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Two Forthcoming Books by Smith Poet

Ann Boutelle, senior lecturer in English language and literature and founder of the Smith College Poetry Center, will publish two books of poetry in the coming months, an unusual accomplishment.

Becoming Bone, a collection based on the life of 19th-century American poet Celia Thaxter, will be released at the end of June by the University of Arkansas Press. Thaxter (1835-94) was born in Portsmouth, New Hampshire, and lived for many years in Newtonville, Massachusetts. Much of her poetry pertains to the Isle of Shoals, where she lived for most of her life.

Nest of Thistles, which is due for release in October by the University Press of New England, focuses on Boutelle’s childhood in Scotland.

Nest of Thistles won the 2005 Samuel French Morse Poetry Prize from Northeastern University Press, an award given annually to an American poet for his or her first or second book of poems. Nest of Thistles is Boutelle’s second book of poems (Becoming Bone is her first).

Below are comments on Boutelle’s forthcoming volumes by other renowned poets.

About Becoming Bone:

Mary Jo Salter, Emily Dickinson Senior Lecturer in the Humanities, Mount Holyoke College, and editor of the Norton Anthology of Poetry: "Annie Boutelle has chosen, in reimagining Thaxter's own voice, to dramatize hints, silences, and the sea. The sorrows and victories of Thaxter's life are conveyed with sensual, sonorous richness, and yet understatement. And yet, if much of her inner life -- like that of so many women (some of them writers) -- went unwritten for a time, Becoming Bone has redressed the blankness with empathy, depth, and a keen intelligence."

Eleanor Wilner, G.H. Conkling Writer in Residence at Smith, and author of Reversing the Spell: New and Selected Poems: "Like whaler's scrimshaw, images incised on shell and bone, Annie Boutelle’s lines seem etched, indelible -- a laser-like intensity transmuting the most intractable materials. In a language as spare, exact, and essential as necessity itself -- ‘past flattering chatter, hypocrisies lush as weed on harbor rock’ -- Annie Boutelle tears aside the flowery veils of feminine concealment of another age, to give voice to the inner life of an islanded soul, the 19th-century writer Celia Thaxter."

Gerald Stern, former Poet Laureate of New Jersey, and author of This Time: New and Selected Poems: "This is a magnificent secret history -- of a time we now know very little, in spite of its closeness, and of a remarkable spirit who lived in that time and is now forgotten. The poems are stark, original, lovely, the poetic knowledge terrific. I am convinced that Annie Boutelle is Celia Thaxter; only she (Annie) will not be forgotten. Read this fine book."

About Nest of Thistles:

Eavan Boland, director of the Creative Writing Program, Stanford University, and author of nine volumes of poetry: "These are poems of real lyric wisdom: the music is equal to the lived experience, and the experience has found a true music, all of its own. The ghost of a father, the melody of a ghazal -- whatever the surprising, poignant elements here, they all go to making this a compelling, memorable book of poems."

Margot Livesey, author of Criminals, The Missing World, Eva Moves the Furniture, Banishing Verona: "As I read Annie Boutelle's wise and generous poems, I felt that I was learning how to love the living and the dead, the darkness and the light. Over and over Boutelle transports the reader to a world both fiercely familiar and utterly new, and the results are exhilarating."

Nuala Ní Dhomhnaill, author of Pharaoh's Daughter and The Astrakhan Coat: "This volume bears witness to a truly achieved voice and a hard-earned right to language. Like all the best poetry, it is a language full of loss -- loss of homeland, childhood loss of a brother and baby sister, loss of father and mother, loss even of language itself. This gives the writing a powerful resonance, a quivering presence like a Highland landscape seen through a summer heat haze. I loved this book from beginning to end, I love its awareness of the constant presence of death and its equally careful enunciation of the exuberant details of life."

Henri Cole, author of five volumes of poetry: "Annie Boutelle's poems are muscular and clean. She writes with her ear. And though death often clings to the edges of them, it unexpectedly breathes life into the surface of things. If you listen, you can hear a heart’s quiet roar."

 
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