An introduction to some of the major perspectives, themes and issues in the field of Afro-American studies. The focus is on the economic, social and political aspects of cultural production, and how these inform what it means to read, write about, view and listen to Black culture.

This course examines historical, critical and theoretical perspectives on the development of Black feminist theory/praxis. The course draws from the 19th century to the present, but focuses on the contemporary Black feminist intellectual tradition that achieved notoriety in the 1970s and initiated a global debate on Western and global feminisms. Central to the exploration is the analysis of the intersectional relationship between theory and practice, and of race, gender and class. The course concludes with the exploration of various expressions of contemporary Black feminist thought around the globe as a way of broadening our knowledge of feminist theory.

Offered as AFR 170 and ENG 235. An introduction to the themes, issues and questions that shaped the literature of African Americans during its period of origin. Texts include poetry, prose and works of fiction. Writers include Harriet Jacobs, Frances Harper, Charles Chesnutt, Frederick Douglass and Phillis Wheatley.

Designed to introduce students to the methods of inquiry used for research in Africana Studies. Through intensive study of a single topic (past examples: Toni Morrison's Beloved, the American South, The Black Seventies) students consider the formation of the field, engage canonical texts, attend lectures and learn from scholars whose work is based in a variety of disciplines. Focus is on the challenges and opportunities made possible by doing multi- and interdisciplinary research: how and why scholars ask and approach research questions and have conversations with each other. Students may explore and develop their own research project.

Black artist-activists have long used art and media as a means of chronicling, demanding and inducing change. Examining film, photography, visual art, theater, literature and social media, among other forms, this course considers the work of Black artists and activists, their relationship to the political and the reception of their work. The course critically engages performances and representations of Blackness to explore Black subjectivity and think through how artists and activists craft space for Black agency. The work is animated by key questions surrounding the relationship between art and politics, media and activism, and Black art and survival. Enrollment limited to 50.

Why has the construction of archives that center on the experiences of people of African descent been so critical to black political, cultural and social life? What do black archives look like and what do they offer? How do they expand the way the archives are considered in general? This course seeks to address these questions by examining the conception and development of black archives, primarily, although not exclusively, as they arose in the United States across the twentieth century. Enrollment limited to 20.

This course examines the U.S. Black autobiographical tradition from the eighteenth century to the present. “Autobiography” is constituted broadly to include slave narratives, memoirs, travelogues, poems, speeches, sketches and essays. The class explores questions of form, genre, publication history, narrative voice, language, audience and other literary markers. Students examine the narratives' socio-political, historical and economic milieus. As students explore the tradition, they consider how Black autobiographers engage Carolyn Rodgers’ meditation-cum-query in, Breakthrough: “How do I put my self on paper/ The way I want to be or am and be/ Not like any one else in this/ Black world but me.”

What is the role of magic, supernaturalism and psychic power in the lives of Africana people? This seminar critically interrogates how race, coloniality, sexuality and gender shape the social construction of the paranormal through narratives, representations and belief systems invoked by people of African descent. Drawing upon a diverse range of accounts and interdisciplinary perspectives, the class examines the historical, religious, philosophical, political and literary dimensions of Black spiritualism, divination, ghosts, mediums, psychics, conjurers, witches, shamans, superheroes and alien encounters. Juniors and seniors only. Enrollment limited to 15. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

Learn how to bring expertise in black history and culture into the public sphere. This Calderwood Seminar challenges students in an intimate workshop setting to grow as writers. Throughout the semester, students build a writing portfolio that might include op-eds, book reviews, journal article reviews, coverage of public talks, movie reviews and interviews with Africana studies scholars. Classes include collaborative editing workshops, guest lectures from expert writers and activities to build a strong writing foundation. Students have learned how to write for college; in this course students learn how to write for life. Prerequisite: At least one course in Africana studies. Enrollment limited to 12. Juniors and Seniors only. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

This course provides an introduction to understanding the concept and practice of human rights in Africa, including comprehending the historical context of these issues. In this regard, several questions are addressed including: What are human rights? Within the African context, are human rights universal or relative? Are human rights viewed as individual or collective in Africa? What is the international framework that affects the enforcement of human rights in Africa? What are the regional and national regimes for safeguarding human rights in Africa? What are some current human rights issues in Africa? Enrollment limited to 40. (E)

This course provides an introduction to American Studies through the interdisciplinary study of American history, life and culture. Students develop critical tools for analyzing cultural texts (including literature, visual arts, music, fashion, advertising, social media, buildings, objects and bodies) in relation to political, social, economic and environmental contexts. The course examines the influence of race, ethnicity, class, gender, sexuality and transnationality on conceptions of citizenship, and struggles over what it means to be an “American,” and how this has shaped the distribution of power, resources and wellbeing in the United States.

Comedy has been a primary site for enacting and contesting citizenship in the United States. This course presents a history of comedy from the nineteenth century to the present to analyze the role of humor in shaping racial and gender stereotypes, as well as expressions of solidarity, resistance and joy among marginalized groups. Case studies include blackface minstrelsy, stand up comedy, sit-coms, satirical news, social media posts and cancel culture debates. This course applies cultural studies, affect theory, media studies, feminist studies and critical race studies to analyze the social, political, psychological and emotional work of comedy. Enrollment limited to 40

What does it mean to be human? What is culture, and how does it shape the way humans see the world? Why are some forms of cultural difference tolerated, while others are not? As the holistic study of the human experience, cultural anthropology addresses these questions in a world shaped by human migration, climate change, capitalist extraction and global inequality. This course provides an overview of the discipline’s history, its distinctive method of ethnography and the breadth of topics it addresses, including public health, race, the environment, gender, language, nationalism, software design, the body, music, cities, government and more. First-years and sophomores only. Enrollment limited to 25.

