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SCMATHEYEARINREVIEWJULY2012JUNE2013SMITHCOLLEGEMUSEUMOFART BacquisitionhighlightAsateachingmuseumSCMAeducatesandengagesitsacademicandbroadercommunitiesthroughmeaningfulandmemorableencounterswithexceptionalart.FromtheDirectorMuseumataGlanceAcquisitionsStaffPerspectiveExhibitionsDrawntoExcellenceStudentPerspectiveCollectingArtofAsiaFacultyPerspectivesAcademicProgramsandPublicEducationStudentPerspectiveProgramsforMembersandtheBroaderCommunityAdvisoryGroupsGiftstotheMuseumMembershipMuseumAssistants13420222425283234364042434548 fromthedirector1JessicaNicoll83DirectorandLouiseInesDoyle34ChieCuratorfromthedirector20122013wasaantasticyearorSCMA.ItculminatedinthespringwithamajorexhibitionCollectingArtofAsiatocommemoratethe100thanniversaryoourfrstacquisitionsoAsianart.Theshowlookedatthepathrom1913to2013andhowtheMuseumsAsianholdingshavegrowninimportantwaysatkeymomentsoSmithCollegesengagementwithAsiaasasiteandsubjectostudy.Morethan13000peoplevisitedtheMuseumwhiletheexhibitionwasonviewandTheBostonGlobepraisedusorsendingthemessagethatAsianartisaliveunpredictableandunruly.InordertosustainourmomentumaroundbuildingandstudyingourcollectionoAsianartweneeddedicatedexpertiseonthestaaswellasadedicatedgalleryintheMuseum.Generousdonorshavesteppedorwardtoflltheseneeds.WereceivedagitromJaneChaceCarroll53chairotheMuseumVisitingCommitteetocreateanewcuratorshipoAsianartapositionthatwillcomeintobeinginthenexttwoyears.ThenattheconclusionotheCollectingArtofAsiaprojectJanewasjoinedbyhersisterEliotChaceNolen54inmakingagittosupporttheworkothiscurator.EliotandherhusbandRolyhavesetupaundorAsianArtInitiativestounderwriteresearchtravelpublicationsexhibitionsandpublic-educationprogramming.TogetherthesistersareestablishinganendowmentoracquisitionsoAsianartcollectivelymakinga5milliongitthatwillputthisnewprogramandcuratorshipinplace.WealsoreceivedaleadgittoestablishagalleryorAsianartromRichardandPeggyBlockDanziger62whowerethenjoinedbyotherdonorsmakinggitsinmemoryoIsabelBrownWilson53andinhonoroPresidentCarolChrist.InthespringtheBoardoTrusteesapprovedplansorarenovationprojectthatwillcreateanAsian-artgalleryscheduledtobeunveiledintheallo2015.The1100-square-ootspacewillbenamedtheCarolT.ChristGalleryorAsianArt.WereincrediblymovedthattheBoardoTrusteesishonoringPresidentChristbyrecognizingherdeepcommitmenttotheartsandhersupportortheMuseum. 2fromthedirectorRewindingtotheallo2012wehadauniqueopportunitytobringtocampusanalumnasextraordinarycollectionomasterdrawings.TheexhibitionDrawntoExcellenceaugmentedwhatweareabletoteachaboutthissubjectromourownholdings.TotakeulladvantageothemomenttheCollegeinvitedSuzanneFoldsMcCullagh73chairotheDepartmentoPrintsandDrawingsattheArtInstituteoChicagotospendasemesteratSmithasavisitingKennedyProessor.ShetaughtacourseusingtheartworksinDrawntoExcellencegivingherluckystudentsthechancetolearnromoneotheoremostexpertsintheeld.Itwastheperectmodelingoanimmersivelearningexperiencebasedonthestudyooriginalworksoart.SuzanneMcCullaghsstudentsalsohadoneotherstopportunitiestouseournewmaterialslab.ThankstoartconservatorPhoebeDentWeilsgitoherabulouscollectionohistoricartistsmaterialssuchaspigmentsbrushesandglasswarewewereabletosetupatechnical-materialslaboratoryinSabin-ReedHallpartothesciencecomplexoncampus.AssociateDirectororMuseumServicesDavidDempseyandartistSarahBelchetz-Swensonutilizedthelabinthespringoracourseinwhichstudentsexploredthehistoricmethodsandmaterialsthatartistsusetomakeeverythingromrescoestoencausticpaintingstemperaworkstodrawings.ThelabhasbeenawonderulsteporwardinourworkwithstudentsandanexcitingpartnershipwiththesciencesatSmith.Anothersignalevento20122013wasthelaunchoWomenortheWorldTheCampaignorSmith.SpecialcollectionsincludingtheMuseumhaveacentralplacewithinthe450millioncampaignandImproudtobepartoateamoacultyandstawhohavebeenidentiedascampaignambassadorstoSmithscommunityodonors.OneothecampaignsprioritiesistoensureundingorcoreMuseumactivities.TothatendwevestartedtheDirectorsInitiativesEndowmentwhichwillyieldannualresourcesthatwillallowustoinnovateandtodevelopnewprogramming.WeregrateultohavereceivedaleadgittoestablishtheundromJanFullgraGolann71andwehopeotherdonorswilljoinherinbuildingtheendowment.FinallyrecognizingthatannualgivingintheormomembershipisthemostsignicantsourceofexibleoperatingrevenuesorSCMAtheMuseumVisitingCommitteelastyearworkedwithourstatorerameandrebrandourmembershipprogramintegratingallothewaysinwhichpeoplecansupporttheMuseumintoatransparentsuiteoopportunities.ItwasarewardingprojectwithterricleadershipromJanGolannandhersteeringcommitteeinadditiontoincredibleworkbyourownLouiseKohrmanMartindell02andMargiCaplan.Inthepagesthatollowyouwillndstorieselaboratingontheseachievementsandmanymore.UnderpinningthemallisthestoryothevisionenergyandgenerosityoeveryonewhoworkstohelpSCMAul-llitscoremissiontoprovidetransormativelearningexperienceswithoriginalworksoart.Itisapleasuretotakethisopportunitytothankallwhojoinustocreateawelcomingenvironmentorstudyrefectioninvestigationanddialogueorouracademicandbroadercommunities.JessicaNicoll83DirectorandLouiseInesDoyle34ChieCurator museumataglance3TOTALATTENDANCE33455ANNUALBUDGET3135281MEMBERSHIPTryonAssociatehouseholds54ContemporaryAssociatehouseholds12Membership1139TotalMemberhouseholds1205LIBRARYPASSPARTNERS25CHANGINGEXHIBITIONSINSTALLATIONS11ARTACQUISITIONSGifts550Purchases130Total680ACADEMICPROGRAMSANDPUBLICEDUCATIONAdultprogramvisitors344Numberofadultprograms26Familyprogramvisitors1962Numberoffamilyprograms15NumberofFamilyDays2PreK12visitors3409PreK12groupvisits149Teacherprogramparticipants75Numberofteachereventsworkshopstours7Smithothercollegeclassvisitsandprogramattendance4006Smithothercollegevisitsandprograms233StudentMuseumEducators20FamilyDayandSecondFridayvolunteers71ProgramsforMuseumassistantswork-studyandinterns3Totalparticipants9981CUNNINGHAMCENTERVISITORSTotalnumberofclassesSmithandothercolleges76TotalnumberofstudentsSmithandothercollegegroups912SmithCollegeclassvisits59Totalnumberofindividualvisitorsresearch79SmithCollegeindividualvisitorsresearch47Totalnumberofworksonpaperusedforclassesorindividualstudy1933JULY12012JUNE302013museumataglanceLedbyAnnMusserassociatedirectorforacademicprogramsandpubliceducationCollectingArtofAsiaColloquiumparticipantsengagewithYongSoonMinsMovement ThisyeartheMuseumacquiredadiverserangeoworksinavarietyomediathatwillenhancethecollectionandsupportSCMAsteachingmission.TheMuseumreceivedasignifcantnumberogitsromalumnaeandotherdonorsincludingpaintingsbyElizabethMurrayandEllenPhelangivenbyAnneBickEhrenkranz60andagroupowoodcutsbythenotedJapanesemodernprintmakerSekinoJunichirogivenbyLucioandJoanNoto.TheamilyosculptorEliotOnerwhoservedormanyyearsontheSmithstudioartacultygenerouslygaveabronzerelieandaull-lengthbronzefgure.GuidedbySCMAscollectingplantheMuseummadeotherimportantpurchasesincludingadrawingstudybyEdgarDegasorJephthahsDaughtertheMuseumsmonumentalhistorypaintingbytheartist.AlargeSeatedBuddhabyUniversityoMassachusettsAmherstgraduateSopheapPichconsideredCambodiasoremostcontemporaryartistwasalsopurchasedandwasaeaturedworkintheexhibitionCollectingArtofAsia.Acomprehensivelistingoall20122013acquisitionsollowsonpages619.HIGHLIGHTAmongSCMAsmajornewacquisitionsareworksbyElizabethMurrayandEllenPhelanwhohelpedtoredefneandrestorethepracticeopaintingduringthepost-minimalistperiodothe1970swhenpaintingwasconsideredoutoashion.Sincethattimeeachhasproducedmajorbodiesoworkwithimpliedmeaningorcontentrecognizableimageryandarangeothemes.ElizabethMurrayisbestknownorhershapedcanvasesandborrowingodomesticobjectsotenportrayedinexuberantcartoonlikeormsandcolorsinhersignaturemixoabstraction4acquisitionsacquisitionsElizabethMurray.American19402007Whereaboutsall1985OilonshapedcanvasoverwoodGitoAnneEhrenkranzAnneBickclasso1960inhonoroAnnSolomonAnnWeinbaumclasso1959introductionandhighlightmurrayandphelanacquisitions andimagery.WhereaboutsisanearlyshapedcanvasanddatestoamomentwhenMurraysdaughterDaisyromMurrayssecondmarriagetopoetRobertHolmanwaslearningtowalk.Itcanbeseenasatoddlers-eye-viewoacoeetablewithitscenterprotrudinglikeanaughtystuck-outtongue.Blueribbonlikebandsoutlinethecontourothecanvasandcorkscrewacrossitssurace.EllenPhelanbeganmakingabstractandan-shapedpaintingsduringthe1970sandthenprogressedtomorerepresentationalstillliesandatmosphericlandscapes.Duringthemid-1980scastingaboutorsomethingtodrawandtooccupyherstepdaughterIvyPhelanbeganpaintingdollsromhercollectionwhichsheviewedasacrossbetweenafgureandastilllie.Thedollpaintingswereotenmaderomprojectedslidesosmallergouachesorwatercolorsandretainedtheirblankorundierentiatedbackgrounds.BethasDivashowsadollwithitsarmsraisedasthoughinperormance.AlthoughtheimageiscreatedinapaletteopinksandpastelsthepaintingprojectstheunsettlingpsychologicalambiguitysharedbymanyoPhelansdollpictures.acquisitions5EllenPhelan.Americanborn1943BethasDiva1992OilonlinenGitoAnneEhrenkranzAnneBickclasso1960inhonoroAnnSolomonAnnWeinbaumclasso1959 DECORATIVEARTSMARTINEZMariaMontoya.NativeAmericanTewaSanIdlefonsoPueblo18861980GrainJarn.d.Reduction-firedterracottawithburnishedandmatteslipdesignGiftofKathrynKaschclassof1968UNKNOWN.JapaneseTaisho19121926Showa19261989periodKimonoMeisenca.19201940IMAGE1Silkplainweavestencil-dyedwarpandweftGiftofJuliaMeechclassof1963inhonorofSamuelC.MorseUNKNOWN.JapaneseTaisho19121926Showa19261989periodKimonoMeisenca.19201940Silkplainweavestencil-dyedwarpandweftGiftofJuliaMeechclassof1963UNKNOWN.JapaneseEdoperiod16001868Nabeshimabowln.d.GlazedpolychromedporcelainGiftoftheestateofPriscillaMasonclassof1935UNKNOWN.JapaneselateEdo16001868earlyMeijiperiod18681912WritingBoxSuzuribako1860sLacquermetalinkwellbrushesbarsofinkGiftofSueWelshReedclassof1958UNKNOWN.NativeAmericanNavajopeopleRug1930s1940sRug1930s1940sWovenwoolwithvegetabledyeGiftofPriscillaCunninghanclassof1958DRAWINGSBARNETWill.American19112012PreliminarysketchforChildReading1970sGraphiteandwatercoloronthinsmoothcream-coloredpaperGiftofCarynDreyfussProvincebytheSean.d.IMAGE2Graphiteinkcrayonandgouacheonthinsmoothcream-coloredpapermountedonthickroughcream-coloredpaperGiftofAndrewDreyfussBASKINLeonard.American19222000ManwithCrossedArmsorSadManca.1955IMAGE3InkandwashonthickroughwhitewatercolorpaperGiftofDr.JohnEsterlyandDr.NancyEsterlyNancyBurtonclassof1956CAHNMiriam.Swissborn1949Untitled1986Twountitleddrawingsn.d.CharcoalonmediumthickmoderatelytexturedwhitepaperGiftofKatrinaM.Caryeclassof1971CARMONTELLELouisCarrogis.French17171806PortraitotheComtessedeRochambeaun.d.PortraitotheDuchessedeLauzunn.d.IMAGE4Blackandredchalksandwatercolorwithtracesofwhitechalkonmediumweightslightlytexturedcream-coloredlaidpaperonoriginal18th-centurymountsoncegreenPurchasedwiththeDianeAllenNixonclassof1957FundCHILDSBernard.American19101985Untitled1963Graphiteinkandgouacheonthinsmoothcream-coloredpaperGiftofJudithMillerChildsclassof1953DAVISGene.American19201985Untitled1971Graphiteandcoloredpencilonheavyweightslightlytexturedcream-coloredpaperGiftofAndrewDreyfussDEGASEdgarHilaireGermain.French18341917HommedeboutverslagauchetudepourLaflledeJephthca.185990GraphiteonmediumweightslightlytexturedbeigepaperPurchasedwiththeDianeAllenNixonclassof1957FundtheMadeleineH.Russellclassof1937FundandgiftsinhonorofDianeAllenNixonDIEBENKORNRichard.American19221993Untitled1964Oiloverphotolithographprintedinblackonmediumweightsmoothcream-coloredpaperBequestofAnnRosenerclassof1935FORRESTERPatriciaTobacco.American19402011LotusBudandBlossom1993Watercoloronthickroughwhitewatercolorpaper6acquisitionsgiftsandpurchasesofart12 