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v7draftinprogress11.18.14SMITHCOLLEGEMUSEUMOFARTTHEYEARINREVIEWSCHEMATEACHINGLEARNINGWITHEXCEPTIONALART2O134 AT-A-GLANCEANNUALBUDGET2758692MUSEUMATTENDANCE33335SmithCollegestudents5237SmithCollegeaculty1061OtherFiveCollegestudentsandaculty1789Childrenandyouth4371Adults19885CUNNINGHAMCENTERATTENDANCE1191Classvisits76ACADEMICCLASSVISITORS9580PreK12students2456PreK12classvisits125Collegestudents5545Collegeclassvisits231PROGRAMS52Teacherworkshops1Familyprograms14Memberprograms15Publicprograms22EXHIBITIONS10Formoreactsandfguresseepages5253.1234WORKSINPERMANENTCOLLECTION24048Loanstootherinstitutions18Worksreceivingconservation10WorksonPaperusedorclassesorindividualstudy1905ARTACQUISITIONS403Gits301Purchases97Transers5MEMBERS1209DirectorsAssociates15TryonAssociates38ContemporaryAssociates12StudentthroughPatronlevel1144LibraryPassPartners33STAFF93Fulltime24Parttime4Studentassistants28Guardsandsecuritysystemspecialists39VOLUNTEERS76JULY12013JUNE302014 contentsAnintegralpartofSmithCollegeanditsmissiontheSmithCollegeMuseumofArteducatesandengagesouracademicandbroadercommunitiesthroughmeaningfulandmemorableencounterswithexceptionalart.COVERSfrontLedbyCharleneShangMillerassociateeducatorSmithstudentsparticipateinaclassintheCunninghamCenterfall2014backArecordnumberofstudentsincludingtheseStudentMuseumEducatorsattendedNightatYourMuseumwinter2014At-A-Glance13SecondFridaysattractvisitorsofallages4MonaSinha88andJaniceOresman55examineprintsinanewmobilecabinet2410152224282930505152FACTSFIGURESMUSEUMSTAFFMUSEUMASSISTANTSACQUISITIONSGIFTSTOTHEMUSEUMADVISORYGROUPSMEMBERSHIPMATTERSEXHIBITIONSGALLERYREDESIGNFROMTHEDIRECTORCOMMUNITYSTUDENTPROGRAMSEVENTSLOOKINGLEARNINGTHINKING2O134SCHEMA isanexcitingtimeorSCMA.In20132014ouraspirationsbecamearealitywiththere-envisioningandreinstallationooursecondandthirdoorgalleries.Inthisfrstotwophaseswecreatedspacebothliterallyandsymbolicallyornewencounterswithourpermanentcollectionachievingourmissiontoostermeaningulmemorableexperienceswithexceptionalart.THEMUSEUMHASFLOURISHEDINMANYWONDER-FULWAYSsincetherenovatedbuildingopenedin2003.Onestrongdecadelateritwasclearthetimewasrighttorereshnotonlythespaceitselbutalsohowweuseit.WeaskedourselvesHowcanwebestpresentthecollectioninawaythatmoreullysupportsthekindsoteachingandlearningweareseeinginthegalleriesopensthedoorormoreinvestigationandcreatesnewpointsoentrySCMAenteredaplanningprocessrichwithinquiryanddiscoveryandtheoutcomeisevenmoreextraordinarythanweeverimagined.Weinviteyoutolearnmoreaboutthistransor-mativeinitiativeonthepagesthatollow.Itisimpossibletotalkaboutthisprojectwithoutacknowl-edgingtherobustspiritocollaborationthatpermeatedeverydecisioneverydetail.OneothethingsItreasureatSmithistheopennesswithwhichweapproachourworkandtheunderstandingthateveryonehasavaluableperspectivetoshare.Ourspring2014installationTransfor-mationsinAfricanArtisawonderulexampleothisandepitomizesthetypeoexperientiallearningthathappensinourMuseumandclassrooms.MellonFiveCollegePost-doctoralFellowAmandaGilvinsstudentsoAricanarthistorystudiedandsynthesizedinormationromdierentmediaandtimeperiodsandco-curatedtheexhibition.Opportunitieslikethisoerstudentsuniqueinsightsabouthowmuseumsworkincludingthepowerandresponsibilitythatcomeswithshapinginterpretationaroundanartobjectoraculture.Andtheycreatenewgenerationsoinormedmuseum-goers.ItFROMTHEDIRECTORFROMTHEDIRECTOR2 TheBrownFoundationInc.oHoustonhasbeenavisionarysupporterooureortstoengageyoungpeopleinthemissionandworkotheMuseumundingarangeoinitiativesinclud-ingourPost-baccalaureateellowshipsinmuseumeducationandcuratorialpractice.Itsbeenincrediblyinvigoratingtohavetheseyoungmindsjoinourstaandengageinbothbig-pictureandday-to-daythinking.FellowsMaggieKurkoski12andAshleyBrickhouse11sharetheirownwordsonpages9and17andbothwomentestiypowerullytothevalueotheseintroductorymentoredworkopportunities.WEAREEVERGRATEFULFORTHEPHILANTHROPICLEADERSHIPthathasmadeSCMAoneothefnestcollegeartcollectionsintheworld.AsateachingmuseumwehavearesponsibilitytoactivatethatcollectiontomakeitrelevanthereatSmithandwithinthelargercommunity.Withthere-installationourgalleriesnowreectourcommitmenttopro-vidingtransormativeexperienceswithoriginalworksoartandtocultivatemuseumandvisualliteracy.WeareindebtedtothemanygenerouscontributorstoSCMAsannualappealandtoourMembershipprogramwhichunderwrotethisproject.IdlikeparticularlytorecognizeandwelcomeournewestmemberstheDirectorsAssociateswhosecatalyticsupportprovidesworkingcapitalthatallowsustopilotnewideasandrespondtotime-sensitiveopportunities.InadditionoureducationaleortshavebeengreatlyenhancedbyBonnieJohnsonSacerdote64whoisestablish-inganendowedundthatwillsupportarangeowonderulundergraduateandgraduateopportunitiesromvisitingscholarsandstudentintershipstopost