisawonderMarvelouslyconvincingtremendouslypowerulandextremelydignifed.Nothingcouldbemoretruthulandatthesametimesosubtle....CertainlyIhaveseennothingmoresuggestiveothatparticularmoodothesea.ThecoloringisverybeautiulanditsdirectnessrecallstheworkothegreatmastersotheearlyKanoschoolSesshuSessonandMasunobu.InoneothegreatKyototemplesthereisaninkpaintingoahugewaterallbyaSungpaintercalledOkamatsu....Ibelieveittobeoneothegreatestpicturesinexistence.YouIamsurewouldbeascinatedbyit.Itsgreatqualitiesaresimplicitylineandntanlightanddark....16FreerparticularlycmparedTryntnethebestAsianmastersWangWei699759Tang-dynastyChinacitingthewrkbthartistsassurcesspiritualinspiratin.InhisreplyTrynagreedthatartistsdierentculturesandperidsallhadtheabilitytcaptureinrmandcmpsitinthesubtleeectsnaturebecausetheyallbelngedtatimelesscmmunitycreativeindividuals.17IndeedtheartistandhispatrnsharedarenedtasteandbeliethatcametundamentallyshapetheirviewsarteducatinandcllectingtheFIG.17.DwightTryn.TheSeaEvening.1907.oilncanvas30x47in.76.2x121.8cm.FreerGalleryArtSmithsnianInstitutinWashingtnD.C.GitCharlesLangFreerF1907.151.