What does it mean to be human? What is culture, and how does it shape the way humans see the world? Why are some forms of cultural difference tolerated, while others are not? As the holistic study of the human experience, cultural anthropology addresses these questions in a world shaped by human migration, climate change, capitalist extraction and global inequality. This course provides an overview of the discipline’s history, its distinctive method of ethnography and the breadth of topics it addresses, including public health, race, the environment, gender, language, nationalism, software design, the body, music, cities, government and more. First-years and sophomores only. Enrollment limited to 25.

What does it mean to be human? What is culture, and how does it shape the way humans see the world? Why are some forms of cultural difference tolerated, while others are not? As the holistic study of the human experience, cultural anthropology addresses these questions in a world shaped by human migration, climate change, capitalist extraction and global inequality. This course provides an overview of the discipline’s history, its distinctive method of ethnography and the breadth of topics it addresses, including public health, race, the environment, gender, language, nationalism, software design, the body, music, cities, government and more. First-years and sophomores only. Enrollment limited to 25.

Offered as ANT 135 and ARC 135. This course studies past cultures and societies through their material remains and explores how archaeologists use different field methods, analytical techniques and theoretical approaches to investigate, reconstruct and learn from the past. Data from settlement surveys, site excavations and artifact analysis are used to address economic, social, political and ideological questions across time and space. This course is taught from an anthropological perspective, exploring key transitions in human prehistory, including the origins of food production, social inequality and state-level societies across the globe. Relevance of archaeological practice in modern political, economic and social contexts is explored. First-years and sophomores only. Enrollment limited to 30.

This course introduces students to the variety of methods of inquiry used for research in anthropology. Throughout the semester, students are introduced to methods of locating and analyzing information and sources, developing research questions and writing. Normally taken in the spring of the sophomore or junior year. Anthropology majors only. Prerequisite: ANT 130. Enrollment limited to 20. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

East Asia’s innovations in science and technology in the 21st century cross the globe and shape our everyday lives. At the same time, the burgeoning multi-disciplinary field of science and technology studies in East Asia marks an expansion from its EuroAmerican origins. This course introduces students to themes and questions at the intersection of these theoretical and practical interventions using case studies from the region, from everyday technologies like smartphones to scientific projects like genetic engineering. The class uses these case studies to develop ways of interpreting science and technology as local, transregional and transnational engagements. Not open to first-years. (E)

This course considers the city as both a setting for anthropological research and as an ethnographic object of study in itself. The class aims to think critically about the theoretical and methodological possibilities, challenges and limitations that are posed by urban anthropology. Students consider concepts and themes such as urbanization and migration; urban space and mobility; gender, race and ethnicity; technology and virtual space; markets and economies; citizenship and belonging; and production and consumption. Enrollment limited to 40.

Offered as MUS 258 and ANT 258. This course analyzes cultural performances as sites for the expression and formation of social identity. Students study various performance genres such as rituals, festivals, parades, cultural shows, music, dance and theater. Topics include expressive culture as resistance; debates around authenticity and heritage; the performance of race, class and ethnic identities; the construction of national identity; and the effects of globalization on indigenous performances. Enrollment limited to 30.

This course is a general introduction to the relationship between indigenous societies and the state in Mesoamerica. Taking a broad historical perspective, we explore the rise of native state-level societies, the transformations that marked the process of European colonization, and the relationship of local indigenous communities to post-colonial states and transnational social movements. Texts used in the course place special emphasis on continuities and changes in language, social organization, cosmology and identity that have marked the historical experience of native groups in the region.

What can anthropologists teach us about religion as a social phenomenon? This course traces significant anthropological approaches to the study of religion, asking what these approaches contribute to the understanding of religion in the contemporary world. Topics include religious experience and rationality; myth, ritual and magic; rites of passage; function and meaning; power and alienation; religion and politics. Readings are drawn from important texts in the history of anthropology and from contemporary ethnographies of religion.

Pottery, both fragments and whole vessels, is ubiquitous in the archaeological record and provides insights into technological choices, shifting styles, food-related practices, economic relationships and many other aspects of past lifeways. This course focuses on how archaeologists collect, analyze, interpret and present information about pottery from diverse contexts across the globe. Students have the opportunity to conduct independent research on fragmentary and complete pottery vessels, and they also utilize ethnographic and historical studies of potters to expand the understanding of these practices today. Enrollment limited to 12. Juniors and seniors only. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

This is a communication-oriented course in Arabic at the intermediate level, incorporating both Modern Standard and colloquial Arabic and providing students with an opportunity to hone their skills in speaking, listening, reading and writing. Students expand their ability to create with the language while reenforcing fundamentals and expanding their knowledge of vocabulary, grammar and culture. In addition to in-class teamwork, students produce a variety of essays, presentations and skits throughout the semester. Prerequisite: ARA 101 or equivalent. Enrollment limited to 18.