GitoPatriciaHeyneWidellclasso1962andCarlE.WidellJr.HALEPhilipLeslie.American18651931TwoNudesca.1900PastelonroughbrownpaperboardTranserredromtheLianeandDavidM.StewartProgramorModernDesignGitoGeoreyBradordHILLEARYJames.Americanborn1924485VSeries1975Pastelinourcolorsonmoderatelythicksmoothcream-coloredpaperGitoEvanDreyussKAINENJacob.American19092001Untitled1969or1964WatercolorandgouacheonmediumweightslightlytexturedwhitepaperGitoAndrewDreyussLONGSTREETBill.American20thcenturyUntitled1978AcrylicinksandgildingandcollagedpaperGitoCarynDreyussMADesheng.Chineseborn1952MountainLandscape1980sIMAGE5BlackinkonthickmoderatelytexturedwhitepaperGitoJoanLeboldCohenclasso1954andJeromeA.CoheninhonoroEthanCohenMOSERBarry.Americanborn1940BenShahninanAcademicCap1969PenandblackinkonbrownpaperGitoLindaCrabbeclasso1968inhonoroBobandGraceCrabbePHILIPPOTEAUXFelix.French18151884StudyorthefgureoClaudeDeperretca.1850IMAGE6BlackchalkheightenedwithwhiteonmoderatelythickmoderatelytexturedbeigepaperGitoSandraElizabethCanningPISSARROCamille.French18301903WomanSweepingn.d.GraphiteonpaperGitoMollyPotterScheuclasso1948RIJ-ROUSSEAUJeanne.French18701956DoublePortraitn.d.BlackcrayononmediumweightroughbrownpaperAbstractionn.d.CharcoalonmediumweightroughbrownpaperGitoSueK.FeldandStuartP.FeldROBERTSElinor.American19051998MoonFlake1977PeninkandwashonpaperboardGitoCarynDreyussROTHDieter.Icelandic19301998Sunset1968SausagecollageontwocolorsopaperencasedinplasticPurchasedwiththeCarolRamsayChandlerFundandtheJudithPlesserTarganclasso1953FundSCHRAGKarl.AmericanbornGermany19121995ScentoSunnyPinewoodsca.1960sGouacheonheavypaperboardGitoAndrewDreyussSHINODAToko.Japaneseborn1913Nexus1999SumisilverandgoldinkonpapermountedonboardPurchasedTUTTLERichard.Americanborn1941121974WatercoloronmediumthickslightlytexturedbeigepaperGitoCarynDreyuss171974WatercoloronmediumthickslightlytexturedbeigepaperGitoEvanDreyussUNKNOWN.Indian19thcenturySeatedManwithBowandArrow19thcenturyStandingFigureWearingWhiten.d.UntitledPageromabookwithtextandimageosixfguresfveseatedonestandingn.d.UntitledWomanstandingontigerskinwithherhandsonherheadn.d.InkgouacheandgoldonpaperBequestoAnnRosenerclasso1935UNKNOWN.IndianPahari19thcenturyTwoscenesromtheRamayana19thcenturyInkgouacheandgoldonpaperBequestoAnnRosenerclasso1935UNKNOWN.Pakistani19thcenturyPounceDrawingearly19thcenturyGraphiteonmediumweightcreampaperBequestoAnnRosenerclasso1935acquisitions73465 UNKNOWN.American20thcenturyUntitledn.d.CrayonpastelandenamelonmediumweightsmoothwhitepaperGiftofEvanDreyfussWICARJean-BaptisteJoseph.French17621834SeatedMann.d.GraphiteonmediumweightwhitelaidpaperGiftofSusanLampmanHillclassof1963NEWMEDIAKAWAUCHIRinko.Japaneseborn1972SeeingShadow2012Single-channelvideoPurchasedKYUNGWooHan.Koreanborn1979TheGreenHouse06202009Single-channelvideoPurchasedRASDJARMREARNSOOKAraya.Thaiborn1957VillageandElsewhereArtemisiaGentileschisJudithBeheadingHoloernesandJeKoonsUntitled2011Single-channelvideoPurchasedwiththeJoanLeboldCohenclassof1954AsianArtAcquisitionFundWILSONMartha.Americanborn1947IhavebecomemyownworstearDeormation20081974IMAGE7DETAILVideoinstallationwithgelatinsilverprintoncanvasPurchasedwiththeMargaretWalkerPurintonFundEdgarHilaireGermainDegas.French18341917HommedeboutverslagauchetudepourLaflledeJephthca.185990GraphiteonmediumweightslightlytexturedbeigepaperPurchasedwiththeDianeAllenNixonclassof1957FundtheMadeleineH.Russellclassof1937FundandgiftsinhonorofDianeAllenNixonHommedeboutverslagaucheisoneoapproximately50drawingspreparedbytheyoungEdgarDegasorhisfrstmajorhistorypaintingLaflledeJephthTheDaughterofJephthah.AnimportantunfnishedworkintheSCMAcollectionthispaintingandthedrawingsoritarevitaldocumentsinthestudyotheworkoasignifcant19th-centuryFrenchartist.In1859DegasreturnedtoParisaterathree-yearstayinItalyandbeganpaintingTheDaughterofJephthahwhichheintendedtoexhibitattheSalon.ThepaintingDegasslargestandmostambitioushistorysubjectwasneverfnished.Howeveritsslowcompositionaldevelopmentresultedinacoherentgroupodrawnstudiesoreachfgure.ThesedrawingsstandintestamenttotheimportanceodrawingtoDegasspracticeasanartist.UnlikeanumberootherfguresinthepaintingwhichareliberallysampledromtheOldMastersDelacroixandothersourcesthefgureinHommedeboutverslagaucheseemstohavebeenoriginallydrawnasaliesketch.Theunderlyingstoryortheintendedpaintingtakenromchapter11intheBookofJudgesconcernsthewarriorJephthahwhoinexchangeorvictoryovertheAmmonitespromisestosacrifcethefrstlivingbeingheseesuponhisreturnromwar.DegassversionothestorycapturesthemomentoJephthahsreturnwhenheisgreetedbyhisdaughteratthemomentthatbothrecognizethedaughterstragicate.EDGARDEGAS8acquisitions7 PAINTINGSAUDETTEAnnaHeld.American19382013AtgetonProspectStreet1986OiloncanvasGitoCarolynRichmondclasso1960inhonoroAnnaHeldAudetteclasso1960BACKESJoan.Americanborn1950TreeCaliornia2007AcryliconpanelGitoMinaEllisOtisclasso1956BRODSKYStan.Americanborn1925ThroughtheWindow1973OiloncanvasGitoRosettaMarantzCohenDEIHLRandall.Americanborn1946BelchertownStateSchool1976IMAGE8OilonpanelPurchasedinpartwiththegitotheFredBergorsandMargaretSandbergFoundationorworksbylivingAmericanartistsDIEBENKORNRichard.American19221993CigarBoxLidNo.21976OilonwoodBequestoAnnRosenerclasso1935KARNOFSKYMollyne.American19322011TheBullFight5ElSolSeries1999MixedmediaandacryliconcanvasGitoJanelleWinstonMURRAYElizabeth.American19402007Whereaboutsall1985OilonshapedcanvasoverwoodGitoAnneEhrenkranzAnneBickclasso1960inhonoroAnnSolomonAnnWeinbaumclasso1959PHELANEllen.Americanborn1943BethasDiva1992OilonlinenGitoAnneEhrenkranzAnneBickclasso1960inhonoroAnnSolomonAnnWeinbaumclasso1959PORTERFairfeld.American19071975TheOrchard1964OilonlinenGitoMrs.WilliamA.SmallJr.SusanSpencerclasso1948SOYERRaphael.American18991987HeadoaWomaninBluen.d.OiloncanvasGitoAliceDruckerKaplanclasso1958SUKJuLee.Koreanborn1952TheStreetGambler1984IMAGE9TheWall1981OiloncanvasGitoWanKyunRhaKimclasso1960andDr.AndrewByongSooKimTHURNAUERAgnes.Frenchborn1962RpliqueNo.32007AcrylicandcollageoncanvasGitoLorraineandOlivierCojotUNKNOWN.American19thcenturyLandscapewithBabyinCradleDogandWomann.d.OilonclothBequestoAnnRosenerclasso1935PHOTOGRAPHSBALTERMANTSDimitri.Russian19121990ArtilleryCommanderK.M.KarabanovProtectingtheHarvest1941BayonetAttackNovember1941SoldierintheRoadSmolenskFront10MinutesromMoscow1941AdvancingThroughtheBirch194145CartingtheDeadKerchCrimeaJanuary1942SovietSoldierFiringCapturedGermanPanzeraustatNightlate1942InspectingtheGermanLossesontheOutskirtsoOdessa1944AterTchaikovsky1945BattleintheStreetsoBerlin1945BerlinisTakenMay1945IMAGE10LogisticsLineGermany1945SovietPolicewomanDirectingTrafcBerlin1945Gelatinsilverprintsprintedin2003GitoNicoleMorettiUngarclasso1982andJonUngarBINGIlse.German18991998Manwithwhitebeard1929Meersburg1929Reichenau1929Riverdock1929berlingen1929berlingen1929WegnachSalem1929Flowerygirl1931CathedraledAmboiseSt.Martin1935Gardenwalk1935Meditation1935Nunwithrecorder1935Telephone1935Flyingseagull1936acquisitions98910 Youngmanplayingpiano1942Eaglesculpture1944PortraitoKonradWol1944NewYorkPublicLibrary1949RoadintoManhattanalongHudsonRiver1949CartchainedtotreeParis1952Fallenleaves1952LampposttheOldStateDepartmentWashingtonD.C.Paris1952TheOldStateDepartmentWashingtonD.C.1953Daisies1955Sprucetree1955Sprucetreenearlake1955StormbehindtreesColorado1955Thunderstormtreelet1955VintagegelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarCARTIER-BRESSONHenri.French19082004MansleepinginshadeddeckchairUSAca.1950WomanshoppingorpearlswithherhusbandUSAca.1950IMAGE11BeneftbazaarWashingtonD.C.USA1957TwomentalkingUSAca.1960PatriotsuneralQuebec1965PriestandproessorleavinglecturehallQuebec1965ChildlickingiceoospoonQuebec1967LogjamoutsidemillQuebec1967ManchangingpaperrollsonmachineQuebec1967ParliamentQuebec1967VintageferrotypedgelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarDASSONVILLEWilliamEdward.American18791957FourimagesofSanFranciscoromTelegraphHillca.1925TwoimagesofSanFranciscoskylineMarkHopkinsHoteltakenromTelegraphHillca.1925HighSierrassnowonmountainca.1930sOwensValleyCaliorniaca.1930sGelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarDISFARMERMichael.American18841959Standingyoungwomancloudbackgroundca.1930Girlindiamond-dotteddressandbootsseatedontableca.1940Girlholdingbabyseatedontablestripedbackgroundca.1940Motheranddaughterseatedontablestripedbackgroundca.1940Oldwomaninstripeddresswithtwoboysoneseatedca.1940Seatedwomanincoatandhatwithbabygirlonlapstripedbackgroundca.1940Seatedwomaninhatbabyonlapca.1940Standinggirlindotteddressca.1940Standingmanwithwhitemoustacheinoverlylargesuitca.1940Standingwomanholdingasmallboystandingonatableca.1940Standingwomanwithpurseunderarmca.1940Standingwomaninstripeddressca.1940Twowomeninpued-sleevedressesbobbysocksarmsaroundeachotherca.1940Womanwithbabyonlapca.1940Womanwithhandarounddaughterca.1940Womanwithhandarounddaughterstripedbackgroundca.1940Younggirlholdingbagseatedontableca.1940Oldwomanstripedbackgroundca.1940Gelatinsilverprintsmountedonthickmoderatelytexturedcream-coloredpaperGiftofNicoleMorettiUngarclassof1982andJonUngarHEYMANKen.Americanborn1930NunsManhattanNYC1960sSneak1969TheLeaderNYCca.1970IMAGE12APaintingontheBenchCentralParkNYCca.1970SevenphotographsfromHipShots198485ManwithonelegsleepingonthestreetNewYorkManholdingbigballoonatMacysDayParadeNewYorkWomanwithbasketballWomanaintedonstreetWomaninshortskirtposingNewYorkWomanstickingouttongueNewYorkWomantwirlingherbraidNewYorkGelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarHUANGYan.Chineseborn1966ChineseShan-ShuiTattoo1999ThirteenC-printsGiftofEthanCoheninhonorofJoanLeboldCohenclassof1954andJeromeA.CohenLYONDanny.Americanborn1942FifteenphotographsfromTheDestructionoLowerManhattan196667printed2007258WashingtonStreetatthenorthwestcorneroMurrayStreet327329and331WashingtonStreetbetweenJanandHarrisonStreetsBeekmanStreetsubbasementBeekmanStreetSundayMorningGincoTontoFrankieJohnJr.andNelsonaterexploringthebuildingsBenAltonhousewreckerDemolitionmensheadquarters38FerryStreetHueyandDominickoremenIttookoversixmonthstobringdowntheourteenstorieso100Gold10acquisitions1112 ThenorthwestcorneroWashingtonandChambersStreetsThenorthwestcorneroWashingtonatHarrisonStreetRadiatortheSt.GeorgebuildingSel-portraitinabandonedWestStreethotelroomTheSt.GeorgebuildingViewwestromaWashingtonStreetrootopWomensearchortheBeekmanHospitalSixphotographsfromHaiti198386printed2007DawnonFebruary7thFebruary7Port-au-PrinceHaitichapelaadeHaitiwomenseatedonereadingabookThesoldierisgreetedasaheroFebruary7Port-au-PrinceTwoyouthsimitatetheTontonMacouteduringMardiGrasGonaivesGelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarMETZNERSheila.Americanborn1939MouilleShape1991IMAGE13FressonmonochromeprintGiftofMarilynLevinCohenclassof1968andL.RobertCohenHuangYanusesthebodyascanvasoraspecifcstyleoclassicallandscapepaintingknownasshanshuiormountain-waterwhichisthebasisorhisperormativephotographs.HuangbecameinterestedinthetraditionallandscapepaintingsoChineseliteratiartistshighlyeducatedscholarpainters.Duringthemid-1990shebegantopaintclassicallandscapesubjectsonhisacehandsandbodyapracticeinwhichmanwasthesubjectlandscapewastheobjectandalandscapepaintedonthehumanbodywasthematerializationotheunionbetweensubjectandobject.Thisimageoneo13donatedtoSCMApresentsaviewotheartistschestwhichbearsavistaoorestedmountainspaintedbyartistZhangTeimeiHuangswie.Throughoutthephotographicseriesthelandscapeisreconfguredthroughtherepositioningotheartistsbodyoldedarmsclaspedhandsetc.andtheviewtakenotheartist.Byreerringtotattooinganancientormobodyartpracticedbymanyculturesinthetitleothisworktheartisturtherreinorcestheintimacyohisconnectionwiththelandscape.HuangYan.Chineseborn1966ChineseShan-ShuiTattoo1999C-printGiftofEthanCoheninhonorofJoanLeboldCohenclassof1954andJeromeA.CohenHUANGYANacquisitions1113 KONMichiko.Japaneseborn1955SalmonFlatshHighHeel1987printed1990sGelatinsilverprintPurchasedwiththefundinhonorofCharlesChethamMEYEROWITZJoel.Americanborn1938Truro1976TheArch1977LongnookBeach1977Provincetown1977St.Louis1977IMAGE14EmpireState1978EmpireStatewindmill1978EmpireStateYaleTrucking1978ManandEmpireState1978St.Louis1978Pittsburgh1984Pittsburgh1984Skylateaternoon1984TheSouthCrossroadsJail1986Irwininstall1991VintagechromogeniccontactprintsGiftofNicoleMorettiUngarclassof1982andJonUngarNAGATANIPatrick.Americanborn1945FourphotographsfromRyoichiExcavationsRyoichisJournalShowa60July13USATucson19992001RyoichisJournalShowa60October13Kyoto19992001ChromogenicFujiCrystalArchiveprintsRyoichisJournalShowa60July13USATucsonTranslationtextcoversheet2001RyoichisJournalShowa60October13KyotoTranslationtextcoversheet2001Inkjet-printedtextsonLightImpressionsbufferedpaperGiftofNicoleMorettiUngarclassof1982andJonUngarSekinoisanimportantgureinthedevelopmentomodernprintmakinginJapan.Artistsassociatedwithsosaku-hangaCreativePrintMovementsoughttobreakwiththetraditionoukiyo-eprintsinwhichtheprintsdesignanditscuttingandprintingwereexecutedbydierentpeople.InspiredbytheartistMunakataShikowhocameromthesametownSekinobeganmakingprintsasachildinAomori.Heavoredrealisticsubjectsexecuteddetailedpreliminarysketchesandwaspainstakinginthepreparationohisblocks.ThiscareulworkisapparentintheportraitothewriterMiyazawaKenji18961933whichlayerssubtlecolorandtexturestobuildthenalimage.Thegureotheseatedwriterisbasedonaphotograph.TheimagecontrastswiththebackgroundwhichiscomposedofatoverlappingplanesocolorbearingtwooMiyazawaspoemswrittenindierentscriptstyles.Theoverallimpressionisatour-de-orceodesignandprintingthatmarriestherenedtraditionalJapaneseprintingstylewithareshandmodernapproach.SEKINOJUNICHIROSekinoJunichiro.Japanese19141988MiyazawaKenjiPoet-Writer1953printedbefore1977Woodcutprintedincoloronmediumweightslightlytexturedcream-coloredpaperGiftofLucioandJoanNoto12acquisitions14 