-baccalaureateellowships.The2014MillerLectureinArtandArtHistorybyMayaLindrewanunprecedented722peopleromacrossmanydisciplinesyetwhowerebondedbyasharedinterestinLinsworkandwisdom.ThisbroadimpactisexactlywhatDr.MichaelMillerhadinmindwhenheendowedthisannuallectureshipinhonoroDulcyBlumeMiller46.THEDEVELOPMENTOFOURCOLLECTIONREMAINSAPRIMARYFOCUSorusandweareimmenselygrateulorthemanygenerousgitswereceivedthisyearincludingthosebestowedthroughSmithsWomenortheWorldCampaign.AmongthemosttransormativeabequestromourdearriendIsabelBrownWilson53whichenabledustoacquireHomeranearlysculpturebythe20th-centuryAmericanartistJohnChamberlain.ThisworkulfllsMrs.Wilsonsvisionandenrichesourcollectionaswellastheeducationalopportuni-tiesorourSmithcommunity.AlsothisyearweweredeeplyhonoredtoreceivethepromisedgitoacollectionoprintswatercolorsanddrawingsromDr.KurtLangandDr.GladysEngelLangdistinguishedscholarsinthefeldsocommunicationmediaandpublicopinionandemeritiproessorsosociologyattheUniversityoWashingtonSeattle.Thisbodyoabout1400worksislargelyromthelate19thandearly20thcenturiesandwillbehousedinourCunninghamCenterturningwhathaslongbeenanareaostrengthorusintoacollectionorecord.WEHAVEMUCHTOCELEBRATEnotonlytheulfllmentoavisionbutalsothepromiseandthepotentialthatliesahead.OurutureplansreectthesamereshthinkingandinnovativeapproachwebroughttoPhaseIotheReinstal-lationProjectandincludeanewdedicatedgalleryorAsianartanewmediagalleryandaexibleeducationspacetoalloworinteractiveengagement.Welookorwardtoshar-ingtheseexcitingnewspaceswithyouinall2015.ItisundoubtedlyamassiveundertakingbutbiggerstillisourgratitudeorthemanydonorswhoenableSCMAtoinspireandinormwithworksoart.LastyearIinvitedouralumnaeacultystudentsandriendstosharetheirmemorablemomentsoconnectionwithworksintheMuseum.SomewerelightheartedothersmoreseriousandtogethertheyormedArtStoriesaveryspecialprojecttowelcomeSmithsnewPresidentKathleenMcCartneyandtointroducehertoourprizedcollectionandthemeaningitholdsorourextendedcommunity.Weknewthesestoriesexistedandyetwhatapowerulthingtocompilethemandcomeintoclosecontactwithsomanypersonalexperiences.AscontributorRebeccaWhitinMitchell00sobeautiullysharedAworkoartbecomeslikeanoldriendwhenyoulookatitcloselyandthoughtully.Herestonewbeginningsandoldriends.JessicaNicoll83DirectorandLouiseInesDoyle34ChieCuratorFROMTHEDIRECTOR3 Withthefrstgalleryreinstallationsinceourbuildingopenedin2003theMuseumispleasedtooernewthemesnewspacesandnewwaysoseeingandinterpretingobjectsinthepermanentcollection.Visitorswillfndthatthenewgalleriesaremorethanrereshedspacestheyalsooerinnovativewaystoexperienceandinteractwiththeextraordinaryarttreasuredbysomany.MuseumdirectorJessicaNicoll83notesthatthereimaginedgalleriesallowvisitorstoseebelovedworksinanewlightWehaveprovidedahistoricalcontextorthosewhowantitbutalsomaderoomorotherstocreatetheirownpointsoentryintothecollectionandtomakenewdiscoveriesaswell.ANewLookANewLightREDESIGNGALLERYREDESIGNGALLERY4 SCMASPERMANENTCOLLECTIONHASLONGBEENAVITALANDDYNAMICEDUCATIONALRESOURCEorpeopleoallages.ButtheMuseumsocusonteachingandlearningisntlimitedtoouraudiencesalonewebringthesamecuriosityandinquirywestrivetocultivateinourvisitorstoourownwork.Weknewwehadaprizedcollectionlessclearwashowtopresentitinawaytobestsupporttheinterdisciplinarylearningthathappenshere.TheMuseumstacuratorseducatorsandadministratorsalikeinitiatedacollabora-tivecomprehensiveplanningprocess.Weaskedandan-sweredaseriesoquestionsincludingWhoiscomingtotheMuseumWhichworksaretheymostinterestedinWhatkindsointellectualapproachesaretheyusingWhatdoacultyfndmosthelpulintheirteachingTheoutcomeanInterpretivePlanthatputvisionintoaction.Thisrichworkingdocumentguidedoureortstoprovidetransormativeexperiencesandpromotevisualandmuseumliteracy.OFCOURSERETHINKINGTHEGALLERIESRAISEDARANGEOFISSUES.Someconsiderationswerestraight-orwardsuchaswhichworksoartneededtobeonviewandwhichwerereadytorest.Thentherewerethemoreinvolvedquestionsrelatedtopresentation.Ourresearchshowedthatourvisitorsbringagenuinesenseocuriosityandinterestbutdontnecessarilyhavebroadamiliarityoruencywithart.Weintegratedthesefndingswithresearchaboutmuseum-goersspecifcallyhowpeoplelearnandwhypeoplecome.Fromexplorersmotivatedbycuriositytohobbyistswithamissiontorechargersbaskinginthewonderthereisalotovariationamongvisitors.TheMuseumdesignedthenewpresentationwiththesemanyaudiencesinmindandtheresultisexciting.Revisedsightlinesprovideorlongviewsthatdrawvisitorsintoandthroughthegalleries.Newarrangementsandanchorpointscreateareshneweel.Brightwallsoercontrastandacompellingbackdrop.State-o-the-artlightingbringsoutthebestinourcollection.THEGALLERIESHAVEBEENORGANIZEDAROUNDNEWTHEMESSacredandSecularorthesecondoordisplaysoAmericanancientandEuropeanartandTraditionandTransormationorthirdoorgallerieseaturingAricanAmericanandEuropeanartater1800