In this course students achieve an advanced level of proficiency in Modern Standard Arabic with an exposure to one Arabic colloquial variety using the four-skills (reading, writing, speaking, listening) approach. Students read within a normal range of speed, listen to, discuss and respond in writing to authentic texts by writers from across the Arab world. Text types address a range of political, social, religious and literary themes and represent a range of genres, styles and periods. All of these texts may include hypothesis, argumentation and supported opinions that covers both linguistic and cultural knowledge. This course covers Al-Kitaab Book 3, units 1-5, in addition to extra instructional materials. Prerequisite: ARA 202, or the completion of Al-Kitaab Book 2, or equivalent. Students must be able to use formal spoken Arabic as the medium of communication in the classroom. Enrollment limited to 18.

Offered as ANT 135 and ARC 135. This course studies past cultures and societies through their material remains and explores how archaeologists use different field methods, analytical techniques and theoretical approaches to investigate, reconstruct and learn from the past. Data from settlement surveys, site excavations and artifact analysis are used to address economic, social, political and ideological questions across time and space. This course is taught from an anthropological perspective, exploring key transitions in human prehistory, including the origins of food production, social inequality and state-level societies across the globe. Relevance of archaeological practice in modern political, economic and social contexts is explored. First-years and sophomores only. Enrollment limited to 30.

This course explores how art and architecture have profoundly shaped visual experiences and shifting understandings of the past and present. Featuring different case studies, each section includes work with original objects, site visits and writings about art. Unifying themes include: (1) materials, techniques and the patterns deployed to create space; (2) the design, function and symbolism of images and monuments; (3) artistic production and its relation to individual and institutional patronage, religion, politics and aesthetics; (4) issues turning on artists’ fame versus anonymity and uniqueness versus reproducibility; and (5) cross-cultural exchanges. Enrollment limited to 25.

This course explores how art and architecture have profoundly shaped visual experiences and shifting understandings of the past and present. Featuring different case studies, each section includes work with original objects, site visits and writings about art. Unifying themes include: (1) materials, techniques and the patterns deployed to create space; (2) the design, function and symbolism of images and monuments; (3) artistic production and its relation to individual and institutional patronage, religion, politics and aesthetics; (4) issues turning on artists’ fame versus anonymity and uniqueness versus reproducibility; and (5) cross-cultural exchanges. Enrollment limited to 25.

The meanings ascribed to art and architecture from any culture or period turn upon the interpreter’s preoccupations and methods. This course examines contemporary debates within the discipline, locating them within the field’s own history. The class asks: what kinds of knowledge do historians of art and architecture produce and legitimize? What kinds of questions do they ask, and what means do they use to answer them? Considering art and architectural history as a living field, the focus falls on recent scholarship, with an eye to the dynamic ways in which it builds on and/or departs from the history of the discipline. Prerequisites: ARH 110 or a first-year seminar taught by a member of the department. Enrollment limited to 18.

A study of painting, sculpture, architecture, urban and landscape design, printmaking and the luxury arts in France, from the last years of Louis XIV's reign to the French Revolution. Recurring themes include artists' training and careers; academies, aesthetics and art theory; art criticism and the viewing public; collecting and display; patronage; and the relationship of art to politics, literature and science. France's pacesetting role in contemporary art is explored by looking beyond its borders to other courts--among them Bourbon Naples, some German-speaking principalities, Great Britain, Russia, Spain and Sweden--and to the French Atlantic world. Counts for ARU

The course is an introduction to Buddhist grottoes of East Asia. Students learn the historical trajectories of Buddhist grottoes, including the development of cave architecture, mural painting and sculpture. The course pays special attention to the site specificity of the visual imageries and their transmissions, commissions and functions. The case studies in this course range from the Kizil Caves and Mogao Caves in Northwestern China, to the Yungang Caves and Longmen Caves in the central plains and the Seokguram Caves in the Korean Peninsula. The course also considers the collecting, preserving and displaying of Buddhist grottoes in the contemporary world. Enrollment limited to 20.

Why did the First Emperor of China build his grand mausoleum as a microcosm? What foreign motifs and luxury goods were brought to the Chinese proper and by whom? How did trade and war affect the making of the arts 2,000 years ago? These are some of the core questions embedded in this seminar, which investigates the power of things that made a difference in shaping the conditions of the Qin and the Han, Chinese first empires. Throughout the semester, students closely examine art objects and read leading scholars of early imperial Chinese art around the world. Enrollment limited to 12. Juniors and seniors only. Instructor permission required. Counts for ARU.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

An introduction to the use of digital media in the context of contemporary art practice. Students explore content development and design principles through a series of projects involving text, still image and moving image. This class involves critical discussions of studio projects in relation to contemporary art and theory. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 14. Instructor permission required.

Entering (first semester) first-years may register. All other class years are Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permission course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Entering (first semester) first-years may register. All other class years are Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permission course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver. 

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Entering (first semester) first-years may register. All other class years are Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permission course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.   

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Entering (first semester) first-years may register. All other class years are Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permission course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.   

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Entering (first semester) first-years may register. All other class years are Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permission course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.   

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Priority given to first years. Instructor permission required.

Entering (first semester) first-years may register. All other class years: Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Priority given to first years. Instructor permission required.

Entering (first semester) first-years may register. All other class years: Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Priority given to first years. Instructor permission required.