PINNEYMelissaAnn.Americanborn1953FourphotographsromCellarDoorEmmaatEightbluejacket20032010EmmaatTenskateboard20052010EmmaatThirteen20082010IMAGE15EmmaatFiteenJVVolleyball20102012ArchivalinkpigmentprintsGitoKiraandCarlCaaroPOSTWilliamB.American18571921LandscapeinFogca.1905VintageplatinumprintPurchasedwiththeundinhonoroCharlesChethamRIDDLEA.J.American18291897ViewoAndersonvillePrisonAugust161864printedlate1880sAlbumenprintromcopynegativePurchasedwiththeJosephineA.Steinclasso1927Fundinhonorotheclasso1927SHIELDSWilliamGordon.American18831947Manandwomanwalkingalongencedpathca.1910sMatte-fnishwarm-tonedgelatinsilverprintGitoNicoleMorettiUngarclasso1982andJonUngarSMITHW.Eugene.American19181978Bio-MedicalGoren.d.FourphotographsromPittsburgh195556BuildingwithFreethePeopleinmasonryCeremonyintheCathedralCityCouncilListensAttentivelyCityCouncilMeetingGeneralAtomicGeneralDynamicDisplayromAtomsorPeace1958TwophotographsromHospitalorSpecialSurgery196668ChildincribwithbandagedarmsManinLaboratoryTwophotographsromInternationalNickel196768TwoWorkersinMineElevatorManinParkaGelatinsilverprintsGitoNicoleMorettiUngarclasso1982andJonUngarSTRUSSKarl.American18861981Untitledourwomenseatedinparlorn.d.Untitlednudewitharmsupbalancedononeootn.d.TwinLakesN.H.n.d.EarlHallColumbiaUniversityatnight1910InterioroVillaCarlottasilhouetteosculpture1910RefectionsVenice1910ChesterNovaScotia1911ChesterNovaScotia1911QueensNo.2woodedlandscape1914Untitlednudeatedgeoorestpool1917UntitledstandingnuderearviewromtheseriesTheFemaleFigure1917VintageplatinumprintstippedtolayeredmountsGitoNicoleMorettiUngarclasso1982andJonUngarPRINTSALLENAnne.English1748ater1808aterJean-BaptistePillement.French17281808UntitledromNouvellesuitedecahiersarabesqueschinoislusagedesdessinateursetdespeintresNewsuiteonotebooksoChinesedesignsortheuseodesignersandpaintersca.179698EtchingprintedincolorlapoupeonmediumthickslightlytexturedbeigepaperPurchasedwiththeElizabethHalseyDockclasso1933FundAMANO.Japanese20thcenturyFishG.1959Screenprintprintedineightcolorsonmediumthicksmoothcream-coloredpaperTranserredromRentalCollectionBARNETWill.American19112012CirceII1980Screenprintprintedincoloronthickmoderatelytexturedcream-coloredpaperGitoEvanDreyussBARTOLOZZIFrancesco.Italian17271815aterHansHolbein.English14971543PortraitoaWoman1796PortraitoaMan1799EngravingsprintedincoloronmediumweightslightlytexturedpinkpaperGitoBarbaraK.Watersclasso1963inmemoryoMinnieRauschBudelskyandMargaretBudelskyTaggartBASKINLeonard.American19222000WomaninLandscapeca.1950Esther1952MourningWoman1952WoodcutsprintedinblackonthinAsianpaperBlockorWomaninLandscapeca.1950CarvedwoodcarvedonbothsidesGitoDr.JohnEsterlyandDr.NancyEsterlyNancyBurtonclasso1956Munch1964Etchingandaquatintprintedinblackonheavyweightcream-coloredRivesBFKpaperGitoLeannaY.Brownclasso1956acquisitions1315 BOOKERChakaia.Americanborn1953Untitled2011WoodcutprintedinblackandtanwithchinecollofGampiMM20KitikataTorinokoandThaiMulberrypapersonSomersetVelvetpaperGiftofJaniceCarlsonOresmanclassof1955CAMUS.French18thcenturyTwoimagesofLouisXVIRoideFrance18thcenturyTwoimagesofMarieAntoinetteReinedeFrance18thcenturyMarieElisabethSoeurdeLouisXVI18thcenturyMarieThrseLouisedeSavoieCarignan18thcenturyEngravingwithhandcoloringonmediumweightsmoothcream-coloredpapermountedonthickslightlytexturedbeigepaperMarieAntoinetteReinedeFrance18thcenturyDamedelaCourdeLouisXVI1782Engravingwithhandcoloringonmediumweightsmoothcream-coloredpaperSourceanddateofacquisitionunknownCARMONTELLELouisCarrogis.French17171806PortraitofLeBarondeBezenvaln.d.Etchingprintedinblackonmediumweightmoderatelytexturedcream-coloredpaperPurchasedwiththeElizabethHalseyDockclassof1933FundCHASELouisaL.Americanborn1951Chasm1983RedSea1984IMAGE16WoodcutsprintedincoloronpaperGiftofKatrinaM.Caryeclassof1971CHILDSBernard.American19101985SevenstudiesandproofsforBB1960EtchingsprintedincoloronpaperGiftofJudithMillerChildsclassof1953CLEMENTEFrancesco.Italianborn1952Untitled1973Woodcutprintedincoloronmediumthickslightlytexturedcream-coloredpaperGiftofKatrinaM.Caryeclassof1971COLESCOTTWarringtonW.Americanborn1921MountainVillagen.d.ScreenprintintencolorsonmoderatelythickroughblackpaperTransferredfromRentalCollectionCOLLAERTHans.Flemish15661628andKarelvanMallery.Flemish15321603TheCycleoftheVicissitudesofHumanLifeEngravingsprintedinblackonpaperPurchasedwiththegiftofCatherineBlantonFreedbergclassof1964inhonorofSuzannahFabingDirectorSCMA19922005DIEBENKORNRichard.American19221993Untitled1977DrypointandetchingprintedinblackonmediumthickmoderatelytexturedwhitepaperRichardDiebenkornDrawingsApril32619641964PhotolithographprintedinblackonmediumweightsmoothwhitepaperBequestofAnnRosenerclassof1935EICHELBERGERRobertA.American18611890afterGeorgeInness.American18251894EarlyAutumnn.d.IMAGE17Etchingprintedinblackonmediumweightmoderatelytexturedcream-coloredpaperGiftofBarbaraBossartMcCarterAlcornclassof1963FORRESTERPatriciaTobacco.American19402011BerliozTreeslate1960sEtchingprintedinblackonpaperDaughterslate1960sEtchinganddrypointprintedinblackonpaperGiftofTaraandJeffSantosuossoFRANCISKe.Americanborn1945RinglingSuite2012FourreliefprintsonmediumweightslightlytexturedbrightwhiteSomersetSatin250gmpaperGiftofStephenAlpertFRASCONIAntonio.American19192013JumpingRope1950Woodcutprintedintwocolorsonthincream-coloredAsianpaperTransferredfromRentalCollectionGRTZKEJohannes.Germanborn1937VierzigSteinzeichnungen1985TwentylithographswithletterpressonthickmoderatelytexturedwhitepaperGiftofKatrinaM.Caryeclassof1971GUIDIGiovanniTisidio.Italianactive16261635SaintsEmeranceandAgnes1635IMAGE18EtchingprintedinblackonmediumthickmoderatelytexturedbeigepaperGiftofSueWelshReedclassof1958inmemoryofDavidPillsburyBecker14acquisitions161718 HOFMANNHans.American18801966CompositioninBlue1952Screenprintinourcolorsonmediumweightsmoothcream-coloredpaperGitoBarneyDreyussIIIHUNTAnita.Americanborn1958SmallWonders2012SixetchingswithchinecollohandmadeBicchuTorinokoGampimountedonMagnaniPesciaSotWhitePurchasedwithundsrealizedromthesaleoworkdonatedinmemoryoJuneZimmermanMeansclasso1917byNancyDownesMeansclasso1952KIPNISSRobert.Americanborn1931Untitledlandscapewithbaretreesandullmoonn.d.Lithographinfvecolorsprintedonmediumthickslightlytexturedcream-coloredpaperUntitledlandscapewithtreeandleavesn.d.Lithographinourcolorsprintedonmediumthickslightlytexturedcream-coloredpaperGitoMarilynLevinCohenclasso1968andL.RobertCohenKISHIOKoizumi.Japanese18931945SubwayinSpringromtheseries100PicturesofGreatTokyoinShowaMarch1937IMAGE19Woodcutprintedincoloronmediumweightcream-coloredpaperGitoJuliaMeechclasso1963inhonoroSamuelC.MorseKOLLWITZKthe.German18671945Self-Portrait1919Lithographprintedinblackonmediumthickmoderatelytexturedcream-coloredpaperGitoCatherineE.BurnsLINJun.Chineseborn1921TwoprintsromTheMiserableEraTheBackoftheOldWorkerHumiliatingBodySearch1963modernprintsWoodcutsprintedinblackonthinAsianpaperGitoBettyH.Samsclasso1957andJamesF.SamsLLANTAJacquesFranoisGanderique.French18071864LesArtistesContemporaines1832Lithographprintedinblackonmediumweightslightlytexturedcream-coloredpaperPrintedbyLemercierBequestoAnnRosenerclasso1935LOZOWICKLouis.American18921973HanoverSquare1929SnowClearance1934Relic1939IMAGE20Lithographsprintedinblackonmediumweightslightlytexturedcream-coloredpaperGitoAliceDruckerKaplanclasso1958MAKUUCHIMunioTakahashi.American19342000ABeigeMarbleTagMonumentn.d.Etchingdrypointandaquatintprintedinblackonheavyweightmoderatelytexturedcream-coloredpaperHardEdgeDrawingslaDadn.d.ListeningforPillowTalkofEscapen.d.IMAGE21NeoCamplaRonBrownn.d.Etchinganddrypointprintedinblackonheavyweightmoderatelytexturedcream-coloredpaperFacen.d.Drypointprintedinblackonheavyweightslightlytexturedcream-coloredpaperFamilyn.d.Drypointprintedinblackonheavyweightmoderatelytexturedcream-coloredpaperFisherwomann.dEtchingprintedinblackonthickmoderatelytexturedcream-coloredpaperHerosEndn.d.Etchingandaquatintprintedinblackonthickmoderatelytexturedcream-coloredpaperMunchianAdolescencewithTestTubeBombn.d.DrypointandrouletteprintedinblackonheavyweightmoderatelytexturedwhitepaperMoonCatchersn.d.EtchingdrypointandaquatintprintedinsixteencolorsonheavyweightslightlytexturedwhitepaperMySonMySonn.d.EtchinganddrypointprintedinblackonheavyweightmoderatelytexturedwhitepaperFairgroundsCalledCampHarmonyn.d.Etchingdrypointandrouletteprintedinblackonheavyweightmoderatelytexturedcream-coloredpaperV.G.andGauguinWhereTon.d.EtchingdrypointandaquatintprintedinblackonthickmoderatelytexturedwhitepaperAdvocate1962DrypointprintedinblackonheavyweightmoderatelytexturedbeigepaperGitoJamieMakuuchiLandlockedMidwesternersDadSezaFishAlwaysRotsfromtheHeadFirstn.d.Etchinganddrypointprintedinthreecolorsonheavyweightslightlytexturedcream-coloredArchespaperPurchasedwiththeElizabethHalseyDockclasso1933Fundacquisitions15192021 MARSHReginald.American18891954Skyline1930Etchinganddrypointprintedinblackonmediumweightslightlytexturedcream-coloredpaperGitoAliceDruckerKaplanclasso1958MARTINAgnes.AmericanbornCanada19122004UntitledromOnaClearDay1973Screenprintprintedingrayoncream-coloredJapaneseragpaperPurchasedwiththeJosephineA.Steinclasso1927Fundinhonorotheclasso1927MATSUBARANaoko.CanadianbornJapan1937BostonMuseumofFineArtsn.d.Woodcutprintedinblackonmediumweightslightlytexturedcream-coloredAsianpaperGitoJoanLeboldCohenclasso1954inhonoroMFAcolleaguesMarthaManchesterWrightclasso1960SarahGriswoldLeahyclasso1954andSueWelshReedclasso1958MELLANClaude.French15981688FourprintsromGalleriajustinianadelmarcheseVincenzoGuistinianin.d.StatuedApollondeboutn.d.IMAGE22Statuedunjeunehommenun.d.Statuedunhommeassissurunsigen.d.StatuedeFloren.d.EngravingsprintedinblackonpaperGitoJamesA.BergquistinhonoroSuzannahFabingMURPHYCatherine.Americanborn1946OgdenAvenue1977Lithographprintedinthreecolorsonmediumthickmoderatelytexturedcream-coloredpaperGitoJaniceCarlsonOresmanclasso1955PALADINOMimmo.Italianborn1948Lacrimose1986ThirteenlinoleumcutsonthickmoderatelytexturedwhitepaperGitoKatrinaM.Caryeclasso1971PENNELLJoseph.American18601926BridgeofAlcantaraToledo1904IMAGE23Etchingprintedinblackonthinslightlytexturedcream-coloredpaperGitoCarolineF.Bradyclasso1958PUCKETTMaggie.Americanborn1981FutureUnderClimateTyrannyF.U.C.T.A4Cwarmerworld2011HandmadepaperabacacottonfaxwheatstrawbeachanddesertsandsoilmarineplasticdriedanchoviesdriedshrimpeatherboaseaweeddriedgardenplantsvegetableseedsandpigmentPurchasedwiththeRebeccaMorrisEvansclasso1932AcquisitionFundandwiththeEvaW.Nairclasso1928FundRAMOSMel.Americanborn1935Chicrom11PopArtistsVolumeI1965ScreenprintinsixcolorsonthicksmoothwhitepaperGitoBarneyDreyussIIITheollowinggitwasomittedinerrorinSCheMA20112012RYMANROBERT.Americanborn1930FiveprintsromFourAquatintsandOneEtching1990AAquatintprintedincoloronTwinrockerbupaperBAquatintprintedincoloronSomersetwhitepaperCAquatintprintedincoloronSomersetwhitepaperDAquatintprintedincoloronTwinrockerpinkpaperEEtchingprintedincoloronSomersetwhitepaperGitoIrenaHochmanclasso1972SEKINOJunichiro.Japanese19141988Untitledgirlwithherdollsn.d.Untitledtwogirlsandonecatn.d.AWomanPuppetinaBlueCostumen.d.YoshidaBungoroinTheDressingRoom1947NakamuraKichiemonKabukiActor19471977BunrakuPuppetMakerTheDoll-Maker1949TheArtistsSon1952HinatsuKonosukePoet1952OnchiKoshiroPrintArtist1952BungoroontheStageBunrakuPuppeteer1953EizaandMatsuomaruBunrakuPuppeteer1953LafcadioHearnWriter1953MonjuroandJihei1954PuppeteerBungoro1954SwanandGirl1955BoyandRooster1956AyukoWearingKimono1957BoyandRooster1957KatsukoHoldingaRooster1957WomanHoldingaCat1957PortraitofaYoungMan1958AyukoWearingKimono1962TheHaikuPoetTakahamaKiyoshi1967ShikoMunakataPrintArtist1968BeforeGoingonStageTwoAyukos1972Karadera1972Daimonji1973KawabataYasunariNovelist1974Bin-gata1975Untitledrootopsatnight1976Kinpa1977MiyazawaKenjiPoet-Writerbeore1977ChampionSumoWrestlerWajima1978KitanoumiDohyo-iri1978KurashikiromIraka12Titles1978WakanohanaWaitingforDohyo-iri197816acquisitions2223 