.Thesemetathemesprovidevisitorswitharameworkorthinkingaboutthepermanentcollectionandhelpsynthe-sizetheexperience.Inadditionwehavemovedawayromsegregatingobjectsbynationalityortimeperiodtoalloworcomparativelookingandornewstoriestobetold.AtSmithweseefacultyfromacrosstheCollegeaccessingthecollectioninnewandcompellingways.Abiologyprofessorbringsherclasstolookatlandscapepaintingstoencouragestudentstotalkaboutbiomesandhabitatswhilebuildingobservationskills.GeologystudentstreatsculptureasspecimenwithquestionssuchasWhatarethecharacteristicsofthismaterialandwheremightithavecomefromOurcommunityismakingconnectionsbeyondtheaesthetictoincludeareasofhistoryculturalstudiessciencephilosophypoliticsreligionandmore.2REIMAGINATIONFromthePracticaltotheProfound1REFLECTIONPartInformationPartInspirationpreviouspagetopandbottomRedesignedthirdoorgalleryreinstallationwork-in-progressbelowSmithstudentsengagewithsacredandsecularartguidedbyCharleneShangMillerGALLERYREDESIGN5 topVisitorsinthenewsecondfoorgallerybottomletAninormationpanelinaredesignedgallerybottomrightBosiljkaGlumacproessorogeosciencesexaminesprintsinamobilecabinetorworksonpaperOnthesecondfoororexamplewehavegroupedourcolonialAmericanandBritishportraitstogethertoalloworinvestigationoatrans-AtlanticAnglo-Americantra-ditionoportraiture.OnthethirdfoortheImpressionistworksbyFrenchandAmericanartistsareinstalledwithinthesamesectionothegallery.AndwevealsocreatedagroupingoworksrelatedtoChristianthemesthatcutsacrossnationalitiesandcoversaspanoseveralcenturies.Inthecourseoourplanningwelearnedhowimportantitwastobothacultyandstudentstoseedierentmediainconversationwitheachotherandwebegantoexplorewaysobringingtogetherpaintingsculptureprintsdraw-ingsandphotographs.Onewaywedothisiswithournewencounterspacesgroupingobjectsromdierentplacesorpointsintimetoinviteanewinterpretation.TherearetwosuchspacesintheMuseumandthesedisplayswillrotateregularly.ANOTHERINNOVATIONINVOLVESUSINGCUSTOMMOBILECABINETSthatalloworworksonpapertobemoreullyintegratedintothegalleries.BecauseprintsanddrawingsareparticularlyvulnerabletolightexposureitisTheMuseumsnewencounterspacesbringtogetherworksoartorcomparativestudyandcreateuniquejuxtapositionstojogthethinking.InthethirdfoorgalleryBoston-bornlate19th-centuryartistCharlesSpraguePearcesimaginedsceneoJapaneseliecalledACupofTeaisthesubjectoamultimediadisplaythateaturesarecordedconversationbetweentwoFiveCollegearthistoryproessorswhooercontextinsightsandoodorthought.Theconceptothiscoming-togetherwastheworkoSCMAsLindaMuehligandTaigaErman-sonswhoworkedwithAmherstCollegeProessorSamuelMorseandSmithCollegeProessorJohnDavis.GALLERYREDESIGN6 otendifculttopairthemwithpaintingsandsculpturesoranylengthotime.TheMuseumsnewmobiledisplaycabinetswithshallowplexi-protecteddrawersareacreativesolutiontothisage-oldproblem.TheyallowustoshowcaseaseriesostudydrawingsbyEdgarDegasrelatedtohisdevelopmentothegreatpaintingDaughterofJephthahoundinthethirdoorgallery.TobeabletolookatthepaintinginrelationtothedrawingsoersuniqueinsightintoDegassprocessandencouragesmoreuidinterpretations.Writingthegallerylabelswasanotherexerciseinintention.Itrequiredustorethinkhowwecommunicateinawaythatiseducationalwithoutbeingelusive.ThequestionWhatkindoexperiencedowewantpeopletohavehelpedguideusasweworkedtogivepeopleenoughinormationtoenhancetheirex-perienceolookingwithoutoverloadingthemwithjargon.In150wordsorlessthedescriptionsaresophisticatedwithoutbeingstuyandprovidejustenoughdetailtocreatemeaningwhileleadingthereadertoormtheirownnewideasandinterpretations.Whilethecomplexityanddepthothedecision-makingprocessmaynotbeevidentaspeoplemaketheirwaythroughourrecreatedspacesitisbecauseotheextraordinaryamountotimeexpertiseandenergythatwentintothisprojectthatvisitorsarecomingawayeelingconnectedandinspired.ASECONDPHASEOFTHEREINSTALLATIONWILLBEGININJUNE2015ingalleriesontheMuseumsfrstoorandlowerlevel.PlansincludethecreationoadedicatedgalleryorthemuseumscollectionoAsianartanewmediagalleryareinstallationothe40-ootwidepaintingDamascusGateVariationIIIbyFrankStellaandaredesignotheMuseumsinteriorandexteriorwayfndingsystem.topJohnDavisandSamMorsewithmembersotheMuseumsVisitingCommitteebottomletJessicaNicollgivesagallerytalkorMembersbottomrightVisitorsexplorethethirdoorencounterinstallationGALLERYREDESIGN7 