Entering (first semester) first-years may register. All other class years: Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may add yourself to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

Offered as IDP 200 and ARS 200.This course explores speculative design practices as a way to collaboratively envision radical social transformation. The course focuses on imagining worlds without capitalism, building on local Solidarity Economy efforts. Students work in small groups to make these visions tangible through stories, installations, performances and models of everyday objects from the future. Students learn to make iteratively as a process of critical thinking and to evaluate project work based on its ability to provoke questions and connect with viewers. Prerequisites: 100-level studio art course or IDP 116 or equivalent. Enrollment limited to 16. (E)

This course builds working knowledge of multimedia digital artwork through experience with a variety of software, focusing on video and time-based media. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 14. No prerequisites. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

Various spatial and pictorial concepts are investigated through the oil medium. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or equivalent. Enrollment limited to 18. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

The human figure and other natural forms. Work in modeling and plaster casting. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Prerequisite: ARS 163, ARS 172 or equivalent. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

This course introduces students to different installation strategies (e.g., working with multiples, found objects, light and site-specificity, among others). Coursework includes a series of projects, critiques, readings and short writing assignments. Students may require additional supplies and are responsible for purchasing them directly. Enrollment limited to 12. Prerequisite: ARS 172 or equivalent. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

(1) Investigates the structure of the book as a form; (2) provides a brief history of the Latin alphabet and how it is shaped calligraphically and constructed geometrically; (3) studies traditional and non-traditional typography; and (4) practices the composition of metal type by hand and the printing of composed type on the SP-15 printing presses. A voluntary introduction to digital typography is also offered outside class. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

Relief printing from carved woodblocks can create images that range from precise and delicate to raw and expressionistic. It is a direct and flexible process that allows for printing on a variety of materials at large and small scales. Students use both ancient and contemporary technologies to produce black and white and color prints from single and multiple blocks. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or ARS 172, or equivalent. Enrollment limited to 15. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.   

In nurturing architecture’s foundational principles of visual, material and conceptual experimentation, this course lays the foundation for subsequent studios, lifelong learning and curiosity for architectural design processes. It probes the material, organizational and spatial qualities of the ground, a shared horizontal territory inhabited by plants, people and buildings--one that is as much cultural as it is natural. Through iterative and analog processes, students integrate drawing and making to construct and reconstruct lines in the ground. Probing the physical and conceptual ground for natural or constructed patterns, students develop foundation-level design skills within the context of larger environmental and cultural discourses. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Not open to students who have taken ARS 283. Enrollment limited to 15. Prerequisite: ARH 110 or equivalent. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

An introduction to visual experience through a study of the basic elements of photography as an expressive medium. Each section involves either black and white or a combination of darkroom and digital processes. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Prerequisite: ARS 162 or ARS 172 or equivalent. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may register to the waitlist and contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

Advanced problems in painting. Emphasis on thematic self-direction and group critical analysis. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12. Prerequisite: ARS 362. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

This course is an opportunity for students to expand upon their existing printmaking knowledge and learn how to combine multiple processes such as intaglio, relief, monotype and lithography. The class explores printmaking as a transformative process that creates rich, layered color relationships, builds and responds to texture and converts information into multiples. Students have the chance to work at ambitious scales, including using print media to create installations, three-dimensional forms or distributable public projects. Hand-drawn, digital and photographic approaches are available. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: one 4-credit 200-level printmaking course. Enrollment limited to 12. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver. 

This research-based architectural design studio utilizes digital processes to analyze and reinterpret canonical architectural precedents, linking the digital to fluid conceptual ideas which are both historic and contemporary. In particular, the studio probes the spatial qualities of the moving body—as a site of both deep interiority and hyper-connectivity. In a return to the territory of the ground (see ARS 280), and within the larger context of ecologically and geopolitically induced migration and displacement, this studio investigates themes related to mobility and transience and the ways in which the body traverses territories of ground. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Prerequisites: ARS 280 and ARS 281 or equivalent. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver.     

Advanced exploration of contemporary photographic techniques and concepts. Students work on assigned and self-directed projects using various analog and digital techniques, studio lighting, large-format printing, and interdisciplinary approaches. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 282. Enrollment limited to 15. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver. 

This capstone course is required for all senior ARS majors. Students use the framework of the course to focus, challenge and re-conceptualize their studio work in media of their choice. Critiques, readings, written assignments, presentations and discussions support the development of an inventive and rigorous independent art practice. The semester culminates in a group exhibition. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to Smith College Senior ARS majors.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required. This course is a permissions course, meaning all students are initially placed on the waitlist. Please read the course description to ensure you meet the listed prerequisites (if any). During November/April registration: The instructor will review the class roster and be in touch about enrollment once all students have had a chance to waitlist. There is nothing else you need to do in the meantime. Please do not submit a course waiver unless requested. During add/drop (Sept/Jan): You may contact the instructor about attending the first day of class. If you receive permission to take the course, you should submit a Course Eligibility Waiver. 

This course is limited to junior and senior art majors from the five colleges. Particular emphasis is placed on thematic development within student work. Sketch book, written self-analysis and participation in critique sessions is expected. Students may require additional materials and are responsible for purchasing them directly. Prerequisites: selection by faculty; junior and senior art majors, advanced-level ability. Offered in rotation within the five colleges. Normally offered at Smith every fifth fall. Enrollment limited to 15, three students from each of the five colleges.

Enrollment by home institution/department nomination only.

Discover how the forces of nature shape our understanding of the cosmos. Explore the origin, structure and evolution of the Earth, moons and planets, comets and asteroids, the Sun and other stars, star clusters, the Milky Way and other galaxies, clusters of galaxies, and the universe as a whole. Designed for nonscience majors. Enrollment limited to 50.

Discover how astronomers know about the universe by observing the light that comes to us from distant objects. View the sky with your naked eye, binoculars and a small telescope. Take pictures with a professional telescope and examine astronomical images. Designed for non-science majors. Enrollment limited to 20.

