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31settingsdecratedinsubduedclrschemes.TheTnalistexperimentsTrynpursuedduringthislngprjectgreatlyshapedhislaterstylisticdevelpment.InparticularTrynmusthavecnsideredtheprinciplesAsianartinrdertcatertFreerstaste.WhilecmmentingnthesuccessulapplicatinclrsintherstpanelpaintingthisprjectSpringtimeTryntldFreerthattheclrandrmalelementsthispaintingremindedhimsmeveryldJapanesewrkswhichencuragedhissearchranindenableminglingrealandidealinthislandscapeg.13.7InthellwingyearsFreerbecameTrynsprincipalpatrnandassembledagrupmrethanseventywrksbythisartistwhicheventuallybecamesecndinsizenlythiscllectinWhistlerspaintings.FreerrepeatedlyexpressedhisadmiratinrtheevcativescenesandmdshitsdiferentseasnsandtimesdayinTrynslandscapeswhichhethughttenpssessedapeticsplendrrivalingnaturehersel.8AtthesuggestinartistandcllectrriendssuchasWhistlerFreertheninhisthirtiesbegantcllectJapaneseart.HisrstacquisitinqualitywasasmallanpaintingbyogataKrin1658-1716purchasedrmaNewYrkdealerin1887.9AttractedbytheaestheticprinciplestheorientFreerexpandedhiscllectinashisinterestgrewvertime.ItisntsurprisingthatthepaintingsbthWhistlerandTrynplayedakeyrleinshapingFreersvisinrcllectingAsianartallwinghimtbetterappreciatesubtletiesclrandtexturewithhiscultivatedeye.10TheelabratesuracequalityTrynswrkrinstanceFIG.13.DwightTryn.Springtime.1892.oilncanvas38x83in.96.8x211.4cm.FreerGalleryArtSmithsnianInstitutinWashingtnD.C.GitCharlesLangFreerF1893.14.