After
much deliberation about the wording, Virginia Woolf dedicated Orlando
to “V. Sackville-West.” Woolf’s fanciful biography
of a woman writer traced through four centuries of English literary
history is based on the life of Woolf’s lover, Vita Sackville-West.
Orlando begins in the Renaissance and ends in 1928 with an
airplane rushing out of the clouds. Vita’s book on Knole and the
Sackvilles (1922) provided Virginia with background information. Three
photographs of Vita illustrate the text.
Virginia
Woolf. Orlando: A Biography. London: Hogarth Press, 1928.
Inscribed on the free endpaper by the author to “Lytton from Virginia,
10th Oct 1928.”
Woolf
began writing Orlando in 1927 and by March 1928 a first draft
was complete. By the time the page proofs had been revised for the American
edition, Woolf had corrected eighty typographical errors and made over
six hundred substantial changes in the text, some of which are seen
here in Woolf’s violet-colored ink.
Virginia
Woolf. Orlando: corrected page proofs, 9 June-22 July 1928.
Inscribed by the author to Crosby Gaige.
Orlando
first appeared in the United States on 2 October 1928 in a limited edition
of 861 copies published by Crosby Gaige, which also included fifteen
deluxe copies on green paper. Examples of both limited editions are
on display. The Hogarth Press edition appeared on 11 October 1928, the
day on which Orlando ends. Lytton Strachey’s copy is
seen above with a dust jacket. Harcourt Brace published its edition
on 18 October 1928, from stereotype plates made from the type set for
Gaige’s limited edition. Orlando quickly became a best
seller, and many editions followed, including a Penguin paperback in
1946, with a cover design by George Salter.
Virginia
Woolf. Orlando: A Biography. New York: Penguin, [1946]. Cover
design by George Salter. Presented by Elizabeth P. Richardson ’43.
 |
 |
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Virginia
Woolf. Orlando: A Biography.
New York: Crosby Gaige, 1928.
Number 755 of 800 copies
signed by the author.
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Virginia
Woolf Orlando: A Biography.
New York: Crosby Gaige, 1928.
One of the deluxe copies printed
on green paper.
|
While
Virginia was working on Orlando, she wrote to Vita on 9 October
1927: “suppose Orlando turns out to be Vita; and its
all about you and the lusts of your flesh and the lure of your mind...
suppose there’s the kind of shimmer of reality which sometimes
attaches to my people, as the lustre on an oyster shell.”

Virginia
Woolf. Letter to Crosby Gaige, 29 October 1928.
Presented
by Frances Hooper ’14.
Mortimer Rare Book Room, Smith College
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