A comprehensive introduction to the study of modern astronomy, covering planets and their origins, orbits, interiors, surfaces and atmospheres; stars and their formation, structure and evolution; and the universe and its origin, large-scale structure and ultimate destiny. This introductory course is for students who are planning to major in science or math. Prerequisite: MTH 111 or equivalent.

How do planets work, and what are they made of? What are their origins? What physical processes are important on planets with different surface gravity or no atmosphere? How are remote measurements made that help answer these questions? What are other planetary systems orbiting other stars like, and how do these systems compare to our own Solar System? In this course, students explore other planetary bodies in our Solar System and those in other stellar systems – exoplanets – and learn about their physical, chemical, and geological properties, and evolution. Prerequisites: MTH 111 or equivalent and one of GEO 101, AST 100 or AST 111. PHY 117 or equivalent recommended.

A calculus-based introduction to the observations and theoretical understanding of the structure and evolution of stars. Topics include astrometry, photometry, spectroscopy, the Planck function of thermal emission, cause of spectral emission and absorption lines, Boltzmann and Saha distributions of atomic energy levels and ionization states, the Hertzprung Russell diagram, binary stars and stellar mass determination, nuclear energy generation in stars, hydrodynamic equilibrium, equations of state, and the fates of stars. Prerequisites: [(PHY 117 and PHY 118) or PHY 119] and MTH 112.

This course provides an introduction to the techniques of gathering and analyzing astronomical data, with an emphasis on optical observations related to studying stellar evolution. Students use Smith’s telescopes and CCD cameras to collect and analyze their own data, using the Python computing language. Topics covered include astronomical coordinate and time systems; telescope design and optics; instrumentation and techniques for imaging and photometry; astronomical detectors; digital image processing tools and techniques; atmospheric phenomena affecting astronomical observations; and error analysis and curve fitting. Prerequisites: at least one of AST 226 or AST 228, and one physics course at the 200-level. Previous experience in computer programming is strongly recommended.

Chemical dynamics in living systems. Enzyme mechanisms, metabolism and its regulation, energy production and utilization. Prerequisites: BCH 252 and CHM 224. Corequisite: BCH 353 is required for biochemistry majors.

Investigations of biochemical systems using experimental techniques in current biochemical research. Emphasis is on independent experimental design and execution. Corequisite: BCH 352. Enrollment limited to 12.

Investigations of biochemical systems using experimental techniques in current biochemical research. Emphasis is on independent experimental design and execution. Corequisite: BCH 352. Enrollment limited to 12.

This course focuses on the origin and diversification of our species (Homo sapiens), with a focus on African origins and genetic diversity among extant populations. Using principles from evolution, topics covered include: 1) the relationship of humans to other primates; 2) the timing and location of the origin of modern humans; 3) the geographic history of humans and the structure of contemporary human diversity; and 4) implications of human genetics/genomics for healthcare/medicine.

Course focuses on the intersection of plants and people. Topics include introduction to landscape plants and their usage, plants as food, plants as urban green infrastructure, garden design history and current issues such as the colonial history of botanic gardens, invasive species and community gardening. Course includes lectures, guest lecturers and in-class discussions. Corequisite: BIO 121. Enrollment limited to 36.

Identification, morphology and use of landscape plants including annuals, perennials, trees and shrubs, groundcovers, and tropicals. Introduction to horticultural practices including pruning, division, pollination, bulb planting, plant identification and landscape design. Use of the Botanic Garden outdoor collection as well as field trips are important components of the course. Course requirements include landscape design assignments and creation of a Field Guide to plant materials covered in the course. Enrollment limited to 18.

Identification, morphology and use of landscape plants including annuals, perennials, trees and shrubs, groundcovers and tropicals. Introduction to horticultural practices including pruning, division, pollination, bulb planting, plant identification and landscape design. Use of the Botanic Garden outdoor collection as well as field trips are important components of the course. Course requirements include landscape design assignments and creation of a Field Guide to plant materials covered in the course. Enrollment limited to 18.

Students in this course investigate the origin, nature and importance of the diversity of life on Earth, key ecological processes and interactions that create and maintain communities and ecosystems, principle threats to biodiversity, and emerging conservation strategies to protect the elements and processes upon which humans depend. Throughout the semester, the course emphasizes the relevance of diversity and ecological studies in conservation. Corequisite: BIO 131 is recommended but not required.

Students pull on their boots and explore local habitats that may include the Mill River, MacLeish Field Station, Smith campus Botanic Gardens and local hemlock forests. Students gain experience with a diversity of organisms by conducting research projects that can enhance their understanding of ecology and conservation. Students practice the scientific process and document their work in a lab notebook. Research skills developed include hypothesis development, data collection, statistical analysis and presentation of results. Because research projects vary seasonally, please see the Department of Biological Sciences website for more information. Enrollment limited to 16. Corequisite: BIO 130 recommended.

Students pull on their boots and explore local habitats that may include the Mill River, MacLeish Field Station, Smith campus Botanic Gardens and local hemlock forests. Students gain experience with a diversity of organisms by conducting research projects that can enhance their understanding of ecology and conservation. Students practice the scientific process and document their work in a lab notebook. Research skills developed include hypothesis development, data collection, statistical analysis and presentation of results. Because research projects vary seasonally, please see the Department of Biological Sciences website for more information. Enrollment limited to 16. Corequisite: BIO 130 recommended.