TogetherwiththereimaginingothegalleriesthemselvesSCMAinitiatedanewprocesstoassessandaddressthemanywayspeopleorientthemselvestoandnavigatewithintheMuseum.ThegoalsweresimpleandcompatiblewiththeaimsotheReinstallationProjectasawholetocreateeaseouseclearcommunicationandawelcomingexperience.VISITORSTOAMUSEUMCREATEAMENTALMAPOFTHEIRSURROUNDINGStheclearerthemapthemorecomortabletheyareinthespacewhichreesthemuptoullyenjoyandengagewiththeartwork.Idonerightway-fndingisasubtlebutstrongcomponentotheoverallex-perience.WearegrateultobeworkingwithRollBaressiAssociatesRBAanextraordinaryteamoexpertsinthefeldwhoarehelpingustocreateasystemthatsuccessullysupportstheMuseumandreectsourrenewedemphasisonaccessandbroadappeal.BYSTANDARDIZINGWHATWECOMMUNICATEANDHOWweareabletocreateacohesiveandcomprehensiveprogramthatputsourvisitorsateasewhilegentlyguidingthemthroughnewterritory.Althoughthebestnavigationtoolsareintuitivenaturalandbuiltlandmarksclearlydefnedpathwayslightandsoundsignsdisplaysandmapsaresupplementalresourcesthatroundouttheexperience.Muchhasgoneintothisdetailedandintentionalworkromearlyresearchanddiscoveryinvolvinginterviewsandocusgroupsandtheevaluationoexistingprocessestodesigndevelopmentrenderingsandmock-ups.Themanycomplexcomponentscombinedorathoroughthoughtulandrewardingprocess.WeoweadebtogratitudetoourWayfndingRedesignProjectteamDeniseLugarprincipalpartneratRBAorherexpertiseandguidanceprojectcoordinatorMargiCaplanaswellasDavidDempseyAprileGallantMaggieLindLindaMuehliganddirectorJessicaNicoll.OuradditionalthanksgotoJohnEueassociateVPorpublicaairsatSmithandLeeBurnsproessoroartorworkingwithusontheexteriorcomponentotheproject.TogetherteammembersarehelpingtomakeSCMAswayfndingasuccessulpartotheMuseumsexcitingnewvision.AdamGuerrinoVisionSignworksThegalleryReinstallationProjectistheembodimentofourmissionandushersinanexcitingnewerafortheMuseum.Wehavemuchtolookforwardtotogether.JessicaNicoll3WAYFINDINGTheArtofGettingAroundGALLERYREDESIGN8 IremembersteppingthroughtheGrcourtGateorthersttimeatergraduatingin2012wonderingwhenIwouldseemybelovedSmithcampusagain.LittledidIknowthatinayearIwouldreturnastheBrownPost-BaccalaureateCuratorialFellowattheMuseum.FromthebeginningomyrstyearatSmithIwascuriousaboutmuseumworkandhowartcanconnectustoworldsbeyondourown.IworkedasaStudentMuseumEducatorandspentplentyotimeinthegalleriesleadingconversationsaboutart.EverytourbroughtsurprisesandrevelationsIcametoknowtheartcollectionintimately.AstheCuratorialFellowIamsoexcitedtoworkwiththisincredibleartcollectiononceagainandtohelpcon-nectthecommunitytoitinacompletelynewway.IndmyselrunningallaroundtheMuseumtherearesomanydierentprojectsgoingonatalltimesMostotenIworkintheCunninghamCenterortheStudyoPrintsDrawingsandPhotographs.ItsherethatIruntheStudentPicksexhibitionserieswhichgivesSmithstudentsthechancetocuratetheirownone-dayartshows.Formethebestpartaboutitiswatchingstudentsdiscovertheullextentandbeautyotheirartcollection.Withover20000worksoartintheCunninghamCen-teraloneeveryStudentPicksexhibitionrevealsanotherworkIhaveneverseenbeore.Themostthrillingprojectormethisyearhasbeenthereinstallationothesecondandthirdfoorgalleries.WhenIarrivedinAugust2013planswereunderwayandIhitthegroundrunning.Iwasaskedtohelpre-envisionandcuratetheancientartgalleryalongwithProessorBarbaraKellumwhospecializesinancientMediterraneanart.Ourrsttaskwastospendtimewiththeobjectsthemselves.Weknewromthestartthatmanypiecesmainstaysothecollectionwouldstayonview.HowcouldwelookattheseworksinanewlightByconsideringtheartinthecontextothemessuchasSacredandSecularwedevelopedreshgroupingsandlabelsthathighlightedtheseexcitingconcepts.Wealsoaddedobjectsthathavebeeninstorageorthepastdecade.Itsnotpossibleoramuseumtoshowalloitsartatonetimeandonlyasmallpercentagecanbeupondisplayatanygiventime.Ispentplentyotimeinstorageexploringdraweraterdraweroartiacts.Theresrealjoyinhandlingtheseveryoldobjectsandthinkingabouthowtheycouldbeusedorlearningandunderstandingtheancientworld.ItwasdiculttonarrowdownthelistTheReinstallationProjecthasbeenatestamenttothepowerocollaboration.Itsincredi-bleormetothinkthatIhadahandinreimaginingthegallerieswhereIspentsomuchtimeasastudent.MypositionasacuratorialellowallowsmetohavearealimpactontheMuseumandtheincredibleworkthathappenshere.Forsomeonereshoutocollegetheresreallynootheropportunitylikethisellowship.AttheendomytimeattheMuseumIknowIwillleavewithsolidhands-onworkexperiencethatwillbenetmeortherestomycareer.PERSPECTIVEMAGGIEKURKOSKI12BrownPost-BaccalaureateCuratorialFellow20132015GALLERYREDESIGN9 EXHIBITIONSexhibitionsJULY12013JUNE302014July12October62013EyeontheStreetTrendsin1960sand1970sPhotographyCuratedbyJulieWarcholBrownpost-baccalaureatecuratorialfellowSeptember13December292013LookatMeMeMeCuratedbyHenrietteKetsdeVriesCunninghamCentermanagerSeptember132013January122014NewAcquisitionJohnChamberlainHomerCuratedbyLindaMuehligassociatedirectorforcuratorialaffairsandcuratorofpaintingandsculptureOctober42013January52014RiverofGoldPrecolumbianTreasuresfromSitioConteOrganizedbytheUniversityofPennsylvaniaMuseumofArchaeologyandAnthropologyOctober112013February92014ArtStoriesPersonalExperienceswithSCMAsCollectionCuratedbyJessicaNicoll11StudentsinRiverofGold2PhotographfromLookatMeMeMeDuaneMichals.Americanborn1932.Narcissus.1974printedin1975.Gelatinsilverprintandblackink.GiftofDraytonGrantclassof1970andWayneI.Baden3PresidentMcCartneytoursthegalleries4TaigaErmansonsgivesanArtStoriesMemberstalk5PhotographfromEyeontheStreet.GarryWinogrand.American19281984.WomaninaheadscarfcarryingapaisleysuitcasefromWomenareBeautifulca.1972print1981.Gelatinsilverprint.GiftofRalphandNancySegall.PhotographybyPetegorskyGipe6DavidDempseyviewsHomerbyJohnChamberlain12310 