SumoChampionMienoumi1979RyukyuDanceTakekoSato1983UntitledSumowrestlers1987Woodcutsprintedincoloronmediumweightslightlytexturedcream-coloredpaperGitoLucioandJoanNotoSMITHKiki.AmericanbornGermany1954BansheePearls1991LithographsprintedinblackgreyandsilveronmediumweightivoryTorinokopaperPurchasedwiththeJaniceCarlsonOresmanclasso1955FundandtheMuseumAcquisitionFundSUTHERLANDGrahamVivian.British19031980Bird1953LithographprintedinthreecolorsonmoderatelythickmoderatelytexturedbeigeArchespaperGitoAnnKeyserRawleyclasso1944TAKENAGABarbara.Americanborn1949DayorNightStateIandDayorNightStateII2012IMAGE24AquatintsugarlitgroundspitbitewhitegroundburnishingandhandcoloringonwhiteBFKpaperGitoBarbaraTakenagathroughtheSmithCollegePrintWorkshopVARIOUSARTISTS.FacetoFaceTwelveContemporaryAmericanArtistsInterpretThemselvesinaLimitedEditionoSignedOriginalWoodEngravings1985WoodengravingsprintedinblackonmediumweightsmoothwhiteMohawkSuperfnepaperIncludesworkbyFredBeckerJackCoughlinJohnDepolFritzEichenbergRaymondGloecklerJamesGrashowJudithJaidingerSteanMartinMichaelMcCurdyBarryMoserGillianTylerIMAGE25LyndWardandHerbertWatersPrintedbyHaroldMcGrathatHampshireTypothetaeWestHatfeldMAPublishedbyPenamenBusyhausPublicationsGitoRobertHauserandMichaelMcCurdyVARIOUSARTISTS.TwoRiversPrintmakingStudio10thAnniversaryPortolio2011VariousprintmediaonRivesBFKpaperIncludesworkbyJennierAndersonLynneBartonLoisBeattyHarryBernardSusanAirrisBerryVictoriaBerzbergAmparoCarvajal-HuschmidPattyCastelliniBetseyGarandDanielGottsegenRachelGrossLouiseHamlinSheriHancock-TomekErickHuschmidHisayaPaulIshiiDebraJayneJudyLampeKatherineLaroccaLorettaLeatherwoodCarolLippmanElizabethJ.MayorLynnNewcombSueSchillerSherylTrainorNancyWrightmanandBertYarboroughPublishedbyTwoRiversPrintmakingStudioWhiteRiverJunctionVermontGitoElizabethRowlandMayorclasso1957VARIOUSARTISTSOccuprintPortolio2012ScreenprintsonvariouspapersIncludesworkbyMarxAvianoKatherineBallJesusBarrazaRichBlackColectivoCordycepsMollyCrabappleJohnEastmanRonnieGoodmanArtHazelwoodLmnopBradKayalManyaKuzemchenkoJohnLangdonJohnLeavittKeithLoweDavidLowensteinJoshMcPheeSbastienMarchalMarkMillerNobodycorpInternationalAnthonyNomorosaOccupyTogetherRogerPeetChelseaPeilFahmiRezaFaviannaRodriguezSantanaColinSmithLindsayStarbuckandJoeThompsonPurchasedwiththeKatherineS.Pearceclasso1915FundWORLEYTajDienbaugh.American19471987ColorTrialProo1977Etchingprintedincoloronheavyweightgreyhandmadepapermountedonmediumweightmoderatelytexturedcream-coloredpaperPathways1977EtchingprintedintwocolorsonmediumthickmoderatelytexturedgreypaperGardenoIllusion1979EtchingandaquatintprintedincoloronheavyweightslightlytexturedpalegreenpaperInterweaveTie1979EtchingprintedintwocolorsonthickroughbrownpapermountedonalithographprintedincoloronthickroughbeigepaperUntitled1980Woodcutandchinecollprintedincoloronheavyweightsmoothcream-coloredpaperGardenPath1981LithographprintedincoloronmediumweightsmoothpalegreenpaperInterweaveCamoufage1983EtchinglithographandcollageonheavyweightmoderatelytexturedgreypaperInterweaveMovingThrough1985IMAGE26Lithographandcollageprintedincoloronoursheetsomediumweightsmoothcream-coloredpapermountedonalithographprintedincoloronmediumweightsmoothcreamcoloredpaperMovementsotheSpirit21987LithographprintedintencolorsonmoderatelythickslightlytexturedlightbluepaperGitotheDienbaughFamilyandFloraandSamWorleyacquisitions17242526 ZIMMERBernd.Germanborn1948Lichtsplitter1985EightwoodcutsonmoderatelythicksmoothwhitepaperGiftofKatrinaM.Caryeclassof1971SCULPTUREBOHNENKAMPLeslie.American19431997Untitledshellformn.d.PaperGiftofEvanDreyfussOFFNERElliot.American19312010UntitledfromtheHolocaustseries1960s1970sBronzereliefwithgreenpatinaHolocaustFigure1960s1970sIMAGE27BronzewithgreenpatinaGiftoftheestateofRosemaryOConnellOffnerPICHSopheap.Cambodianborn1971SeatedBuddhaAbhayaMudra2012RattanwireandplywoodPurchasedwiththeDorothyC.Millerclassof1925AcquisitionFundUNKNOWN.AfricanCameroonGrasslandsBamumBagampeoplesRoyalTobaccoPipe20thcenturyWoodandbrassGiftofCharlesandBlancheDerbyUNKNOWN.AfricanDemocraticRepublicoftheCongoLubapeoplesStoolkitenta20thcenturyCarvedwoodGiftofDarandGeriReedy18acquisitionsLUBAARTISTUNKNOWN.AfricanDemocraticRepublicoftheCongoLubapeoplesStoolkitenta20thcenturyCarvedwoodGiftofDarandGeriReedyTheheartlandotheLubapeoplesislocatedinthesoutheasternregionotheDemocraticRepublicotheCongoormerlyknownasZaire.FortheLubaartisintimatelyrelatedtothepoliticalandreligiousauthorityoparticularpersonsandgroups.Theirfgurativesculpturessuchasthischiesstoolexpresstheintimaterelationshipophysicalbeautyandspiritualpower.ThemostimportantemblemoofceoraLubarulerchieordivineristhecary-atidstoolkitentaseatorseatopower.Althoughpoliticalandreligiousau-thorityisassociatedwithrolesthatmenplaythecentralormothestoolisaemalefgure.AmongtheLubawomenareviewedascontainersopowerastheypossessthecapacitytogivelie.Thekitentaisrarelyusedasaseat.Moreotenitisbroughtintothepublicdomainorritualperormancewhereprayersareoeredtothespiritorspiritualpowerinvestedinthestool.Thekitentaisalsoahistoricaldocumentorvisualmemory.Theshapeandimageryothestoolmaybeinterpretedasanexpressionothehistoryothelineageothechiewhoownsit. UNKNOWN.AfricanGhanaAshantipeoplesGameBoardmancalan.d.CarvedwoodGiftofIreneStiefelStarrclassof1961andNortonStarrUNKNOWN.AfricanLiberiaDanpeoplesGameBoardmancalaearly20thcenturyCarvedwoodwithmetalGiftofIreneStiefelStarrclassof1961andNortonStarrUNKNOWN.AfricanNigeriaYorubapeoplesDancewandosheshangon.d.IMAGE28CarvedwoodwithpigmentPurchasedinhonorofJohnPembertonIIIconsultingcuratorforAfricanArtacquisitions19SopheapPich.Cambodianborn1971SeatedBuddhaAbhayaMudra2012RattanwireandplywoodPurchasedwiththeDorothyC.Millerclassof1925AcquisitionFundThislarge-scaleBuddhawascreatedortheMuseumbySopheapPicha1995graduateotheUniversityoMassachusettsAmherst.WhenPichreturnedtoUMassin2012togivealectureonhisworkcharacterizedbythree-dimensionalbiomorphicandarchitecturalormsoneothesculpturesheshowedwasaseatedBuddhacreatedinhissignaturemediumowovenrattanandbamboo.ImpressedbythegureandknowingtheArtHistoryacultyslongtimehopetohaveaBuddhainSCMAscollectionCuratorLindaMuehligapproachedPichsgalleryinNewYorktodeterminewhethertheartistwouldbewillingtocreateaBuddhaorSmith.SeveraldaysbeoretheopeningothemajorspringsemesterexhibitionCollectingArtofAsiatwolargecratesarrived.WhentheywereopenedasweetgrassyragrancelledthegalleryandtheBuddhaandhispedestalwererevealed.Thesculpturequicklybecamethepopularcenterpieceotheshow.SCMAsBuddhaisshownwithitshandraisedintheabhayamudraagestureoprotection.RaisedinaBuddhistamilyPichhassaidthatBuddhismaccordswithhisideasaboutdailylieandwithhisrespectornature.OnewriterhassuggestedthattheopenrameworkoPichsrattanguresrefectsBuddhistteachingsthatposittheinvisiblepresenceoBuddha.SOPHEAPPICH2728 Asamemberotheclasso2001IstudiedArtHistoryatSmithduringthewaningdaysolanternslides.ArtHistorymajorsspentlonghoursinHillyerLibrarywhereimagesoallotheworksoartwewereexpectedtoknowweretackedtothewallsoaspecialstudyroom.WhenIgraduatedthenewBrownFineArtsCenterwasundercon-structionandtherewasmuchtalkabouttheutureImagingCenterwhereeverythingwouldbedigitalaprospectthatwashardtoimagineatthetime.IwentontoearnamastersdegreeinLibraryScienceandworkedorseveralyearsasanarchivistandmuseumregistrarbeorereturningtoSmithin2010astheProjectCoordinatororSCMAsdigitizationproject.TheMuseumhadbeenslowlydigitizingitscollectionoveradozenyears.Itisatime-consumingandcostlyprocessandIwasbroughtontopushtheprojectthroughtocompletiontodigitizetheapproximately4000objectsthathadnotyetbeenphotographedandmaketheresultingdigitalimagesmorebroadlyaccessiblebothatSmithandaroundtheworld.WhenIarrivedatSCMAinSeptember2010IsettoworkpreparingagrantproposalortheInstituteoMuseumandLibraryServicesMuseumsorAmericaIMLS.WhilewewaitedorIMLStoannouncethegrantawardsIgotmyeetwetlearningtomanageSCMAsexistingdigitizationprojectwhichconsistedoquarterlysessionswithateamotwoproessionalphotographers.TheollowingJulywewereexcitedtobeawardedagrantortheull150000requested.ThisundingmeantthatwecouldimplementanambitiousschedulethatwouldenableustofnishdigitizingtheMuseumspermanentcollectionbysummer2013.OurphotographersStephenPetegorskyandJimGipehadbeenworkingtogetheroroveradecadeondigitizationprojectsorSCMAaswellasorseveralotherlocalmuseums.Overtheyearstheydevelopedasystemthatconsistentlyproducedexcellentimages.Myrolewastogatherandorganizetheworksoarttobedigitizedoreachsessionandkeepthewholeoperationmoving.Overthecourseoeachfve-daysessionwetypicallydigitized250worksoart.WithalonglistoworkstobedocumentedandalimitedamountotimetogetitalldonethetrickypartwastoorganizetheobjectssothattheycouldbeDigitizingtheMuseumsCollection20staffperspectiveSTAFFPERSPECTIVEOverthecourseofeachve-daysessionwetypicallydigitized250worksofart.KateKearns01 photographedasefcientlyaspossiblewhilestillaccommodatinghigh-priorityrequestsorparticularimagesorexhibitionspublicationsresearchandprogramming.JustasimportantascreatingthesedigitalimageswasmakingthemavailabletoSmithstudentsandacultyaswellasthebroadercommunity.InbetweendigitizationsessionsIpreparedimagesandtheiraccompanyingcataloginginormationortheSmithCollegeImagingCentersLUNAInsightdatabaseadigitalimagelibrarythatisavailabletotheSmithcommunity.Thisdatabasenowincludesnearly18000imagesromSCMA.TheMuseumhasalsocontributedover13000imagestotheARTstordigitallibrarywhichmakesimagesavailabletostudentsacultyandresearchersatover1400subscribinginstitutionsthroughouttheworld.SCMAsIMLSprojectwascompletedonschedulesummer2013.Smithstudentsnowhavethree-quartersoSCMAscollectionattheirfngertipsanywherethereisanInternetconnection.IcanremembersittinginrontoAlbertBierstadtsEchoLakeFranconiaMountainsNewHampshireasastudentranticallytakingnotesorthepaperIdhavetowritethatevening.My18-year-oldselneverwouldhaveimaginedthepossibilityopullingupanimageothepaintingonmycomputertohaveanotherlookatertheMuseumclosedortheday.KateKearns01CollectionsManagementImagingProjectCoordinatorstaffperspective21AbovetopKateKearns01intheCunninghamCenterBelowTheDigiGuysStephenPetegorskyandJimGipecompletethefnaldigitizingsessionEditorsnoteKateKearns01workedorSCMASeptember2010August2013andwithdedicationcompletedtheIMLS-grantedprojecttofnishdigitizingtheMuseumscollectionandmakeimagesavailabletothebroadercommunity. June29September92012JAYBOLOTINTHEJACKLEGTESTAMENTCuratedbyAprileGallantcuratorofprintsdrawingsandphotographsJuly27September302012OUTSIDETHEBOXCONCEALDISPLAYENTICEOrganizedbytheSummerInstituteinArtMuseumStudiesSeptember7December92012NEWACQUISITIONSOFAFRICANARTCuratedbyJohnPembertonIIIconsultingcuratorforAfricanartSeptember282012January62013DRAWNTOEXCELLENCERENAISSANCETOROMANTICDRAWINGSFROMAPRIVATECOLLECTIONCuratedbyAprileGallantwithconsultingcuratorSuzanneFoldsMcCullagh73AnneVogtFullerandMarionTitusSearleChairandCuratorofPrintsandDrawingsArtInstituteofChicagoOctober12December162012ITALIANANDFRENCHDRAWINGSFROMTHEPERMANENTCOLLECTIONCuratedbystudentsinProfessorSuzanneFoldsMcCullaghsclassFrenchandItalianDrawingsRenaissancethroughRomanticismOctober192012February32013MONSTERSCuratedbyHenrietteKetsdeVriesCunninghamCentermanager22exhibitionsexhibitionsJULY2012JUNE2013OutsidetheBoxConcealDisplayEnticeNewAcquisitionsofAfricanArt January252013January2018SOLLEWITTWALLDRAWING139FROMTHEPERMANENTCOLLECTIONOFSCMAAcollaborationbetweenSCMAandSmithMathStudioOffsiteBurtonHallSmithCollegeInstallationco-organizedbyAprileGallantandPauAtelaprofessorofmathematicsandstatisticsandsupervisedbyRolandLuskSolLeWittStudioNewYorkNYwithassistancefromClaraBauman13MinjiaChen15andClaraRosebrock16February1May262013COLLECTINGARTOFASIACuratedbyFanZhangFreemanMcPhersonpost-doctoralcuratorialandteachingfellowinEastAsianartLindaMuehligassociatedirectorforcuratorialaffairsandcuratorofpaintingandsculptureandAprileGallantFebruary8May52013LESSISMORETHEMINIMALPRINTCuratedbyJulieWarcholBrownpost-baccalaureatecuratorialfellowMay10November32013FRAMEWORKIXRESTORINGTHEBOUNDARIESCuratedbyWilliamMyerschiefpreparatorandDavidDempseyassociatedirectorformuseumservicesJune14September152013SUMMEROFLOVEPSYCHEDELICPOSTERSFROMSCMACuratedbyAprileGallantexhibitions23PauAtelawithSolLewittWallDrawing139SummerofLovePsychedelicPostersfromSCMA 