Students pull on their boots and explore local habitats that may include the Mill River, MacLeish Field Station, Smith campus Botanic Gardens and local hemlock forests. Students gain experience with a diversity of organisms by conducting research projects that can enhance their understanding of ecology and conservation. Students practice the scientific process and document their work in a lab notebook. Research skills developed include hypothesis development, data collection, statistical analysis and presentation of results. Because research projects vary seasonally, please see the Department of Biological Sciences website for more information. Enrollment limited to 16. Corequisite: BIO 130 recommended.

Students pull on their boots and explore local habitats that may include the Mill River, MacLeish Field Station, Smith campus Botanic Gardens and local hemlock forests. Students gain experience with a diversity of organisms by conducting research projects that can enhance their understanding of ecology and conservation. Students practice the scientific process and document their work in a lab notebook. Research skills developed include hypothesis development, data collection, statistical analysis and presentation of results. Because research projects vary seasonally, please see the Department of Biological Sciences website for more information. Enrollment limited to 16. Corequisite: BIO 130 recommended.

Students in this course investigate the structure, function and physiology of cells; the properties of biological molecules; information transfer from the level of DNA to cell-cell communication; and cellular energy generation and transfer. The development of multicellular organisms and the physiology of selected organ systems is also explored. In addition to attending lectures, each student participates in discussion sections that focus on data analysis and interpretation while integrating mechanisms across scales. Corequisite: BIO 133 recommended but not required. Enrollment limited to 78.

Students in this course investigate the structure, function and physiology of cells; the properties of biological molecules; information transfer from the level of DNA to cell-cell communication; and cellular energy generation and transfer. The development of multicellular organisms and the physiology of selected organ systems is also explored. In addition to attending lectures, each student participates in discussion sections that focus on data analysis and interpretation while integrating mechanisms across scales. Corequisite: BIO 133 recommended but not required. Discussion sections limited to 24

Students in this course investigate the structure, function and physiology of cells; the properties of biological molecules; information transfer from the level of DNA to cell-cell communication; and cellular energy generation and transfer. The development of multicellular organisms and the physiology of selected organ systems is also explored. In addition to attending lectures, each student participates in discussion sections that focus on data analysis and interpretation while integrating mechanisms across scales. Corequisite: BIO 133 recommended but not required. Discussions limited to 24.

Students in this course investigate the structure, function and physiology of cells; the properties of biological molecules; information transfer from the level of DNA to cell-cell communication; and cellular energy generation and transfer. The development of multicellular organisms and the physiology of selected organ systems is also explored. In addition to attending lectures, each student participates in discussion sections that focus on data analysis and interpretation while integrating mechanisms across scales. Corequisite: BIO 133 recommended but not required. Discussions limited to 24.

Students in this course investigate the structure, function and physiology of cells; the properties of biological molecules; information transfer from the level of DNA to cell-cell communication; and cellular energy generation and transfer. The development of multicellular organisms and the physiology of selected organ systems is also explored. In addition to attending lectures, each student participates in discussion sections that focus on data analysis and interpretation while integrating mechanisms across scales. Corequisite: BIO 133 recommended but not required. Discussions limited to 24.

This laboratory course introduces students to biological discovery and the biological research process. Students gain hands-on experience with the use of modern biological research methods by participating in ongoing research with a variety of organisms. This includes scientific discovery, hypothesis development, data collection and analysis, as well as presentation of discoveries and results. Research projects vary with each Instructor. Corequisite: BIO 132.

This Laboratory Course introduces students to biological discovery and the biological research process. Students gain hands-on experience with the use of modern biological research methods by participating in ongoing research with a variety of organisms. This includes scientific discovery, hypothesis development, data collection and analysis, as well as presentation of discoveries and results. Research projects vary with each Instructor. Corequisite: BIO 132.

This laboratory course introduces students to biological discovery and the biological research process. Students gain hands-on experience with the use of modern biological research methods by participating in ongoing research with a variety of organisms. This includes scientific discovery, hypothesis development, data collection and analysis, as well as presentation of discoveries and results. Research projects vary with each Instructor. Corequisite: BIO 132.

This laboratory course introduces students to biological discovery and the biological research process. Students gain hands-on experience with the use of modern biological research methods by participating in ongoing research with a variety of organisms. This includes scientific discovery, hypothesis development, data collection and analysis, as well as presentation of discoveries and results. Research projects vary with each Instructor. Corequisite: BIO 132.

This laboratory course introduces students to biological discovery and the biological research process. Students gain hands-on experience with the use of modern biological research methods by participating in ongoing research with a variety of organisms. This includes scientific discovery, hypothesis development, data collection and analysis, as well as presentation of discoveries and results. Research projects vary with each Instructor. Corequisite: BIO 132.

In this course students learn how animal bodies function from the molecular to the organismal level and how the physiology of animals, including humans, has been shaped by evolution to enable survival in a wide range of environments. Course content is organized by body system (cardiovascular, respiratory, reproductive, etc.). Assignments provide opportunities for students to practice applying their knowledge of physiology to real-life situations, predicting the outcomes of experiments, and interpreting and writing about the primary literature. Prerequisites: BIO 132, BIO 133; and CHM 111 or CHM 118. Corequisite: BIO 201 is recommended but not required. Enrollment limited to 60.

This course provides students with the opportunity to design and conduct experiments in human and animal physiology. Emphasis is on developing hypotheses, designing experiments, graphing data, interpreting results and writing in the scientific style. Corequisite: BIO 200. Enrollment limited to 18.