EXHIBITIONSInresponsetoanopeninvitationfromSCMAartstoriesweresubmittedbetweenAprilandJune2013.The38artworksandrelatedstoriesweregatheredandshownaspartofaprojecttowelcomeSmithCollegePresidentKathleenMcCartneyandintroducehertotheMuseumscollectionandwhatitmeanstoourcommu-nity.Smithalumnaestudentsteachersfriendsandneighborschosethefeaturedartworksbecauseeachonehasaspecialmeaningormemoryforthem.OnesuchstoryrelatedtotheGeorgeInnesspaintingaboveFromthemomentIsawthispaintingitinvitedmeintoit.Thelogintheoregroundpointingthewaythetrav-elersredcapechoedintheredchimneyothehousenestledwithinthetreesandagainintheredroopeakinthebackground.Patchesosunlightencouragemetonoticethisyoungsaplingthatfeldthoseleaves.Diagonallinesgentlyzigandzagthroughoutthepictureaskingmetokeeplookingkeepthinking.Thestrongverticaltreesanchormeinthisplaceandinthismoment.SeventeenyearsagoIspenthoursinrontothispaintinggatheringideasoroneomyfrstarthistorypapers.MyproessorCarolineHousertoldmethataworkoartbecomeslikeanoldriendwhenyoulookatitcloselyandthoughtully.EverytimeIreturntoSmithIpayavisittothisoldriendandmanymore.RebeccaWhitinMitchell00ArtStories1GeorgeInness.American18251894.Landscape1877.Oiloncanvas.BequestofFrankL.HarringtoninhonorofLouiseCroninHarringtonclassof192645611 12EXHIBITIONSOctober15December82013NarrativesofDressWhatCanaGarmentSayCuratedbyKikiSmithprofessoroftheatreJanuary31May252014TransformationsinAfricanArtCuratedbyAmandaGilvinandherclassARH280TheCreationofAfricanArtJanuary31August312014TheEyeisaDoorLandscapePhotographsbyAnneWhistonSpirnCuratedbyAprileGallantcuratorofprintsdrawingsandphotographsMay9252014FrameworkXADecadeofResearchCollaborationandTreatmentCuratedbyWilliamMyerschiefpreparatorandDavidDempseyassociatedirectorformuseumservicesThrough2018SolLewittWallDrawing139fromthePermanentCollectionofSCMACuratedbyAprileGallantaspartofapartnershipbetweenSCMAandMathStudioanongoingcreativestudiospaceatSmithCollegefocusingonprocessanddialoguebetweenmathematicsandartinstalledinBurtonHallSmithCollegeOctober2013April2014StudentPicksExhibitionsSeeMuseumwebsiteforacompletelistsmith.eduartmuseum327NarrativesofDress8MaggieKurkoski12andSaraphinaMasters17viewaStudentPicksexhibition9VisitorsinTheEyeisaDoor10BreanaLatty11givesaFrameworkXMemberstalk11PauAtelaprofessorofmathematicsandstatisticswithSolLewittWallDrawing1397891011 13EXHIBITIONSAGHowwasyourshowatSmithdifferentfromyourpreviousexhibitionsAWSTheocusonvisualliteracyandthedirectinteractionwithSmithacultyandstudentswerethetwoprincipaldier-ences.TheexhibitionwasbasedonmyrecentbookTheEyeIsaDoorLandscapePhotographyandtheArtofDiscoverywhichisamaniestoontheimportanceovisualliteracysothisexhibitioninmanyrespectswastherealizationoadream.Myphotographsembodystoriesaboutpeopleandplaceandviewersotendonthavetheinormationaboutthosesto-ries.ToaidinthereadingothesestoriesMuseumstaworkedwithmetodevelopaseriesopromptsandprogramsromplacementophotographstowalltextandbrochuretovideowebsiteandsocialmediatosessionswithCollegeacultyandwithStudentMuseumEducatorsbothowhichproducedinnovativeideasorcollegeandPreK12audiencestopublicperormancesincludingadanceperormanceinspiredbythephotographsseepage22.Thewalltextorexampleincludesadescriptionosignifcantdetailsinnineothephotographswhicharevisualandverbalcluestolargerstoriesembeddedthere.Photographyisanidealmediumtopromotecross-disciplinaryvisualskillssincelearnersatalllevelscanrelatetophotographsandsinceneverhavesomanypeopleownedcamerasionlyintheormoacellphone.AGWerethereanysurprisesorlessonsyoulearnedaboutaudienceresponsetoyourworkAWSOnesurprisecamerommyworkwithAngieHauserandChrisAikeninSmithsDancedepartment.TheopportunitytotalkwiththemaboutparallelsinourworkandtowatchtheirperormanceThresholdwasaneye-opener.MeetingwiththeirMFAdanceclassledmetotherealizationthatallmyphotographsareaboutmovement.Ialsohadtheopportunitytowatchpeoplespendtimelookingcloselyattheworkinthegalleryanddiscussingitamongthemselvesparticularlythepairedphotographs.Ihadnotincludedspecifcpairingsoimagesinanexhibitionbeoreanditwasascinatingtoseehowthatunctionedaswellastotalktothesecurityofcersabouthowtheysawvisitorsinteractingwiththework.Itwasverygratiying.2TheEyeisaDoorLandscapePhotographsbyAnneWhistonSpirn13AprileGallantrightasksAnneWhistonSpirnlefttoshareherexperienceworkingwithSCMATheEyeisaDoorwasthefrstmajorexhibitiontoexplorehowAnneWhistonSpirnsworkencouragesadeeperunderstandingothenaturalandbuiltenvironmentthroughtheabilitytoreadandanalyzevisualinormation.Spirnhasbeenontheorerontothemovementtomakethiskindovisualliteracyaundamentalpartopeoplesdailylives.Producedoverthepast35yearsthe50colorimagesintheexhibitioncapturedstoriesandideasembodiedinplacestheartisthasvisitedorherresearchromthevolcaniclandscapesoIcelandtoJapanssacredBuddhistgardens. 