24drawntoexcellenceFeaturingsuchimportantmasterdraftsmenasAgnoloBronzinoAnnibaleCarracciEugneDela-croixJean-HonorFragonardGiovanniBattistaTiepoloandGiorgioVasarithisexhibitionin-cludedthedrawingsof72artistswhoworkedprimarilyinItalyandFrancebetween1500andthe1830s.SCMAdrewfromanoutstandingAmericancollectionownedbyaSmithalumnawhoiswidelyknownforherdiscernmentconnoisseurshipgenerosityandardentsupportofmuseumsinboththeUnitedStatesandabroad.Thealumnasdevotiontothestudyofdrawingsandherwillingnesstolendselectionsfromhercollectiontopublicinstitutionshaveexpandedtheknowledgeofthesepreciousworksofart.DrawntoExcellencepresentedauniqueopportunityforaneducationalinstitutionstudentsfromavarietyofdisciplineshaddirectaccesstoexceptionalexamplesofdraftsmanshipspanningfourcentu-riesofartisticproduction.AtSmiththeexhibitionwastimedtocoincidewithasemester-longcourseondrawingFrenchandItalianDrawingsRenaissancethroughRomanticismtaughtbySuzanneFoldsMcCullagh73theAnneVogtFullerandMarionTitusSearleChairandCuratorofPrintsandDrawingsattheArtInstituteofChicagoduringhertenureasRuthandClarenceKennedyProfessorofRenaissanceStudiesatSmith.Dr.McCullaghalsoservedasaconsultingcuratortotheexhibition.DrawntoExcellencetraveledtotheHerbertF.JohnsonMuseumatCornellUniversityandwasonviewJanuary26May52013.September282012January62013DRAWNTOEXCELLENCERENAISSANCETOROMANTICDRAWINGSFROMAPRIVATECOLLECTIONDrawntoExcellencewasorganizedbySCMAandsupportedbytheEdithStenhouseBinghamclassof1955ArtMuseumFundTheLouiseWalkerBlaneyclassof1939FundforExhibitionstheCharlotteFrankRabbclassof1935FundtheEmilyHallTremaineFundthroughtheinitiativeofDorothyTremaineHildtclassof1949thePublicationsandResearchFundofSCMAandtheMassachusettsCulturalCouncilaStateAgency.Exhibitionwebsitesmith.eduartmuseumOn-ViewPast-ExhibitionsDrawn-to-ExcellenceLeftAgnoloBronzino.Monticelli15031572Florence.TheDeadChrist152935.Blackchalkwithlaterframinglinesinpenandink.RightJean-HonorFragonard.Grasse17321806Paris.TwoCypressesinanItalianGardenc.1774.Twoshadesofredchalkwithlaterframinglinesinpenandbrownink.PrivateCollection.PhotographsbyRicardoBlanc.CourtesyNationalGalleryofArtWashingtonD.C. studentperspective25OnourveryfrstdayoherclassSuzanneFoldsMcCullagh73tookusintotheCunninghamCenter.WithlittleoreknowledgewechosethepiecesthateventuallybecamepartoourownexhibitioncreatedinconjunctionwithDrawntoExcellence.Dr.McCullaghgavemeanamazingintroductiontotheworldomuseums.PriortothiscourseIhadonlyvisitedartmuseumsasaninterestedyetpas-sivespectator.EachweekwestartedoutintheclassroombutinevitablywewouldventureovertotheMuseumtoexamineandresearchourindividualworksorcollaborativelydiscussourex-hibitionandDrawntoExcellence.ForthefrsttimeIgottointeractwiththeworksIwasresearchingtoknowtheeelothepaperandhowtheworklookedromeveryangleandnotjustseetheartrombehindglassorinabook.Dr.McCullaghtaughtmenewwaystothinkabouttheworksIsaw.Be-causeshetookusbacktotheMuseumweekaterweekwewereconstantlyreexaminingtheworksandreevaluat-ingourviews.ForourfnalprojectweeachpickedseveralworksromDrawntoExcel-lenceandwroteandpresentedaproposalortheiracquisitionbytheMuseum.WithDr.McCullaghshelpInotonlyellinlovewithwhatIsawbutalsolearnedhowtodeendmychoicesanddeepenmyappreciationotheart.Duringthelastclasswewereaskedtopickouravoriteworkineachothetwoexhibitions.Aterworkingwiththecollectionstosuchanextentwewereallatabitoalosstochoosejustone.OneomychoiceswasBartolomeoLetterinisSceneoGlorifcationinSCMAscollection.Ihadbeenworkingwithitorourexhibition.ItwasmorethanjusttheimagethatdrewmeinalthoughIlikethecompositionespe-ciallythecheekyputtiatthebottom.Ilovethelayersthesenseoaworkinprogress.Thepentimentiandcollagedreplacementsmakemewonderabouttheartistsideasandintention.Eventheill-placedcollectorsmarksmakemewonderabouttheworkslieasanobjectwhoitbelongedtoanditsliebeoreSmith.ThereareotherworksthatIfndmoresuperfciallyattractivebutIseeaworldbehindthisdrawingandthatmakesmekeeplooking.Overthecourseothesemesterwelearnedtohandleworksonpaperengagedinextensiveresearchanddiscussionwrotewalltextsandacqui-sitionproposalsandeventriedourhandatmixinganddrawingwithirongallink.WhenProessorMcCullaghtookusintotheMuseumwewerenotjuststudentswewerearthistorianscollectorsandcurators.STUDENTPERSPECTIVECenterMaggieHoot16AboveSuzanneFoldsMcCullagh73andstudentsintheCunninghamCenterBelowBartolomeoLetterini.Italian16691745.SceneoGlorifcationundated.Penandbrowninkwithbrushandbrownwashheightenedwithwhitegouacheontanlaidpaperpiecedatlowerrightscoredinredchalkortransersheet.GitoElizabethBerenson.MaggieHoot16ParticipantFrenchandItalianDrawingsRenaissancethroughRomanticismandArtHistorymajor Relatedprogrammingwasorganizedtoachievethreeeducationalgoalsprovideopportunitiestoexaminecloselyoriginalmasterdrawingsandmaterialsdefnetermsrelatedtothehistoricalcontextotheexhibitionandintroducevisitorstothefeldocollectingdrawings.TheMuseumcreatedavarietyoexhibitioneatureslabelsbrochuresandon-siteprogramstoulfllthesegoals.Somecomponentswereincorporateddirectlyintotheexhibition.AnalcovespacedesignedbySCMAsJulieMcLeanandDavidDempseywithinputromconservatorPhoebeDentWeilinvitedvisitorstolearnaboutthematerialsthatartistswouldhaveused.Thealcovedisplayincludednaturallyderivedchalksinkstoolsandpapermakingmaterials.AtersurveyingSmithstudentsandlocalartteachersabouttheirquestionsregardingtheexhibitionmaterialtheMuseumdevelopedaseriesowalllabelstitledDrawingConclusions.TheselabelsservedasatypeoexhibitionF.A.Q.LastlyaQuickGuidetoDrawingMaterialsandTechniquesbrochureprovidedaglossaryotechnicaltermsorviewers.AdditionalprogrammingorPreK12studentsandteacherslocalamiliesSmithalumnaeandmembersothegeneralpublicalsoservedtheoveralleducationalgoals.SmithStudentMuseumEducatorsinvitedhundredsolocalschoolchildrentocontemplatethedrawingprocessduringtheLookingatLinestour.ThirtylocalartteachersattendedaDrawingsatSCMAworkshopduringtheall.DuringFormaLineFamilyDaytheMuseumwelcomedseveralhundredvisitorswithchildrenwhoormedlinesusingartmaterialsandthenstretchedtheirbodiesaswellastheirmindsduringaninteractiveperormancebyWireMonkeyDance.26drawntoexcellenceDRAWNTOEXCELLENCEPROGRAMMINGTopDrawntoExcellencedisplayodrawingmaterialsAboveletandrightFormaLineFamilyDayparticipantsBottomDrawingsatSCMATeachersWorkshopall2012 DrawntoExcellencesetthestageorSCMAtoexploretheintricaterelationshipbetweenthepublicandprivatespheresocollectingart.Thisyearssymposiumbroughttogethercuratorscol-lectorsanddealerswhoparticipatedinhonorotheprivatecollectorandhervision.Smithalum-naestudentsacultyandcommunitymemberswereamongnearly200participantsorthisyearssymposium.NicholasJ.L.TurnerormerlyDeputyKeeperDe-partmentoPrintsandDrawingsBritishMuseumLondonandCuratoroDrawingsattheJ.PaulGettyMuseumLosAngelesbegantheprogramwithaninspiredexaminationoFredericoBaroccisMadonnaReadingwiththeChristChildonHerLap.ThenextdaySmithsCraigM.Feltonproes-soroArtprovidedaneloquentsurveyotheartoDrawntoExcellenceanditsrelevancetoclass-roomteaching.ProessorFeltonthenintroducedHugoChapmanKeeperoPrintsandDrawingsandCuratoroItalianandFrenchDrawingspre-1800BritishMuseumwhoexplainedBritishpri-vatecollectorWilliamYoungOttleyssignifcanceindevelopingtheBritishtasteorItaliandrawings.SCMAwasparticularlypleasedtodrawontheexpertiseodistinguishedSmithalumnae.SuzanneFoldsMcCullagh73presentedalivelyandtransparenthistoryocollectingatherhomeinstitution.JaneShoaTurner78editorMasterDrawingsandHeadothePrintRoomRijksmuseummoderatedaclosingpaneldiscussionwithAndrewRobisonAndrewW.MellonSeniorCuratoroPrintsandDrawingsNationalGalleryoArtandMarkBradyDirectorW.M.BradyCo.Inc.CollectingDrawingsAPublicandPrivateAffairdrawntoexcellence27TheentireCollectingDrawingssymposiumcanbeviewedontheSCMAYouTubechannelsmith.eduartmuseum.TheEmilyHallTremaineSymposiawerecreatedtointroduceArtandArtHistorystudentstocareerstheymightwishtopursueaswellastobringtogetherSmithalumnaewhoworkinthesefelds.SupportorthissymposiumwasprovidedbytheEmilyHallTremaineFundthroughtheinitiativeoDorothyTremaineHildt49.2012EmilyHallTremaineSymposiumSeptember28September292012CollectingDrawingspresentersandparticipantslettorightSuzanneFoldsMcCullagh73HugoChapmanNicholasJ.L.TurnerCraigFeltonJaneShoaTurner78AndrewRobisonandMarkBradyJanOresman55withotherparticipants ThisexhibitionanditsrelatedpublicationandprogramsgrewoutoanideaproposedbyDr.FanZhangasthefnalprojectohisthree-yearappointmentatSmithCollegeastheFreemanMcPhersonPost-DoctoralCuratorialandTeachingFellowinEastAsianArt.WhileresearchingtheMuseumsAsianartholdingshebecameintriguedwiththerelationshipbetweenthepreeminentcollectorCharlesLangFreerandSmithCollegeproessorandpainterDwightWilliamTryonwhotogetherwereresponsibleortheearlyhistoryocollectinganddisplayingAsianartattheCollege.Dr.ZhangsinvestigationrevealedthattheMuseumwasapproachinganimportantanniversaryin2013thecentennialothefrstworksoAsianarttoentertheMuseumscollectionwhichcameasgitsromFreer.AtfrstasmallinstallationoFreersgitswasconsideredbuttheprojectwasultimatelyexpandedintoamajorexhibitionincluding140worksromSCMAspermanentcollectionaswellaspromisedgitsdisplayedonthreelevelsotheMuseum.TheexhibitioneaturedChineseJapaneseKoreanSouthandSoutheastAsianworksinavarietyomediaandrangingromtraditionaltocontemporaryart.ItwasaccompaniedbyapublicationohighlightsromtheAsiancollectionauthoredbyDr.ZhangDirectorJessicaNicollcuratorialstaandaculty.InDr.ZhangsessayorthepublicationheexploredthelittleknownbutascinatingstoryoDwightTryonandCharlesFreer.TryonfrstmetFreerawealthyindustrialistandcollectorin1889whenFreerpurchasedoneoTryonslandscapesromtheartist.TheirriendshipbasedoncommoninterestsinAmericanandAsianartlasteduntilFreersdeathin1919.WithTryonshelpFreerorganizedthefrstpublicexhibitionohisAsiancollectionatSmithsHillyerArtGalleryin1897ollowedbyotherexhibitionsandhisinauguralgitsoAsianartin1913.Freerspioneeringgesturetodonatehiscollections28collectingartofasiaCOLLECTINGARTOFASIAFebruary12013May262013AboveclockwiseTraditionalContemporaryVideoandPrintsgalleriesBelowStudentsatNightatYourMuseumviewthePrintsinstallationOppositeAstudentviewstheTraditionalinstallation tothenationwithamuseumtohousetheminWashingtonD.C.undoubtedlyinspiredTryonsgittotheCollegeohisowncollectionandundstobuildanewmuseumwhichopenedin1926.AtertheFreer-TryonyearstheMuseumsAsiancollectioncontinuedtogrowwhenaseriesoprivatecollectionsoChineseandJapaneseartaswellasIndianminiaturescametoSCMAollowingWorldWarII.DuringSuzannahFabingstenureasDirectoroSCMA19922005theexhibitionandcollectingonon-Westernartwasemphasizedasastra-tegicgoaltosupporttheCollegesincreasinglyinternationalacademicprograms.WiththehelpoalumnaeandacultytheMuseumsocusonAsianartgainedmomentumwithaseriesoloanexhibitionsandtheormationin2001otheAsianArtTaskForceanadvisorybodyoalumnaechairedbyJoanLeboldCohen54.CollectingArtofAsiaeaturedanumberohighlyimportantgitsoAsianartmadetotheMuseumduringthelasttenyearsmanyromalumnaedonorsincludingcontemporaryceramicsbyJapanesewomenartistspaintingsrompost-MaoChinacontemporaryChineseandJapaneseprintsandobjectsassociatedwiththeJapaneseteaceremony.ItalsohighlightedtheroleostudentsinbuildingtheAsiancollectionwiththesite-specifcinstallationMovementbyYongSoonMinpurchasedorSCMAthroughamajorinternationalundraisingeortbytheKoreanAmericanStudentsoSmithKASSledbyChairSohlLee06.TheMuseumscontinuingcommitmenttoacquiringAsianartwasexemplifedintheexhibitionbytherecentlyacquiredsculptureSeatedBuddhaAbhayaMudra2012bySopheapPich.Thisworkwascreatedcollectingartofasia29ThisprojectwasmadepossiblebythegeneroussupportotheLouisaStudeSarofm1995CharitableTrustandTheBrownFoundationInc.oHoustonboththroughtheinitiativeoLouisaStudeSarofm58andtheGeneralArtFund.AdditionalsupportoreducationalprogrammingwasprovidedbytheCarlynSteiner67andGeorgeSteinerEndowedFundinhonoroJoanSmithKoch.Exhibitionwebsitesmith.eduartmuseumOn-ViewPast-ExhibitionsCollecting-Art-of-AsiaspecifcallyortheMuseumandquicklybecameanaudienceavoriteandtheshowsiconicimage.Seepage19.CollectingArtofAsianotonlyservedasaretrospectiveotheMuseumshistoryocollectinganddisplayingAsianartbutlookedorwardtotheuture.DuringthecourseotheexhibitiontheSmithCollegeBoardoTrusteesannouncedthecreationotheCarolT.ChristGalleryorAsianArtsupportedbyaleadershipgitromPeggyBlockDanziger62withadditionalgitsmadeinmemoryoIsabelBrownWilson53andinhonoroPresidentCarolT.Christ.ThisgallerythefrstspacededicatedtothedisplayoAsianartwillopenin2015.TheMuseumalsolooksorwardtotheappointmentoitsfrstull-timecuratoroAsianartmadepossiblebyagitromJaneChaceCarroll53.Pulitzer-PrizewinningjournalistSebastianSmeeinaglowingreviewinTheBostonGlobesummarizedtheexhibitionanditssuccessCollectingArtofAsiaismorethanastock-takingshowthathappenstomark100yearsocollecting.ItsalsoastatementointentWhatisstrikingaboutitishowdeterminedlyhowbrightlyitlookstotheuture. 