VOLUME 1, NUMBER 1
VOLUME 1, NUMBER 2
VOLUME 2, NUMBER 1
VOLUME 2, NUMBER 2
VOLUME 3, NUMBER 1
VOLUME 3, NUMBER 2
VOLUME 4, NUMBER 1
VOLUME 4, NUMBER 2
VOLUME 5, NUMBER 1
VOLUME 5, NUMBER 2
VOLUME 6, NUMBER 1
VOLUME 6, NUMBER 2
VOLUME 7, NUMBER 1
VOLUME 7, NUMBER 2
VOLUME 8, NUMBER 1
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VOLUME
8, NUMBER 1
Editor's Preface
|
Special Issue |
| Cover:
YOUR ROLL Ayanah Moor
|
|
| V |
Preface |
Paula J. Giddings |
| I |
Introduction |
Janell Hobson and R. Dianne
Bartlow |
| HIP HOP (AND) FEMINISM |
|
| 15 |
Hip-Hop Hegemony
|
Janell Hobson
|
| 19 |
"Under Construction": Identifying Foundations
of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave
and Hip-Hop Feminism |
Whitney A. Peoples |
| 53 |
"Like an Old Soul Record": Black Feminism,
Queer Sexuality, and the Hip-Hop Generation |
Andreana Clay |
| 74 |
Hotep and Hip-Hop: Can Black Muslim
Women Be Down with Hip-Hop? |
Anaya McMurray |
| SIGHT AND SOUND |
| 93 |
"Roll it Gal": Alison Hinds, Female
Empowerment, and Calypso |
Jennifer Thorington Springer |
| 130 |
Las Krudas, Spatial Practice, and the
performance of Diaspora |
Ronnie Armstead |
| 144 |
Meri Awaaz Suno: Women, Vocality, and
nation in Hindi Cinema |
Pavitra Sundar |
| 180 |
"All That You Can't Leave Behind":
Black Female Soul Singing and the Politics of Surrogation
in the Age of Catastrophe |
Daphne A. Brooks |
| RAGE AGAINST THE
MACHINE |
| 205 |
Still |
Ayanah Moor |
| 211 |
"Drop It Like It's Hot": Culture Industry
Laborers and Their Perspectives on Rap Music Video Production |
Mako Fitts |
| 236 |
The Essence of Res(ex)pectability:
Black Women's neogitaion of Black Feminity in Rap Music and
Music Video |
Shanara R. Reid-Brinkley |
| 261 |
Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip-Hop Pornography |
Shanara R. Reid-Brinkley |
| 293 |
Women, Pop Music, and Pornography |
Meredith LeVande |
| 322 |
About the Contributors |
|
| 325 |
Guidelines for Contributors |
|
To purchase
this issue contact Indiana University Press at
www.iupjournals.org/meridians
|
|
