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13WomanwithaMonkeySheelersRollingPowerndmnothers.WhenhecollectedrtootherculturesAottschoicesrefectedtheestheticinterestsomodernistrtistssuchstheexquisiteLuceremonilxeththepurchsedinPrisin1939ndpreColuminhachacquiredin1934.7AsinrtwslrgelsentromAottsprogrmwiththeexceptionomodestnumerogitsromlumne.ThisegntochngeundertheledershipoEdgrSchenckwhocmetoSmithin1947romtheHonoluluAcdemoArtswherehehdeendirectorortwelveers.APrincetontrinedrthistorinSchencksexpertisewsinOrientlndPolnesinrtsndwesternpintingintereststhtinormedhiscontriutiontoSCMAduringhisrietenure.Schenckletin1949tossumethedirectorshipotheAlrightKnoxArtGller.8HismjorcquisitionortheMuseumwsyundnstpintingDepartureofLadyWenjifromtheNomadCampct.no.8workwithsignicntprovenncehvingcomeromtheimportntcollectionoChinesepintingsormedMr.ndMrs.G.DelDrgooNewyork.SchencklsonurturedgitstothecollectionnotlgrouponineChineseworksgivenin1947WillimS.T.ChngthtincludedlovelnpintingSolitaryMonasteryinMountainsyoZhengongct.no.11.InthedecdesollowingWorldWrIISCMAscollectionegntogrowmorerpidlsustntillthroughgits.WhilegitshdlongplednimportntroleinthecollectionsdevelopmentinthemidtwentiethcenturtheproportionocquisitionsmdedontionversuspurchseshiteddrmticllsseriesoprivtecollectionscmetoSCMAexpndingnddeepeningtheMuseumsholdings.SomeothesecontriutionsuiltupontheoundtionslidChurchillndAottorexmplegitsmdeetween1950nd1968sistersAdelineFlintWingclsso1898ndCrolineRoertWingclsso1896omorethn250AmericnndEuropenworksortorthegitsmdeetween1969nd1983SelmErvingclsso1927o757superImpressionistndPostImpressionistworksonpper.OtherdontionsnotlcollectionsoChineseJpnesendIndinrtdiversiedtherngeoSCMAsholdingsestlishingnewresostrengthinAsinrt.TherstothesewsMr.ndMrs.IvnB.Hrtsgitsin195962ocollectionotthreerchicChinesejdesprimrildtingtotheShngndZhoudnstiesincludingtheBladeHornedOwlndBird-shapedPendanteturedinthisctloguect.nos.12and2b.ThismrkedturningpointintheMuseumscollectinginnumerows.NotonlweretheseSCMAsrst