30collectingartofasiaCOLLECTINGARTOFASIAPROGRAMMINGClockwisefromtopSmithfacultymembersChesterMichalikandDanGardnerattheExcavatingtheImageworkshopLindaMuehliggivesagallerytalkMaggieLindfacilitatesaSecondFridayOpenEyesconversa-tionFamilyDayandNightatYourMuseumperformersguestsandDJCollectingArtofAsiaofferednumerouslearningopportunitiesforSCMAsvariedaudiencesfromSmithstudentsandfacultytoAsianartcollectorsandexperts.ExhibitionprogrammingincludedExcavatingtheImageTheBirthofRMBCityatwodayworkshopforSmithandFiveCollegefacultythroughtheCollegesKahnLiberalArtsInstituteacolloquiumforMuseumdonorsandmembersoftheMuseumsAsianArtTaskForcedescribedinfullonpage31eventsforSmithstudentsandeducationaloutreachtoK12students.BuildingonthethemesofcollectingandnatureinartSmithStudentMuseumEducatorsandSCMAAcademicProgramsPublicEducationstaffledexhibitiontoursfornearly2000schoolchildrenand43localelementaryandhighschoolteachersparticipatedinmulti-disciplinaryworkshopsonteachingwiththeexhibition.FamilyDayandSecondFridaysalsofeaturedtheexhibition.SmithfacultyandMuseumstaffcollaboratedintheplanningdevelopmentandimplementationofeducationalmaterialsandeventsincludingacademicvisitsbymorethan120SmithandFiveCollegestudents.Inadditiontoclassvisitsforacademiccourses400SmithstudentsconnectedwiththeexhibitionandeachotheratNightatYourMuseumasocialeventorganizedincollaborationwithstudentgroups.Theeveningfeaturedpan-AsianpopmusicandfoodSmithstudentdanceperformancesorigami-makingcalligraphyinstructionandlivelyconversationsintheMuseumsgalleries.SmithfacultyfromtheAnthropologyArtHistoryEastAsianLanguagesLiteraturesDanceandHistorydepartmentsmadeuseoftheexhibitionduringtheirspring2013courses.SeeFacultyPerspectivespages3233. collectingartofasia31CollectingArtofAsiaColloquiumApril562013AcademicpresentersMassumehFarhadChiefCuratorandCuratorofIslamicArtFreerSacklerGalleriesCarolChristPresidentSmithCollegeJessicaNicollDirectorandLouiseInesDoyle34ChiefCuratorAprileGallantCuratorofPrintsDrawingsandPhotographsDavidDempseyAssociateDirectorforMuseumServicesAnnMusserAssociateDirectorforAcademicProgramsandPublicEducationDanielGardnerProfessorofHistoryJinaKimAssistantProfessorEastAsianStudiesSamuelMorseProfessorHistoryofArtAsianLanguagesandCivilizationsAmherstCollegeFanZhangFreemanMcPhersonPost-DoctoralCuratorialandTeachingFellowinEastAsianArtStudentpresentersCharlotteHelmer13ShamaRahman13InadditiontosharingthediversityoftheMuseumsAsianartcollectionwiththeSmithandbroadercommunitiesCollectingArtofAsiaprovidedtheimpetusforanAlumnaeColloquiumbythesamename.ParticipantsincludedtheMuseumsAsianArtTaskforceaswellasotherartcollectorsanddonorsalongwithSmithfacultystudentsandMuseumstaff.Throughaseriesoftalkstoursandgalleryvisitsthistwo-dayprogramprovidedanopportunitytolookbackaswellasforwardofferingparticipantsthechancetoengagewithoneanotherandtheMuseumsartofAsia.ThecolloquiumopenedwithakeynotelecturebyDr.MassumehFarhadchiefcuratorandcuratorofIslamicArtFreerGalleryofArtArthurM.SacklerGalleryWashingtonD.C.OtherpresentersincludedSmithandFiveCollegefacultymembersandMuseumstaff.ParticipantslearnedaboutthehistoryofcollectingAsianartatSmithanddiscussedcurrentconceptionsofAsiaandAsianart.Thecolloquiumalsoincludedabehind-the-scenesinteractivelookatthekindsoflearningexperiencestakingplaceattheMuseum.ClosingremarksbyJessicaNicollrevealedFuturePlansforArtofAsiaatSCMA.LeftDr.MassumehFarhadBottomlefttorightCarolT.ChristandJaneChaceCarroll53JinaKimAnnMusserfacilitatesaVTSconversationaboutMovementandSamuelMorseleadsasessionintheCunninghamCenteratSCMA 32facultyperspectivesConnectingLecturesandLacquerwareOneofmygreatpleasuresthispastacademicyearwastakingstudentsandvisitorstoSCMAtoshowoffthefabulousCollectingArtofAsiaexhibition.WhilethetermAsiaencom-passesmultipleandquitedisparatecivilizationstheSmithcollectionismainlycenteredontheculturesofEastAsiaespeciallyChinaandJapan.WhataboonthisexhibitionwasforthoseofuswhoteachEastAsia.VisitinglecturerinArtandEastAsianStudiesMelissaWalttookherclassesexaminingtheChineseCulturalRevolutionandmodernandcontemporaryChinesearttotheshowonanearweeklybasis.ThestudentsinmyJapanesehistoryclassenjoyedthemixoftraditionalartalongsidethestrongcontemporarycollection.ForexamplewewereabletoviewearlymodernlacquerwareandcontemporarypotterybywomenartistsasweconsideredtheshiftingmaterialconditionsandsocialpatternsofJapanesesocietyoverseveralcenturies.AhighlightforstudentswasaspecialEastAsianStudies-sponsoredtourledbycuratorAprileGallantfollowedbyrefreshments.Itwasapleasuretoconnectlecturesanddiscussionswithactualworksofart.MycolleaguesandIareexcitedabouttheupcominggallerydedicatedtoAsianart.InthemeantimefacultymemberscantakestudentstotheCunninghamCentertoviewobjectsinanintimatesettinganopportunitymanyofustakeadvantageofregularly.MarnieAndersonAssociateProfessorHistoryandChairEastAsianStudiesFACULTYPERSPECTIVESAboveleftMarnieAndersonAboverightonrightSuzanneGottschangBelowJinaKim RefectionsonExcavatingtheImageTheBirthofRMBCityBeorebecomingoneIimaginedthatproessorsspentagooddealotheirtimediscussingtheimportantideasintheirdisciplineswiththeircolleaguesovercoeeorcocktails.WhiletherewerenococktailstherewaslotsocoeeatJanuarysExcavatingtheImageworkshopeaturingCaoFeisBirthofRMBCity.PresentationsbyexpertsincontemporaryChinesearturbandevelopmentinChinaChinesearthistoryandthetechnicalartisticprocessusedincreatingthevideoinormedourdiscussionsothisunusualpiece.ButitwasduringtheinormaldiscussionsamongsttheparticipantscolleaguesromArchitectureHistoryArtHistoryandStudioArtandSCMAwherewewereabletodevelopsomedeeperunderstandingotheartwork.Notsurprisinglyweallsawdierentissuesinthevideo.MyinitialreactionwasthatCaoFeihadcapturedtheessenceoChinas30-yeareconomictransormationinamatterominutes.Isawacommentaryonthesocialandeconomicconsequencesosuchrapideconomicgrowth.Newskyscraperswerebeingbuiltasoldapartmentbuildingsothesocialisterawerebeingdestroyed.Spacesresemblingimperialpalaceswerejuxtaposedwithsootyemptyactoriesandgoldeningotsandmoneyrenminbiseemedtoappeareverywhere.YetmycolleagueslikeJamesMiddlebrookaproessoroArchitecturesawthedebacleoChinasTVTowerandthe201230-storyskyscraperbuiltin360hours.OthersoundreerencesinthevideotoChinasimperialhistorythecurrentpoliticalregimeaswellasenvironmentaldegradationresultingromChinasrapideconomicdevelopment.Beyondourinterpretationslearninghowothersnotonlyviewedthisextra-ordinaryworkthroughvariousdisciplinarybackgroundsbutalsohowtheyrelatedtoitasarturtherenhancedourdiscussions.RefectingonthatdayIlearnedtoappreciateRMBCityinnewways.IalsoexperiencedthelieoproessorsasIimagineditdiscussingideasaboutanamazingthought-provokingworkoartovercoee.Duringall2012IhadthegreatortunetoteachtwoclassesContemporaryKoreanPopularCultureandKoreanDiasporathatdirectlyintegratedYongSoonMinsinstallationMovement.VisitingSCMAandlookingcloselyattheinstallationimmenselyenrichedbothothesecourses.OneomyobjectivesinthepopularculturecoursewastoinvestigatetheculturalpoliticalandhistoricalimplicationsoKoreanpopularculturesstunningreceptionoutsidetheSouthKoreanpeninsulaaculturalphenomenonthathascometobelabeledHallyuKoreanWave.InthesecondcourseweaskedWhatdoesitmeantobediasporicMinsMovementaswellastheCollectingArtofAsiaexhibitionprovidedconcretewaystobuildknowledgeohowartisticexpressionsbothchallengeandreiynationalidentityormations.TheyhelpedtheclassestoinvestigatewhatwemeanwhenweidentiyanartworkoranartistasKoreanChineseandJapaneseorAsianorthatmatterinthisageoglobalizationandtransnationalfowsopeopleandideas.MinborninSouthKoreain1953andan1960migrtotheU.S.poignantlyplacesherownKorean-AmericandiasporichistoryandexperiencealongwiththehistoriesootherAsiansinMovementasialludingtothepower-ulsharedandindividualexperiencesoAsianimmigrantsaroundtheworld.ThelargewaveguremadewithrefectiveLPsandCDseachwithAsianmusiccoversspeakstotheproductiondistributionconsumptionandreceptionopopularmusicacrossbordersculturesandtime.MinsworkandhervisitstomyclassesarmedorusthatasideromthepleasurewegainthroughtheprocessoconsumingKoreanpopularculturewhetheritisKPoporTVdramaeachousisanimportantparticipantandagentinmakingthehistoryoKoreanpopularcultureandKoreandiaspora.JinaE.KimAssistantProessorEastAsianStudiesfacultyperspectives33WorkingwithMovementSuzanneK.GottschangAssociateProessorAnthropologyandEastAsianStudies ConnectingAudiencetoArtworkPeoplearecompelledbystoriesandideastowhichtheypersonallyconnect.academicprogramspubliceducationand34academicprogramsandpubliceducationItisintuitivelytruethatpeoplearecompelledbystoriesandideastowhichtheypersonallyconnect.Thisperspectiveisnowsupportedbycurrentresearchineducationpsychologyandneuroscience.Theresultsallpointtothenotionthatpeoplearehard-wiredtorememberinformationandideasthatareperson-allymeaningful.Theexplosionofresearchattheintersectionofneuroscienceandeducationaltheoryhasalsosparkedinsightsintothepowerofvisualexperiencetocultivatelearningthatismeaningfulandmemorable.Museumsasstewardsofcollectionsoforiginalworksofartcanaspiretohelpdiversevisitorslearngrowandconnectwithdifferenttimesandplacestheworldaroundthemwitheachotherandeventogrowintheirsenseofthemselves.Artisvisual.Itssubjectscoverage-oldstoriesoftenaddressinguniversalhumanconcerns.Artssubjectscantranscendeconomicandculturalboundariesandartisopentoavarietyofinterpretations.SCMAhasfullyembracedthesequalitiesofart.Educationstaffmembersthroughavarietyofongoingprogramsandspecialeventscontinuallyseektocreatethepathwaysthathelpconnectaudiencetoartwork.LouiseKohrmanMartindell02leadsadrawingsessionforaTeachersWorkshop academicprogramsandpubliceducation35DuringtheallArunadSouzavisitingassociateproessoroArttaughtacoursetitledFeminismandtheMuseum.StudentsintheclasscontributedtoSCMAsreinstallationplanningprocessthroughanassignmentthataskedthemtolookattheMuseumsthirdfoorandsuggestchangestotheinterpretationanddisplay.Theideastheypresentedbasedonthecriticalanalysisskillstheyweredevelopinginclasswerecreativeandprovocative.OrganizedthroughtheinitiativeoChrisAikenassistantproessoroDanceanddirectorotheMFAProgramtheMFADancestudentsparticipatedduringthespringinaone-weekresidency.ArtistanddancerNinetteRothmuellercollaboratedwiththestudentswhosketchedaplanoranimprovisationalworkthattheyperormedamongstthecontemporaryAsianartonview.TheMuseumsgrowingcollectionoAricantextilesreceivedattentionandclosestudybyAmandaGilvinapost-doctoralellowinAricanArtandArchitectureorhercourseTextilesandFashioninContemporaryAricaandAricanDiaspora.TextileswerecareullyunrolledintheMuseumsMellonClassroomandstudentsusedmagniyingglassestodierentiatestylesoproductionanddesignromacrossmultiplecultures.NinianSteinvisitingassistantproessorinEnvironmentalScienceandPolicyworkedwithMuseumstatoarrangeavisittotheCunninghamCenterorherclassSus-tainableSolutions.Studentsviewedworksthataddressedenvironmentalconcernsaswellasotherdicultsocietalissuesandanalyzedartistsdierentapproachestocommunicatingandcommentingonthesetopics.CLASSVISITSANDMUSEUM-BASEDCOURSESStudentsinDancetopArtcenterandEnvironmentalSciencebottomusetheMuseumanditscollectionasalabortheircourseworkSCMAservedmanyacademicrolesthisyearincludingaslaboratorystudycenterperormancespaceandcasestudy.FacultymemberswiththesupportoSCMAstacontinuetondnewandinterdisciplinarywaystointegratetheMuseumcollectionintotheircourseworkandteaching. 36studentperspectiveVisitingtheMuseumwasoneomyavoritethingstodosoonaterIarrivedatSmith.EnthralledbythecollectionandpeoplewhoworkedtobringittolieIknewbeingpartotheMuseumsConcentrationwouldbeoneothemostmeaningulandintellectuallyrewardingexperiencesIcouldengagein.DuringmysophomoreyearaspartothepracticalexperiencecomponentotheconcentrationIworkedbothasaStudentMuseumEducatoraswellasintheEducationDepartment.MyloveointeractingwithmuseumvisitorswasignitedasIcreatedandgaveobject-basedtoursotheMuseumscollectionandparticipatedinmanyFamilyDayandSecondFridaysprograms.TheConcentrationencouragestheexplorationomanymuseumfeldsandIdecidedtointernintheCuratorialDepartmentotheToledoMuseumoArtduringthesummero2012.WhilethereIworkedcloselywithoneothecuratorsontheexhibitionManetPortrayingLifeandhadtheopportunitytowriteover40extendedwalllabelsandperormextensiveresearchonthelieoManet.Interninginbotheducationandcuratorialdepartmentsenabledmetounderstandthevariousaudiencesamuseumcaterstoandhowimportantcreatingsmartandthoughtulmaterialscanbeinsuccessullyengagingmuseumgoers.HavingthisdualconsciousnessheavilyinormedmyCapstoneProjectIsoughttobringtogethertheinormationIdgainedrommyexperiencesinadditiontoengagingwithSmithscollection.FormyprojectIproposedare-hangingoaportionoSCMAs19th-centurycollectionthatwouldhighlightthematicsimilaritiesbetweenvariousworksintheMuseum.IntheclassroomIhadengagedinmanyconversationsaroundbreakingdownthechronologicalhierarchythathasbeeninherenttomuseums.IaimedtocreateaplanthatwouldspeaktothispotentialchangeespeciallyontheoccasionoSCMAsre-installationoitspermanentcollection.IultimatelyendedupwithaCapstoneProjectthatsucceededinencapsulatingmypracticalandacademicexperiences.IhavealwaysbelievedmuseumstobepowerulspacesthathavethepotentialtotransormhowwelookattheworldthroughtheMuseumsConcentrationIbecameconfdentinmyabilitytourtherthisidea.CamilleKulig13ArtHistoryMajorandMuseumsConcentratorIhavealwaysbelievedmuseumstobepowerfulspacesthathavethepotentialtotransformhowwelookattheworld.STUDENTPERSPECTIVECamilleKulig13andriends