This course provides students with the opportunity to design and conduct experiments in human and animal physiology. Emphasis is on developing hypotheses, designing experiments, graphing data, interpreting results and writing in the scientific style. Corequisite: BIO 200. Enrollment limited to 18.

The structure and function of eukaryotic cells. This course examines contemporary topics in cellular biology: cellular structures, organelle function, membrane and endomembrane systems, cellular regulation, signaling mechanisms, motility, bioelectricity, communication and cellular energetics. This course is a prerequisite for BCH 252. Prerequisites: BIO 132/BIO 133 and CHM 222. BIO 203 is recommended but not required.

The structure and function of eukaryotic cells. This course examines contemporary topics in cellular biology: cellular structures, organelle function, membrane and endomembrane systems, cellular regulation, signaling mechanisms, motility, bioelectricity, communication and cellular energetics. This course is a prerequisite for BCH 252. Prerequisites: BIO 132/BIO 133 and CHM 222. BIO 203 is recommended but not required. Discussion section enrollment limited to 15.

The structure and function of eukaryotic cells. This course examines contemporary topics in cellular biology: cellular structures, organelle function, membrane and endomembrane systems, cellular regulation, signaling mechanisms, motility, bioelectricity, communication and cellular energetics. This course is a prerequisite for BCH 252. Prerequisites: BIO 132/BIO 133 and CHM 222. BIO 203 is recommended but not required. Discussion section enrollment limited to 15.

The structure and function of eukaryotic cells. This course examines contemporary topics in cellular biology: cellular structures, organelle function, membrane and endomembrane systems, cellular regulation, signaling mechanisms, motility, bioelectricity, communication and cellular energetics. This course is a prerequisite for BCH 252. Prerequisites: BIO 132/BIO 133 and CHM 222. BIO 203 is recommended but not required. Discussion section enrollment limited to 15.

Inquiry-based laboratory using techniques such as spectrophotometry, enzyme kinetics, bright field and fluorescence light microscopy, and scanning electron microscopy. The emphasis is on student-designed projects. This course is a prerequisite for BCH 253. Corequisite: BIO 202. Enrollment limited to 16.

Inquiry-based laboratory using techniques such as spectrophotometry, enzyme kinetics, bright field and fluorescence light microscopy, and scanning electron microscopy. The emphasis is on student-designed projects. This course is a prerequisite for BCH 253. Corequisite: BIO 202. Enrollment limited to 16.

Inquiry-based laboratory using techniques such as spectrophotometry, enzyme kinetics, bright field and fluorescence light microscopy, and scanning electron microscopy. The emphasis is on student-designed projects. This course is a prerequisite for BCH 253. Corequisite: BIO 202. Enrollment limited to 16.

Inquiry-based laboratory using techniques such as spectrophotometry, enzyme kinetics, bright field and fluorescence light microscopy, and scanning electron microscopy. The emphasis is on student-designed projects. This course is a prerequisite for BCH 253. Corequisite: BIO 202. Enrollment limited to 16.

Evolution frames much of biology by providing insights into how and why things change over time. For example, the study of evolution is essential to: understanding transitions in biodiversity across time and space, elucidating patterns of genetic variation within and between populations, and developing both vaccines and treatments for human diseases. Topics in this course include population genetics, molecular evolution, speciation, phylogenetics and macroevolution. Prerequisite: BIO 130 or BIO 132 or equivalent.

The oceans cover over 75 percent of the Earth and are home to enormous biodiversity. Marine Ecology explores a variety of coastal and oceanic systems, focusing on natural and human-induced factors that affect biodiversity and the ecological balance in marine habitats. Using case studies, the class studies some successful conservation and management strategies, including Marine Protected Areas. This course uses a variety of readings, group activities and short writing assignments to develop vital skills such as effective oral, graphical and written communication; critical thinking; and problem solving. Enrollment limited to 24. Corequisite: BIO 269.

The laboratory applies concepts discussed in lecture and uses several small-group projects in the field and laboratory to develop relevant skills for conducting marine-related research. Students learn to design and analyze experiments and to write in the scientific style. Field trips to Rhode Island and Cape Cod, MA provide hands-on experience with marine organisms in their natural habitats. Corequisite: BIO 268. Enrollment limited to 12.

The laboratory applies concepts discussed in lecture and uses several small-group projects in the field and laboratory to develop relevant skills for conducting marine-related research. Students learn to design and analyze experiments and to write in the scientific style. Field trips to Rhode Island and Cape Cod, MA provide hands-on experience with marine organisms in their natural habitats. Corequisite: BIO 268. Enrollment limited to 12.

Ongoing developments in high-throughput sequencing technologies have made genomic analysis a central feature of many scientific disciplines, including forensics, medicine, ecology and evolution. This course reviews the scope and applications of genome sequencing projects. After completing the course, students are prepared to design a high-throughput sequencing project and interpret the results of genomic analysis. Prerequisite: BIO 230 or BIO 232. Enrollment limited to 40.

This lab covers genomic analysis pipelines from nucleic acid isolation to sequence analysis in Linux and R environments. Students independently design and execute a high-throughput sequencing experiment to measure genetic variation in natural populations. Corequisite: BIO 336. Prerequisite: BIO 230, BIO 232 or equivalent. Enrollment limited to 12.