14EXHIBITIONSTransformationsinAfricanArtAmandaGilvinsclasscreatedaninstallationthatinspiredandinormedthenewpermanenthomeortheMuseumsAricanartcollection.Workingwithadiverserangeoobjectsromacrossdierentculturesandtimeperiodsstu-dentsresearchedandwrotethewalllabelsortheseobjects.AttheendothesemesterclassmemberspresentedtheirobjectstooneanotherandrefectedonlessonslearnedaboutthedisplayandinterpretationotheartoArica.Iotenassignbothdidacticlabelsandcatalogueessaysinsteadoconventionalresearchpapers.Theyrequireanequalamountoresearchbuttheyrequireexperimentationandemphasizeconcision.Theyarealsoexcellentpreparationorstudentswhoplantopursuecareersinarthistorywhetherinthemuseumcommercialoracademicrealms.Theopportunitytopreparelabelsoranactualtemporaryexhibitionpresentedaspecialopportunity.OrganizingthisexhibitionwithmystudentsatSCMAprovidedauniquemulti-dimensionallearningopportunityorthemtoanalyzetheworkomuseumstolearnindepthaboutAricanartworksandtopracticeessentialwritingskills.AmandaGilvinMellonFiveCollegePostdoctoralFellowinAricanArtandArchitecture3AGHowdoyouthinkVisualThinkingftsinwithinterdisciplinarylearningAWSVisualThinkingappliestoanydiscipline.Strategieslikeobservationpatternrecognitionandrepatterningapplytoinvestigatinghumanhealthandbehaviormeteorologymolecularstructureoranyothersubjectanywhereinthelaboratoryorstudioathomeorinthefeld.SomanydierentclassesusedtheexhibitionincludingclassesromArtDanceandLiteraturetoBiologyEnvironmentalStudiesGeologyandLandscapeStudies.Thisexperienceconfrmedmyownconvictionthatacollegemuseumisanidealplacetoshowmyworkasthereisaspiritoinquiryinanacademicenvironmentthatmaynotbepartothecultureoapublicartmuseum.Audiencesatacollegeoruniversitymuseumexpecttobechallengedtothinkandtotakehomesomenewideasorwaysothinkingwhentheyvisitanexhibition.Thewaytheexhibitionwasstructuredsupportedthis.Everythingromthequotesonthewalltothelabelsandhangingputpeopleintherameomindthattheyshouldstoplookandthink.TransformationsinAfricanArtletrightAmandaGilvinabove 15LOOKINGLEARNINGTHINKINGLOOKINGLEARNINGTHINKINGAcademicProgramsPublicEducationTheMuseumsEducationstaffmembersapproachtheirworkwithanexcitementandpassionforthetransformativepowerofart.WhetherplanningandfacilitatingprogramsforSmithstudentsandfacultyleadingtoursandworkshopsforPreK12studentsandteachersorworkingmorebroadlytomodelthewaysinwhichamuseumcanserveasacenterforlifelongengagementtheyshareacommitmenttoencouragingmeaningfullearningwithoriginalworksofart. LOOKINGLEARNINGTHINKINGThisyeartheMuseumsEducationstaembracedtheguidingprin-ciplesinSCMAsnewInterpretivePlanhighlightedbelow.Devel-opedcollaborativelybyeducatorsandcuratorsthissetoguide-linesgrewoutothereinstallationplanningprocessprovidingtheunderpinningsorthenewpresentationandinterpretationoourpermanentcollectiongalleriesseeGalleryRedesignpages49.ThenewInterpretivePlanafrmsthatourprimaryaudienceisSmithstudentsanditclarifesthewaysinwhichtheworkotheMuseumcandirectlysupporttheteachingandlearninggoalsoSmithCollege.Atthesametimetheplanarticulatesoursustainedcommitmenttoourmanykeyconstituents...increatingprogramsorourbroadercommunitiesweseektoserveasamodelorhowmuseumscanengagepeopleoverthecourseotheirlives.OnthepagesthatollowwearepleasedtosharesomeothemanywaysSCMAsEducationdepartmentisworkingtoulfllourvisionocreatingmeaningulexperiencesortheCollegecommunityandalloourvisitors.WeafrmthatoriginalworksoartpossessqualitiesthatprovideormeaningullearningandcanResonateorapersonemotionallyintellectuallyandspirituallyProvideahumanandphysicalconnectiontoanothertimeandplaceServeasastartingpointorconstructingmeaningthatisrelationalinteractiveandexpansivepreviouspageSmithCollegeCampusSchoolteachersattendaworkshopattheMuseumaboveletCuratorAprileGallantvisitswithCatherineBlantonFreedberg64andSamSamuelsdirectorogitplanningatSmithaboverightSmithCollegestudentsattendclassintheCunninghamCenternextpagelettorightAshleyBrickhouse11JulieMcLeanvisitorsinteractwithperormersataamilyprogram16LearningTheCollectionasCatalystWiththesupportoMuseumstaSmithproessorsromacrossdis-ciplinescontinuedtointegratetheMuseumspermanentcollectionandtemporaryexhibitionsintotheirteachingthisyearusingartinnewandcreativewaystoaddresscurriculargoals.CSC352ComputerScienceSeminarledbyDominiqueThiebautisoneexample.Theclassocusedondistributedprocessingandusingthecloudtocreateacollagecomposedomillionsopho-tos.StudentsvisitedSCMAtoinvestigatethevariedwaysthatimagescanbesortedcategorizedandorganized.OtherexamplesincludeARH280SurveyoAricanArttaughtbyAmandaGilvinseeExhibitionspage14andvisitstotheEyeisaDoorbyclassesromtheArtandArchitectureLandscapeStudiesGeologyEnglishEastAsianStudiesandBiologydepartments.LookingWhatisourvisionGUIDINGPRINCIPLES