Morejón’s work addresses contemporary issues of ethnicity, gender, history, politics, and Afro-Cuban identity. Her poems stand as vibrant reflections on the intermingling of Spanish and African cultures in Cuba, what it means to be a child of both traditions, and how the bright threads of this heritage are part of the greater web of the African experience in the Americas. Like her mentor the legendary poet Nicolás Guillén, Morejón celebrates blackness but refuses to inscribe identity or struggle within the parameters of any single factor. “I am, at once, Nancy Morejon,” she says, “an individual, a unity, who cannot be subdivided into parts as one does when learning math…I am not more of a black person than a woman; I am not more of a woman than a Cuban; I am not more of a black person than a Cuban. I am a brief combustion of those factors.” This “brief combustion” has resulted in a poetry of quick fire and steadily burning flame, and, as poet Jayne Corte writes, “lyrical, compassionate, complex, and dazzling in their subtleties.” Morejón’s reading here at Smith celebrates the recent publication of Looking Within / Mirar adentro, a panoramic anthology representing 46 years and ten volumes of her work, selected and introduced by the distinguished Uruguayan scholar Juanamaría Cordones-Cook. Associate professor at University of Missouri, Columbia, Cordones-Cook accompanies Morejón on this book tour and will read the English translations and provide cultural and historical context for the work. |
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| Poetry Center Reading: | ||||
| Fall 2003 | ||||