academicprogramsandpubliceducation37SupportingstudentinvestigationomuseumsandthecriticalissuestheyengageThisacademicprogramcontinuestogrowanddevelop.MuseumsConcentratorsenrolledintheollowingmuseum-taughtcoursesTheHistoryandCriticalIssuesoMuseumsandorseniorstheMuseumsConcentrationResearchCapstoneSeminar.Duringtheyeartheadvisorycommitteeadmittedournewstudentsromtheclasso2014andelevenstudentsrom2015theywerewelcomedtotheprogramataspecialteainFebruary.AttheendoMaytenstudentsgraduatedwithaconcentrationinMuseumstheyarelistedatletwiththetitlesotheirculminatingCapstoneResearchProjects.DuringtheirtimeatSmiththesestudentscompletedpracticalintern-shipsandprojectsatsuchvariedinstitutionsastheMuseumoModernArttheSmithsonianCenterorFolklieandCulturalHeritageGagosianGalleryandtheStatueoLibertyNationalMonumentEllisIsland.NewthisyearSCMAinvitedMuseumsConcentratorstogath-eroramonthlyinormallunchintheDuckettdininghall.OtherattendeesincludedSuzanneFoldsMcCullagh73andJasonBauer-ClappromtheLazarusCenterorCareerDevelopmentwhoprovidedtipsandansweredquestionsaboutsearchingormuseuminternships.NayaBricherCuratingRefectionsandProjections50YearsContextualizingaReunionArtExhibitionortheClasso1963EmmaCurry-StodderRitesoPassageEllisIslandandtheLowerEastSideTenementMuseumandtheirContributionstotheCurrentImmigrationDebateDanaElliotOpeningtheAlarmedDoorExposingandExhibitingtheWorkoMuseumsBritteGeijerStaringintheLookingGlassWomenPortrayingWomenandtheRoleotheFemaleArtistCuratorCharlotteHelmerOpentheBoxDesignortheNewAsianGalleryatSmithCollegeCamilleKuligAMuseumwitha21st-centuryViewRethinkingDisplayandInterpretationatSCMAMaurineMillerMuseumsandTechnologyCurrentPracticesandtheIntegrationoSocialMediaatSCMASabrinaMontenigroSCMAEngagedAnInteractiveConversationabouttheAppealandAccessibilityoCampusMuseumsShamaRahmanViewromtheOtherSideTranslatingtheWesternMuseumModeltotheUnitedArabEmiratesNancyYerianKingintheCommunityAVirtualExhibitorNeighborhoodEngagementSMITH2013GRADUATESWITHACONCENTRATIONINMUSEUMSInMarch2013MuseumsConcentrators13andMaggieLindassociateeducatororacademicprogramsrontcenterattendedTeachingMuseumsintheTwenty-frstCenturyaconerencehostedbytheHoodMuseumoArtDartmouthCollege.JessicaNicoll83backcenterparticipatedasapresenter.THEMUSEUMSCONCENTRATION 38academicprogramsandpubliceducationStafffacultyPreK12studentsteachersandlocalcommunitymembersareallinvolvedwithaspectsofthetrainingandhands-onlearningexperiencestheSMEvolunteersreceive.OneexampleoftheintersectingofmultipleaudiencestookplaceinDecemberwhenSMEElaineKuoch15coordinatedaworkshopatSCMAforhighschoolstudentsparticipatinginProjectCoachanurbaneducationinitiativestartedbySamuelIntratorprofessorofEducationandChildStudyatSmith.ThroughhervolunteerworkasaSMEandcourseworkintheDepartmentofEducationandChildStudyElainehadlearnedabouttheVisualThinkingStrategiesVTSteachingmethodaninformalgentlyguidedinteractiveapproachtogroupdiscussionsaboutart.Usingthismethodsheco-facilitatedanafternoonworkshopwithJulieMcLeanassociateeducatorforteacherandfamilyprograms.FifteenlocalProjectCoachstudentsattendedalongwithseveralSmithfacultyandstudentsfromtheCollegesMasterofArtsinTeachingprogram.ThroughtheirparticipationinMuseumprogramssuchasPreK12schoolvisitsSecondFridaysandFamilyDaysSMEsaddedtotheirco-curricularresumesandreceivedvaluableexperienceconnectingaudiencetoartwork.STUDENTMUSEUMEDUCATORSTheSMEProgramservesasanexusforreachingmultipleMuseumaudiencesSMEsassistedatFamilyDaysleftandrightandledaclasswithProjectCoachstudentscenterMadisonBarker15MaurineCollinsMiller13NiyatiDave15ElizabethDavis14KristenDeLancey15CassandraDuncansonUMassAmherst14FredaEpum15RebeccaFirkser15KylieFisher13MarionGajonera14StephanieGarland14CandaceKang15ElaineKuoch15JieteLi15AnnaMokros13SaraMoss-HorwitzNorthamptonHighSchool13HopeMowry15HannaPark14LingQiu15JannaSinger-Baefsky15SMEs20122013 academicprogramsandpubliceducation39SCHOOLANDTEACHERPROGRAMSKylieFisher13broughtaparticularsetoskillstoherroleasthisyearsSchoolProgramsintern.HavingrecentlyreturnedromherJYAinFlorenceItalyKyliewaswellpreparedtocompilenotesonRenaissancedrawingstoaddtotheDrawntoExcellencetours.TheLookingatLinesschooltourincludedavarietyoartobjectsromthepermanentcollectionsuchasPicassosTableGuitarandBottletotieintotheMassachusettsK12artcurriculum.K12studentscareullystudiedthemanytypesomarksartistsmakewiththeirtools.Kyliecreatedasetoindexcardsimprintedwithvaryingormsolinescurvedstraighttohelpchildrenisolatethelinesvisually.ThespringsemestertourNatureinAsianArtocusedonCollectingArtofAsia.Kylieassembledexamplesorthistourshow-inghownatureisrepresentedinAsianartromaJapaneseprintoawinterlandscapetothewave-likeormoacontemporaryKorean-Americaninstallation.AsianarttechniquesarepopularlytaughtinschoolcurriculaandK12groupsfockedtotheexhibitionduringthespring.AshleyBrickhouse11BrownPost-BaccalaureateFelloworMuseumEducationmanagedschedulinghundredsogroupvisits.Ashleydevelopedherskillsasagalleryteacherasanunder-graduateandStudentMuseumEducator.Shecontinuestoengagecountlessvisitorswithartthroughherstapositionandcollaborateswithourinternsplanningtoursandprograms.ShealsoassistedwithcoordinatingthisyearsTeachersWorkshopsdescribedatright.Student-stacollaborationisanessentialcomponentoprogramplanningintheeducationdepartmentTopletandrightStudentsintheNatureinAsianArtspringschooltourBottomTeachersWorkshopall2012FallDrawingsatSCMAVisittotheCunninghamCenterorPrintsDrawingsandPhotographswithcuratorAprileGallant.BrainstormingsessiononlessonplanningledbyJulieMcLean.DrawingromsculptureexerciseledbyartistandSCMAstamemberLouiseKohrmanMartindell02.SpringAsianArtatSCMAGallerytalksonCollectingArtofAsiabycuratorsFanZhangandLindaMuehlig.AskingEssentialQuestionsaboutAsianartactivityledbyJulieMcLean.TeachersWorkshops 40programsformembersandthebroadercommunityARTINSIGHTSSpecialprogramsandtripsforMuseumMembersAugust222012OpenEyesforMembersOctober252012FrameworkVIIIGalleryTalkwithWilliamMyersNovember15th2012OpenEyesforMembersDecember72012DrawntoExcellenceGalleryTalkwithAprileGallantJanuary312013CollectingArtofAsiaExhibitionPreviewwithLindaMuehligJune132013SummerofLoveGalleryTalkwithAprileGallantPLEASEBESEATEDMembersreservedseatingatMuseumlecturesJuly132012JayBolotinTheJacklegTestamentArtistLecturebyJayBolotinOctober122012ItalianandFrenchDrawingsfromthePermanentCollectionLecturebySuzanneFoldsMcCullagh73March132013MillerLecturebyKeithChristiansenandMichaelGallagherApril52013CollectingArtofAsiaColloquiumKeynoteLecturebyDr.MassumehFarhadFORSTUDENTSSeptember212012StudentMembersGatheringMEMBERSDAYSNovember15182012MembersDoubleDiscountDaysattheMuseumJune13162013MembersDoubleDiscountDaysattheMuseumFRIENDS-SPONSOREDCOMMENCEMENTANDREUNIONPROGRAMMINGMay182013Drop-inScrollPaintingInspiredbyCollectingArtofAsiaMay252013GalleryTalkonCollectingArtofAsiawithLindaMuehligMEMBERSPROGRAMSClockwisefromtopleftMembersattendedMembersDaysaswellasexhibitionpreviewsandgallerytoursofDrawntoExcellenceFrameworkVIIISummerofLoveCollectingArtofAsiaandJayBolotinprogramsformembersthebroadercommunityandThroughouttheyearSCMAMembersareinvitedtoparticipateinadiverseslateofspecialprogramsdesignedtofosterdeeperengagementwiththeMuseum. programsformembersandthebroadercommunity41MillerLectureChallengesRevelationsandSurprisesMarch132013KeithChristiansenJohnPope-HennessyChairmanoEuropeanPaintingsandMichaelGallagherShermanFairchildConservatorinChargeotheDepartmentoPaintingConservationMetropolitanMuseumoArtNewYorkNYsharedrecentcollaborationsincludingpreparationsorthereinstallationotheEuropeanPaintingsGalleriesatTheMet.SecondFridaysHands-onFunandOpenEyesFacilitatedbyMuseumeducationstamonthlyhands-onart-makingactivitieswereoeredoramiliesaswellasOpenEyesinormalgalleryconversationsorallagesaboutoneworkoart.TheseprogramsprovidedvisitorswiththechancetoexamineandfndtheirownmeaninginpiecesoundintheMuseumspermanentcollectionorspecialexhibitions.Morethan3500visitorsattendSecondFridayseachyear.COMMUNITYPROGRAMSClockwiseromtopright2013MillerLectureco-presentersKeithChristiansenandMichaelGallagherlectureattendeesattheQAollowingthetalkvisitorsoallagesenjoyedFamilyDaysandSecondFridaysInadditiontothemanyacademicandexhibition-relatedprogramsoeredthisyeartheMuseumalsohostedtheannualMillerLectureinmemoryoDulcyBlumeMiller46aswellasSecondFridaysapopularreecommunityprogram. THEMUSEUMVISITINGCOMMITTEEAsofJune302013TheMuseumVisitingCommitteeisanadvisorybodywhosemembersappointedtothree-yeartermsbythePresidentotheCollegeprovideleadershipinstrengthen-ingtheMuseumsbaseofnancialsupportanditscollec-tionsestablishingMuseumpoliciesandrepresentingtheinterestsoSCMAtothebroadercommunity.HonoraryMemberSueReed58SpecialRepresentativetotheVisitingCommitteeRebeccaRabinow88AcquisitionsCommitteeChairMembersJaneCarroll53ChairSusanBrundage71NominationsChairJoanLeboldCohen54AsianArtTaskForceChairWendyCromwell86PeggyDanziger62NancyGillespiedeLaSelle69CatherineFreedberg64JanGolann71AssociatesChairThelmaGolden87SusanneGrousbeck58JanetKetcham53EllenLee71AnneManning89JuliaMeech63DianeNixon57EliotNolen54JaniceOresman55BettySams57LouisaSarofm58AnnSolomon59JudithTargan53JaneTimken64MelissaWells93AnitaWien62AmyWorthen67MarthaWright60ASIANARTTASKFORCEAsofJune302013TheMuseumsAsianArtTaskForceisanadvisorybodywhosemembersincludealumnaeandacultywithexpertiseinAsianartandstudieswhoareinstrumentalinnurturingastrongprograminAsianartatSCMAbybuildingfnancialsupportandadvisingonexhibitionsacquisitionsandprogramming.JoanLeboldCohen54ChairPatriciaBeckwith68StephenBeckwithNancyBlume61JaneCarroll53YingChua95VictoriaChan-Palay65PeggyDanziger62NancyFessenden50JoanJacobson47JeanKim90WanKim60AlixLaager80SallyLeahy54JuliaMeech63YaminiMehta93SamuelMorseProessorHistoryoArtAsianLanguagesandCivilizationsAmherstCollegeJessicaNicoll83DirectorandLouiseInesDoyle34ChieCuratorEliotNolen54JaniceOresman55TomRohlichProessoroEastAsianLanguagesandLiteraturesBettySams57LouisaSarofm58MonaSinha88AnnSolomon59CarlynSteiner67HilaryTolman87MarthaWright60SujaneWuAssociateProessoroEastAsianLanguagesandLiteraturesFanZhangFreemanMcPhersonPost-doctoralCuratorialandTeachingFellowinEastAsianArt42advisorygroupsadvisorygroups AllgitsweremadetoSCMAduringthe2013fscalyearJuly12012June302013.Grantslistedwereawardedoractiveduringthatperiod.Everyeorthasbeenmadetoaccuratelyreportdonors.ASIANARTINITIATIVESTheMuseumthankstheollowingdonorswhomadecontributionstosupporttheMuseumsAsianArtInitiativesincludingstrengtheningitsAsianartcollectionmountingexhibitionsandeducationalprogramsandestablishingtheCarolT.ChristGalleryorAsianArtinhonoroCarolT.Christthe10thpresidentoSmithCollegeMeganAmbrus07NeelumAmin86SanordBeldenEdithBingham55inmemoryoIsabelWilson53NancyBissell61SusanBrundage71inmemoryoIsabelWilson53JaneCarroll53throughtheMaryP.OenslagerFoundationFundandthePointGammonFoundationLindaCharles74JoanLeboldCohen54SusanCohen62throughSusanCohenLandscapeArchitectArleneCohrs80PeggyDanziger62PaulaDeitz59MarloweDieckmann09DeborahDuncan77PaulaEinaudi65MargaretEisen75GeorgiannaErskine54inmemoryoIsabelWilson53ElizabethEveillard69andJean-MarieEveillardthroughtheEveillardFamilyCharitableTrustAprilFoley69LynnFox77JudithGolub66andSidneyGolubNeilGraboisJoanneGrifn72ElizabethHoman68EveHunter12GayleJackson67PatriciaJacksonStephanieJacobson-Landon95SabineJean11NinaJones82AnnKaplan67throughtheFrancesAlexanderFoundationinmemoryoIsabelWilson53JanetKetcham53throughtheJanetWrightKetchamFoundationHoonKhoo73WanKim60andAndrewKimC.KinsellinmemoryoPaulAlpersElizabethLiedel04AlexanderLindseyMarilynLummis54inmemoryoIsabelWilson53JudithMilestone66EliotNolen54andWilsonNolenthroughtheGreatIslandFoundationinmemoryoIsabelWilson53JaniceOresman55AlisonOverseth80LouiseParent72JudithPelham67throughtheJudithC.PelhamTrustLoisPerelson-Gross83SusanPorth70RuthQuigley53inmemoryoIsabelWilson53DebraRomero77TracyRubin77LindaSalisbury78AnnSanord75LouisaSarofm58throughtheLouisaStudeSarofm1995CharitableTrustAgnesScanlan79JamesShulmanSharmilaSinha88andRaviSinhathroughtheGoldmanSachsGivesAnnualGivingFundCorneliaSmall66LoisThompson66AnnWales57AmyWehleMelissaWells93inmemoryoIsabelWilson53AnitaWien62andByronWienToniWolman64GIFTSTOFUNDTHEPURCHASEOFHOMMEDEBOUTVERSLAGAUCHETheMuseumthanksdonorsogitstosupportthepurchaseoEdgarDegassdrawingHommedeboutverslagaucheinhonoroDianeAllenNixon57JaneCarroll53throughthePointGammonFoundationJoanLeboldCohen54ElizabethEveillard69andJean-MarieEveillardthroughtheEveillardFamilyCharitableTrustCynthiaKayan57JanetKetcham53throughtheJanetWrightKetchamFoundationSarahLeahy54giftstothemuseum43giftstothemuseum