LOOKINGLEARNINGTHINKINGThroughouttheyearourStudentMuseumEducatorswelcomedPreK12studentgroupstoSCMAandhelpedthemtoengagewithourspecialexhibitionsandper-manentcollection.DuringtrainingsessionsledbyJulieMcLeanall2013andwithcontinuedsupervisionbyAshleyBrickhousewinterspring2014SMEshonedtheirteachingskills.WorkshopsonVisualThinkingStrategiesandpeer-eedbacksessionswerepartothemix.SMEsalsolearnedaboutSTEAMtheacronymorthebroadinitiativeaimedatintegratingartintotheteachingofeldsknownasSTEMsciencetechnologyengineeringandmath.WorkingwithMuseumstastudentsdevelopedapproachesortalkingwithPreK12studentsontoursaboutwhatscienceandmathhaveincommonwithart.Theyacquiredstrategiesorengagingthestudentsindiscussionsaboutthecreativeprocessacrossthesedierentdisciplines.SMEsalsohelpedtoplanimple-mentandstatheallamilyprogramandworkedwiththeStudentMuseumAdvisoryCouncilSMACandmanyotherSmithstudentgroupstohelpplanpromotedesignconstructandcarryouttheannualstudentbashNightatYourMuseum.DuringmytimeatSCMAtwoyearsasaBrownFellowandthispastyearasanassistanteducatorIwasresponsibleormanagingprogramsorstudentinternstrainingSMEsandcoordinatingschooltours.IalsooversawNightatYourMuseum2014managingdozensostudentorganizationsgroupsandperormers.IeltveryprivilegedtoworkasapartothedynamicSCMAEducationTeamorthreeyearssurroundedbycolleagueswhoareascreativeastheyarededicated.Togetherweencouragedoneanothertodoourbestwork.Fromthemomentavisitorwalkedthroughthedoororagrouptoursatdowntostudyaworkoartmymaingoalwastohelpcreateameaningulexperienceinawelcomingatmosphere.Sometimesthismeantgreetinganawkwardfrst-timemiddleschoolvisitorwithawarmsmileothertimesitmeantteachingSmithstudentssuccessultechniquestoengagevisitorsinconversationsaboutart.HelpingdiverseaudiencestoeelathomeintheMuseumwashugelyrewarding.NothingquitecomparestotheeelingIgotwhenIhelpedtoopensomeoneseyessothattheycouldexperiencethetransormativequalitiesoart.Iamsograteultohavehadtheopportunitytolearnromandcontributetoacommunitythatencouragesdeepconnectionsbetweenpeopleandart.PERSPECTIVEASHLEYBRICKHOUSE11BrownPost-BaccalaureateFellowforMuseumEducation201114andInterimAssistantEducator201417LearningStudentMuseumEducatorsSMEsForalisto20132014SMEsseepage50. LOOKINGLEARNINGTHINKINGleftFuJi14JoanLeboldCohen54andJenniferWonggranddaughterofChineseartistLiuJipiaoco-presentagallerytalkrightFuJi14presentsherMuseumsConcentrationcapstoneprojectduringCelebratingCollaborationsspring2014TheMuseumsConcentrationgivesstudentsaounda-tioninthehistoryomuseumsandthecriticalissuestheyengage.Throughacademiccourseworkpracticalexpe-rienceandindependentresearchstudentslearnaboutinstitutionsthatshapeknowledgeandunderstandingthroughthecollectionpreservationinterpretationanddisplayoartworksartiactsmanuscriptsandarchivesandhistoricsites.Attheendothe2014academicyearthethyearotheMuseumsConcentrationtheprogramwasreviewedbytheCollegesCommitteeonAcademicPriorities.JessicaNicolldirectorotheMuseumsConcentrationcompiledadetailedreportontheprogramanditsimpact.Somehighlights64SmithstudentshavecompletedtheMuseumsConcentrationand24morearecurrentlypursuingitalongsidetheirmajorsandminors.StudentsareadmittedtotheMuseumsConcentrationromawiderangeomajorsthatincludesArtAmericanStudiesAnthropologyClassicsEconomicsEducationGeosciencesGovernmentHistoryandPsychology.AlumnaearecurrentlyworkingatavarietyoculturalorganizationsincludingTheStudioMuseumoHarlemEmcArtsanonprotagencysupportinginnovationandchangethrougharttheClarkArtInstitutethePortsmouthMuseumoArttheGuggenheimMuseumtheNationalUndergroundRailroadFreedomCenterandCreativeTimeamongothers.ALSOTHISYEARJESSICANICOLLCONVENEDAFOCUSEDTASKFORCEmadeupomembersotheMuseumsConcentrationAdvisoryCommittee.TheylookedbroadlyattheConcentrationscurriculumandproposedrecommendationsorsustainingitscorecourseoerings.Aspartoitsworkthetaskorcerenedthelistosug-gestedelectivecoursesrelevanttotheConcentration.InaneorttomoreullyintegratepersonalrefectionintotheMuseumsConcentrationexperiencetheMuseumcollaboratedwithJessicaBacaldirectorotheWurteleCenterorWorkandLieatSmith.WorkingwithDigicationanonlineePortoliosystemstudentswereguidedthroughseveralworkshopstowritecreativedigitalessaysabouttheirexperiencesintheConcentration.18ThinkingTheRoleofMuseums