“Sex” is often used to describe a suite of traits – such as gamete type, morphology, physiology and behavior – that are related to reproduction. These traits are not binary, and there is extensive diversity in sex and sexual reproduction among animals including humans. This seminar explores our current understanding of variation in sex, gonadal determination, reproductive physiology and sexual behavior in the natural world. The course creates a broader conceptualization of sex by integrating the evidence in primary research articles, reviews, books and essays by feminist and queer authors. Students complete an independent research project on a topic of their choice. Prerequisites: BIO 200, BIO 230 or BIO 232, or equivalent. Juniors and seniors only. Enrollment limited to 15. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

Research design and methodology for field and laboratory studies of animal behavior. Prerequisite: BIO 260, BIO 272 or a statistics course. Enrollment limited to 15.

This course surveys the environmental factors, historical processes and ecological interactions that influence the distribution and abundance of plant species in the landscape and informs conservation of rare and threatened plant species. The class examines how plant communities are assembled and what processes influence their structure and diversity, including past and present human activities, climate change and exotic species. The class focuses in particular on plants and plant communities of the Northeast U.S., using examples from the local landscape to illustrate key ecological concepts and approaches to plant conservation. Corequisite: BIO 365. Prerequisite: a course in plant biology, ecology or environmental science; statistics is recommended (e.g., SDS 220). Enrollment limited to 20.

This lab course involves field and laboratory investigations of plant ecology and conservation, with an emphasis on Northeastern plant species and plant communities. The labs explore interactions between plants and insects, visit wetland and upland habitats and investigate plant population dynamics at sites around western Massachusetts. Students gain hands-on experience with descriptive and experimental research approaches used to investigate ecological processes in plant communities and inform conservation of plant biodiversity. Corequisite: BIO 364. Enrollment limited to 20.

Conservation biology combines ecological and evolutionary principles with resource management, the social sciences and ethics to understand, manage and maintain biodiversity. This seminar is designed to familiarize students with the questions conservation biologists ask and the methods they use to conserve life on Earth. Students engage in problem-solving exercises that examine conservation-related questions at the genetic, population, community, landscape or ecosystem levels and employ suitable analytical techniques or strategies to address the questions. Students discuss a related article from the primary literature to illustrate the use of each technique. Juniors and seniors only. Enrollment limited to 12. Instructor permission required.

Permission Required/Registration by Waitlist. During Add/Drop, Waiver Required.

This course introduces students to the academic study of Buddhism through readings, lectures by Smith faculty and guests and trips to local Buddhist centers. Students critically examine the history of Buddhist studies within the context of numerous disciplines, including anthropology, art, cultural studies, gender studies, government, literature, philosophy and religion, with a focus on regional, sectarian and historical differences. Materials to be considered include poetry, painting, philosophy, political tracts and more. This course meets during the first half of the semester only. S/U only.

First half of semester course.

Offered as SWG 245 and CCX 245. This course introduces students to key concepts, debates and provocations that animate the world of community, labor and electoral organizing for social change. To better understand these movements’ visions, students develop an analysis of global and national inequalities, exploitation and oppression. The course explores a range of organizing skills to build an awareness of power dynamics and learn activists’ tools to bring people together towards common goals. A central aspect of this course is practicing community-based learning and research methods in dialogue with community-based activist partners. Enrollment limited to 18.

Continued emphasis on the development of oral proficiency and functional literacy in modern Mandarin. Conversation and narrative practice, reading exercises, short composition assignments and work with multi-media content, culminating in a creative digital project. Prerequisite: CHI 111 or placement test. Enrollment limited to 15.

Continued emphasis on the development of oral proficiency and functional literacy in modern Mandarin. Conversation and narrative practice, reading exercises, short composition assignments and work with multi-media content, culminating in a creative digital project. Prerequisite: CHI 111 or placement test. Enrollment limited to 15.

Continued emphasis on the development of oral proficiency and functional literacy in modern Mandarin. Conversation and narrative practice, reading exercises, short composition assignments and work with multi-media content, culminating in a creative digital project. Prerequisite: CHI 111 or placement test. Enrollment limited to 15.

Continued emphasis on the development of oral proficiency and functional literacy in modern Mandarin. Conversation and narrative practice, reading exercises, short composition assignments and work with multi-media content, culminating in a creative digital project. Prerequisite: CHI 111 or placement test. Enrollment limited to 15.

Building on the skills and vocabulary acquired in Chinese II, students learn to read simple essays on topics of common interest and develop the ability to understand, summarize and discuss social issues in contemporary China. Readings are supplemented by digital materials, and the semester ends with a creative digital project. Prerequisite: CHI 221 or placement test. Enrollment limited to 15.

Development of advanced proficiency in four skills through the study and discussion of selected modern Chinese literary and cinematic texts. Students explore literary and formal expression in original works, including fiction, short stories, prose, novellas and screenplays. With the instructor’s permission, advanced language courses may be repeated when the content changes. Prerequisite: CHI 302 or by placement test.

The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Enrollment limited to 16 per lab section. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111L

The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Enrollment limited to 16 per lab section. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111L

The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Enrollment limited to 16 per lab section. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111L

Lab Section. The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111. Enrollment limited to 16.

Lab Section. The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111. Enrollment limited to 16.

Lab Section. The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111. Enrollment limited to 16.

Lab Section. The first semester of our core chemistry curriculum introduces the language(s) of chemistry and explores atoms, molecules and their reactions. Topics covered include electronic structures of atoms, structure shape and properties of molecules; reactions and stoichiometry. Multiple sections are offered at different times, as detailed in the Schedule of Classes. At the time of registration students must register for both a lecture and a lab section that fit their course schedule. Corequisite: CHM 111. Enrollment limited to 16.