MargotLinton52LanahMillerJoanNissmanandMortonAbromsonthroughtheMurrayandGraceNissmanFoundationEliotNolen54throughtheGreatIslandFoundationJaniceOresman55AnnSolomon59andRichardSolomonthroughtheRichardAnnJohnJamesSolomonFamilyFoundationLauraSpadone57GRANTSUPPORTTheAndrewW.MellonFoundationTheAndyWarholFoundationfortheVisualArtsInc.ArtMentorFoundationLucerneTheBrownFoundationInc.ofHoustonInstituteofMuseumandLibraryServicesaFederalAgencyE.RhodesandLeonaB.CarpenterFoundationMassachusettsCulturalCouncilaStateAgencyTheSamuelH.KressFoundationGIFTSOFFUNDSFOROTHERPURPOSESTheMuseumthanksdonorsofgiftsthatsupportSCMAmission-centeredactivitiesincludingacademicprogramsandcollectionscareanddevelopmentCarolineBain44andSherwoodBainConstanceBergfors52throughtheFredBergforsandMargaretSandbergFoundationInc.AndreaBrown01inhonorofAlexandraKellerCathyCarron79throughtheMMCMatchingGiftsProgramAnneCollier55andMarvinCollierElizabethCummings08JoanCurhan59throughtheLeoWassermanFoundationinhonorofJessicaNicoll83RobertDelaneyJoellynDuesberry66MarcyEisenbergthroughtheCommunityFoundationofWesternMassachusettsCatherineFreedberg64JanGolann71GayleGolden65inmemoryofHarrietTarkiainen65AliceGoldman62DorothyHildt49throughtheEmilyHallTremaineFoundationInc.AlineHill-Ries68inmemoryofGeorgianaHill14ElisabethIreland79andGeorgeIrelandthroughtheElizabethRingMatherandWilliamGwinnMatherFundMargotLinton52SophieMacMahon57LindaMerrill81SophiaOng12JaniceOresman55EllenPerl77BettyRoss46BarbaraSaulnier58KarenSearcyDorothySumner57JaneTimken64throughtheJaneM.TimkenFoundationIsabelWilson53PhoebeDentWeilGIFTSOFARTTheMuseumthanksthemanydonorswhosupportedSCMAthroughgiftsofarttherebystrengtheningandbroadeningthepermanentcollection.SeeAcquisitionspages419.44giftstothemuseumToptobottomCollectingArtofAsiaColloquiumpresentersandguests.TopDr.MassumehFarhadandCarolChristcenterguestsatopeningreceptionBottomFacultymembersCraigFeltonDanGardnerandFanZhang SCMAmemberssupportandsustainexcellenceinteachingandlearningwithart.WethankourmemberswhoconnectwiththeMuseuminmeaningulwaysandprovideessentialsupport.Membershiptotalsmaybeviewedonpage3.TryonAssociatesTryonAssociatesundtheMuseumscoreinitiativesexhibitionsprogramsandspecialprojects.ElsieAidino53andM.BernardAidinoPatriciaAshton53JaneCarroll53andLeoArnaboldiCarolChristandPaulAlpersJoanLeboldCohen54andJeromeA.CohenAnnCollier55andMarvinCollierPeggyDanziger62andRichardDanzigerValerieDiker59andCharlesDikerChristinaEldridge53GeorgiannaErskine54andPaulErskineElizabethEveillard69andJean-MarieEveillardNancyFessenden50andHartFessendenCatherineFreedberg64MargotFreedman62JanGolann71SusanneGrousbeck58SusanHill63andRobertHillEileenJachym75andPeterJachymAnnKaplan67ElizabethKelsey55andThomasKelseyJanetKetcham53AliceKramer52SarahLeahy54andRichardLeahyPhoebeLewis51andJohnLewisMargotLinton52andRobertLintonMarilynLummis54AnnMandel53MaryNewman61andFredricNewmanDianeNixon57EliotNolen54andWilsonNolenJaniceOresman55LouiseParent72SusanRose63BonnieSacerdote64BettySams57LouisaSarofm58JoanSchuman62ElviraandGursharanSidhuAnnSolomon59andRichardSolomonRobertaSommers64andJereySommersCarlynSteiner67EllenStrickler57andDanielStricklerJudithTargan53JudyTenney49JoyceThurmer52JaneTimken64LucyTittmann53AnnWales57RobertaWeinstein67andDavidWeinsteinMelissaWells93AnitaWien62andByronWienWallaceWilsonMarthaWright60MargaretWurtele67ContemporaryAssociatesContemporaryAssociatesundpurchasesocontemporaryartorSCMAspermanentcollection.SarahBennison95LauraBrounstein84CathyCarron79andAndrewCarronWendyCromwell86LouiseEliaso87CharlotteFord83CarolFranklin75LisaMarks84JaniceOresman55MarySolomon84andDavidSolomonJudithTargan53AmyWeinberg82MembershipSupportMemberssustaintheMuseumwithunda-mentalsupport.TheollowingindividualsgavetoSCMAattheContributorleveloraboveAnnaMariaHerbertAbernathy50throughtheAbernathyCharitableContributionsMeganAdamson75inmemoryoVictoriaMcCarthy75JacquelineAnderson80NaomiandStephenAntonakosKathleenBalun72DeeBatesJennierBeachell94inhonoroKimBierwertKayBearman60MaryBeck56SarahBellichard94LouiseBessire58NancyBissell61BarbaraBlumenthal75andJosephBlumenthalAndreaBonn73NancyBradbury74andScottBradburyAnneBrown62J.ElizabethandJeremiahBurbankLaleBurk64andCarlBurkBettinaBurr68throughtheBettinaL.BurrTrust1996BrookesByrd65EdithByronandFrederickByronElizabethCaineAnnandJereyCaplanJudithCarroll74throughthePattersonCarrollFamilyTrustCarolChristMarthaClute48AnneCohen76MarilynCohen68andL.RobertCohenAndreaColeandJohnKingstonJennierConnolly73DeborahCushman77JereyDanMaryDangremond76membership45membership TammisDay05throughtheWillamettaK.DayFoundationBarbaraDeely42EdithDinneen69inmemoryoEdithDinneen27DonnaDonaghy59SusanDonovan76throughtheJoanC.RichardA.VanDeurenFamilyFoundationInc.NancyDuck63DeborahDuncan77PollyEhrgood47SuzannahFabingandJamesMusprattJennierFeingold80JudithFergin73BerniceFierman50WendyandThomasFiletiSusanFlint78JaneFogg54PatriciaFoulkrod66MeredithFrapier58LeslieFreudenheim63andTomFreudenheimthroughtheFreudenheimFamilyCharitableFundEugenieFriedman47andRobertFriedmanthroughtheRobertG.FriedmanFoundationRuthFriendly45HelenGabriel48BarbaraGalvin57WalterGibsonSarahGiven48MarionandAlGoethalsAliceGoldman62MarthaGray83JanetGrin73ElizabethGuthman60EszterHargittai96inhonoroJohnDavisNancyHarvin80JoanHaseltineGailHecht58andHarveyHechtYooheeHeoandKwangdoKimKarinHillhouse66AnnHilliard59MaryHinds76throughtheErnstandYoungFoundationJanetandKennethHomanJulieHoman76AnnaHogan66inmemoryoJeanneShearer66SaraHoover82HarrietHubbard85AnneHull38AnneandDavidHulleyMichelleJackson94BarbaraJakobson54LindaJanklow59throughtheJanklowFoundationCatherineJenkins96SusanJohn89AnnJonesLouiseJordan60BarbaraJudge46inmemoryoLynCorbett74AliceKaplan58ElizabethKeitel69CatherineKing89SueKlau68FlorenceKmetzRuthKohler63throughtheRuthDeYoungKohler1999TrustJoseaKolodzieczyk75PhyllisLavine87BetsyLawrence82LouiseLazare57andAaronLazareElizabethLevine00JennierLevy76JennierLevy76MatthewGoldandDanielGoldinhonoroRuthGold49JanetLey52throughtheJanetUpjohnStearnsCharitableTrustDonnaLifand68inmemoryoLindaMay68SusanLindenauer61andArthurLindenauerLorraineLyman50HeatherMacchi93PatriciaMail65ClaireMansur76andJohnRyanthroughtheSchwabFundorCharitableGivingAnnMartin77SallyMayer79SuzanneFoldsMcCullagh73andGrantMcCullaghJaneMcInerny78inmemoryoJanetViggiani78andLouiseZanar78MaryMcLean68AnnMilne72AnnMitchell75MelissaMoore91RachelMooreStephanieMudick76JoanneMurphy82PriscillaMurphy69JulieNadal81SybilNadel57andAlredNadelKarenNelson62MaryNewman50JudyOberlander78NancyOBoyle52MaureenOBrien54DeidreOFlaherty70CandeOlsen72throughtheNewYorkLieFoundationMarciaOsborn53ElizabethOsborneandJeSchwartzinhonoroRachelOsborne-Schwartz14AlisonOverseth80ElisabethPendleton62inmemoryoConstanceMorgan35FrancesPepper62SallyPillsbury46MaryPinney58PaolaPrins86SusanProctor68E.UpshurPuckette57RennaandChristopherPyeBarbaraQuilty75SallyRand47JanetRassweiler80AndreaRay85AliceRobbinsandWalterDennyMaryRoberts60andDonaldRobertsEstelleRosen63inmemoryoMaryMensel18EstelleRosen63andNormanRosenthroughtheGEFoundationKatherineRostand65andStephenRostandElizabethRowe59M.BeverlyRyburn43BarbaraSalthouseandRobertSalthouseRitaSaltz60SamuelSamuelsAnnSanord75DorothySawyer55CathySchoen70SusanSeamans70JaneShang82andPaulShangKatherineSharp83andChristopherSharpMargaretShorrinmemoryoFahnyaBean40JoanneSiegmund59DianaSimplair87SusanSmall48JoanSokotch68CynthiaSommer75andAndrewBalderEstelleSosland46andMortonSoslandLauraSpadone57JoaneathSpicer65JoannaSternberg91NanStiel77D.AnnStromberg58MarthaSubber69inmemoryoRuthChurchill19andinhonoroEmilyWood4646membership membership47ElizabethSussman54AudreyTanner91BarbaraTownsend74inmemoryofLynCorbett74SallyTroyer56SandraTullius84SusanVanDyneAnneVernon53andJackVernonJanetWallstein71inmemoryofMaryMelrose71andSandraOLeary71KalleWeeks67PhoebeWeilC.AnnWelsh76BarbaraWhite46NoreenWhite79KathrynWiener50LisaWiese78throughtheWieseCavanaughFamilyFoundationAnneWilliams65MaryWilson69inmemoryofJamesandMaryWilsonMarshaWiseheart60ToniWolfman64KathrynWood86NancyWood73inmemoryofLynCorbett74StephanieWoodson85AmyWorthen67JenniferYen95Additionalinformationonmembershipopportunitiesavailableonlineatsmith.eduartmuseumMembership-MattersTopMuseummembersattendedaprogramwithAprileGallantcuratorofSummerofLoveBottomStudentsinthePrintsinstallationofCollectingArtofAsia 48museumassistantsCONSERVATIONVolunteersChelsieDias14IsabellaGaldone16TheaGoldringAmherstCollege14TaliaHalpern16ClareJacobson16CandaceKang15AllisonKeiter13EmilyKim15AshleyKosaMountHolyoke15BreanaLatty11BronteMarstellar15ClaraPatriceRosebrock16TatianaShannonHampshireCollege13GenevaStrass-Wise16ElizabethTemple14SummerInternsKelseyDadmun14JosephineJohnsonWheatonCollege13CandaceKang15CUNNINGHAMCENTERSTRIDEScholarEmmaCasey15StudentAssistantsPetruBester15JKarlaGiorgio13JJenniferGuerin14MaggieHoot16JannaSinger-Baefsky15VolunteerLucretiaBaskinDIRECTORSOFFICEStudentAssistantFrancesLazare14EDUCATIONStudentAssistantsKylieFisher13MargaretKean14CamilleKulig13JieteLi15OCIPInternRebeccaFirkser15StudentMuseumEducatorsSeelistonpage38FamilyDayVolunteersMorganAugillard14ClaraBauman13AnuujinElbegdorj15BrynGingrich16KarlaGiorgioCaitlinGlassman16JuliaHanowell15HaileyHargraves13DanaHsu16MinchiHyun15FrancesLazare14JodyLee15EllieLevy13JaclynMajewski13AunalyPalmer14JWendyRamirez16ClaraPatriceRosebrock16PaolaSanchez16NiamhSweetnam16JosieTejada13HeatherUpin16OtherVolunteersEventsandToursThomasBrownHampshireCollege14JoyChan14MaryBentleyClarkBrittanyEdens13MeghanFitzgerald13VictoriaMelnikova16TiffanyNova15GabriellePeterson16DeborahPlace16AshleyTemple14ElenaTerhune14RebeccaWolfe15AiyiZhang15GUESTSERVICESStudentAssistantsVictoriaHugo-Vidal14JenniferKoss14CarolineNoonan15MEMBERSHIPANDMARKETINGStudentAssistantsCallaBowles16AshtonFancy14JeanHoffheimer14TiffanyNova15ShamaRahman13AnyaRosenberg14StudentMuseumAdvisoryCouncilSMACRosalieSmith15ChairAlessandraDelBrocco14MadeleineDuchene16ElauraDunning14AshtonFancy14BeccaFirkser15IsabellaGaldone16DanaHsu16FrancesLazare14BronteMarsteller16ShamaRahman13ClaraPatriceRosebrock16GenevaStrauss-Wise16MUSEUMSHOPStudentAssistantsNicoleCroke15MarisaHall14RohiniRay14VolunteerGillianMorbeyREGISTRARSOFFICEStudentAssistantChelseaBartholomew13museumassistants JessicaNicoll83DirectorandLouiseInesDoyle34ChieCuratorStaceyAnasaziFinancialandSystemsCoordinatorDavidAndrewsAdmissionsAssistantAshleyBrickhouse11BrownPost-BaccalaureateFelloworMuseumEducationMargiCaplanMembershipandMarketingDirectorDavidDempseyAssociateDirectororMuseumServicesMarthaEbnerWebandMarketingCoordinatorTaigaErmansonsAC03EducationProgramPlannerNanFlemingMuseumStoreManagerAprileGallantCuratoroPrintsDrawingsandPhotographsSusanGelotteAssistantMuseumStoreManagerKellyHolbertExhibitionCoordinatorKateKearns01CollectionsManagementImagingProjectCoordinatorHenrietteKetsdeVriesCunninghamCenterManagerLouiseM.Krieger84AssistanttotheDirectorLouiseLaplanteCollectionsManagerRegistrarMaggieLindAssociateEducatororAcademicProgramsLouiseKohrmanMartindell02MembershipandGitsAssistantAnnMayo83ManageroSecurityandGuestServicesJulieMcLeanAssociateEducatororSchoolandFamilyProgramsLindaD.MuehligAssociateDirectororCuratorialAairsandCuratoroPaintingandSculptureAnnE.MusserAssociateDirectororAcademicProgramsandPublicEducationWilliamF.MyersChiePreparatorStephanieSullivanInstallationAssistantRichardTurschmanAssistantManageroSecurityJulieWarcholBrownPost-BaccalaureateCuratorialFellowFanZhangFreemanMcPhersonPost-DoctoralCuratorialandTeachingFellowinEastAsianArtMUSEUMGUARDSJulieBomba11NellieBrahmsLarryCarlsonCynthiaConsentinoRyanDuyDonnaEdgartonNancyElwellTammaFairbrotherPamelaFerrechioLeonardFourHawksKeithGamageDaveHartCarlottaHomanKimKnightDonnaKurkulJuliaMaxJasonMazzottaBrendanMcCauleyLourdesMoralesAnganileMwalukomoHannahRichards05YulinSanBenShohanWendyStaymanJenniSussmanChristieSvaneKashaTooneDianeWestmanSECURITYSYSTEMSPECIALISTSJimAdamskiMichelleCotugno02SueFarrellLarryFriedmanPatrickGaudetPatJacksonDebKowalJackMartinJordanSoYungMorrisMikePatenaudeRichardSamuelsonFranTaylorSCheMA20122013EditorMargiCaplanCopyEditorAndreaE.ReynoldsDesignRadwellCommunicationbyDesignDesignAssistanceJohnHarrisonPrintingHadleyPrintingSpecialAssistanceChristinaBarber-JustMarthaEbnerLouiseKohrmanMartindell02PhotographyArtandObjectPetegorskyGipeExhibitionStephenPetegorskyandOneMatchFilmsEventPortraitandCandidDerekFowlesLynneGravesOutsidecoverPaulShoulCoverimagesInsiderontandoutsidebackNightatYourMuseumCollectingArtofAsiaFebruary2013TopletandrightSMEsatFamilyDayDavidAndrewsadmissionsassistantataSecondFridayprogramCoverandtextpagesprintedon50recycledfbers25post-consumerwaste.AllpaperstocksareFSCcertifedandprintedwithvegetable-basedinks.museumstaff ElmStreetatBedfordTerraceNorthamptonMassachusetts01063TuesSat104Sun124SecondFridays10848FREEClosedMondaysandmajorholidays413.585.2760smith.eduartmuseumINSPIRATIONEVERYWHERENon-ProfitOrg.U.S.PostagePaidPutneyVTPermitNo.1