LOOKINGLEARNINGTHINKINGChelsieDiasSmithCollegeFundforInnovationNicoleDownerDeathinStasisPost-mortemPortraitureintheVictorianEraJenniferDuckettWhatDoYouSeeTheEvolutionoftheArtMuseumTourElauraDunningRebrandingHistoricNorthamptonAshtonFancyConceptualizingaDigitalToolforSCMAsAncientArtGalleryHopeFriedCoutureClosetTransformYourClosetintoaCollectionVictoriaGraceSmithCollegeFundforInnovationKatelynGoldsteinConserveProtectMuseumGuardCultureFuJiTheFirstGenerationofChineseArtistsinParisandtheirLegacyMargaretKeanInvestigatingMethodAReproductionanditsFrameFrancesLazareThisIsNotHistorySubjectivityandtheworkofKaraWalkerJenniferLemanInanEraofDegenerateArtTheArtofUlrichLemanMiriamMosherBlackFeminismandtheCulturalLegacyofMs.MagazineElizabethTempleLavishRestraintDeconstructingDandyElenaTerhuneVisualLiteracyinComicsElizabethTyraPantsWomenandIdentityinthe20thCenturySmith2014GraduateswithaConcentrationinMuseumsandtheirCapstoneProjectsWhenIfrstarrivedatSmithIvisitedSCMAbutonlytousetheartist-designedwomensrestroom.WhileIrarelyrevisitedthatporcelainbeautymyexperienceasaMuseumsConcentratorallowedmetospendcountlesshoursroamingthroughtheMuseumsgalleriesandofces.AterthisfrstencounterIworkedastheStudentMuseumMembershipAssistantandalsojoinedtheSMEprogramduringmysophomoreyear.IenjoyedmyworkmuchmorethanIhadanticipatedandlookedorwardtoeveryhourIspentvolunteering.IquicklyrealizedthatIwasspendingeachdayintheMuseuminsomecapacitybothofcialandnotandsoIdecidedtoapplytobecomeaConcentrator.Whathadoriginallybeenahobbysoonturnedintomuchmore.TheollowingsummerIinternedwiththeDirectorotheHeraklionMuseuminAthensGreece.Ioundmanydierencesintermsolanguageandculturebutalsoinhowtheinstitutionoperated.IbegantoconsiderhowdierentvariousculturalinstitutionscouldbeandIgrewexcitedthinkingaboutwhereImightgonextandwhatIcoulddiscover.WhenthinkingaboutnextstepsitdawnedonmethatmyloveomuseumscouldactuallyturnintoacareerAterspendingallomyjunioryearabroadIreturnedtoSCMAinthespringwithagoalopursuingacareerinmuseums.TheConcentrationcontinuedtosupportmyendeavorsthroughproessionaldevelopmentluncheswork-studyandinor-malcheck-inswithproessorsandmuseumstabothintheMuseumhallwaysandacrosscampus.MyseniorcapstoneprojectwasinthetruestsenseaculminationomyexperiencesasaConcentrator.IdrewrommyexperienceinSCMAsMembershipandMarketingdepartmentrommyadvisorsandsupportromtheConcentrationtocompletemystudyohowinterpretivetechnologiesmightbeusedatSCMAaterthereinstallationothegalleries.MyaimwastoproposeatooltoosterdeeperengagementandencourageparticipationintheMuseumscollectionandexhibitionswhilealsoencouragingnewaudiencestoreconsiderwhatamuseumexperiencemightlooklike.IntheprocessundingromtheConcentrationallowedmetoattendtheMuseumsandtheWebannualconerenceinBaltimoreMaryland.Notonlywasitinvaluableinshapingmycapstonebutitalsoprovidedanopportunitytospeakwithothermuseumproessionalsandgainadviceandinsightintothefeld.OallomySmithexperiencesitwasmytimewiththeConcentrationthatwasthemostrewarding.TheconfdenceinpursuingacareerinmuseumsthatIdevelopedwouldnothavebeenpossibleotherwise.PERSPECTIVEASHTONFANCY14ArtHistoryMajorAncientStudiesMinorandMuseumsConcentratorAshtonFancyistheLunderSpecialAssistanttotheDirectorattheClarkArtInstituteinWilliamstownMA.19 LOOKINGLEARNINGTHINKINGAsoftenhappenswithworksofartourencountersandexperienceswithpeoplecanleaveusforeverchanged.ThisisthecasewithourbelovedcolleagueAnnAnnieMusserwhopassedawayinSeptember2014afteracourageousjourneywithcancer.SeeRememberingAnnE.Musseroppositepage.MaggieLindhassteppedintotheroleofAssociateDirectorforAcademicProgramsandPublicEducation.ShewillleadthedepartmentinmakingparticipatorylearningcentraltoallofSCMAsworkasateachingmuseum.InadditiontoachangeofleadershipthisyearthestaffsaidfarewelltoJulieMcLeanassheandherfamilymovedtoupstateNewYorkinearly2014.Juliewashiredastheassociateeducatorforschoolandfamilyprogramsin2006.InherroleshewasastrongadvocatefortheteachingmethodknownasVisualThinkingStrategiesVTSanapproachthatencouragessustainedlookingataworkofartasparticipantsbuildasenseofmeaningtogether.Thevisitor-centeredphilosophyofVTShashadastrongimpactontheMuseumsoverallinterpretivestrategies.OtherchangeswithintheEducationteamincludedthepromotionofTaigaErmansonsAC03toassoci-ateeducator.TaigamanagesprogrammingfortheMuseumsstudentfacultyandcommunityaudiences.AshleyBrickhouse11alsotookonnewtasksasInterimAssistantEducatorseeAshleysPerspectivepage17.InadditionwearepleasedtowelcomethreenewcolleaguesEmmaCantrellGinaHallandCharleneShangMiller.Togetherthisteamwillcontinuethedepartmentsworktocreatemeaningfulexperiencesforourvisitorsandprogramparticipantsofallages.ATimeofTransitionsSCMAsEducationTeamtopTheEducationTeamlefttorightCharleneShangMillerTaigaErmansonsEmmaCantrellGinaHallandMaggieLindbottomSmithfacultygatherfortheMuseumsannualfallWelcomeprogram20 REMEMBERINGANNE.MUSSERREMEMBERINGANNE.MUSSERJanuary51973September292014AnnjoinedSCMAasassociatecuratoroeducationin2002andservedasassociatedirectororacademicprogramsandpubliceducationrom2006to2014.ThroughouthertimeattheMuseumAnnbroughtinsighthumorenergycompassionandacollaborativeapproachtoherwork.ShewillbedeeplymissedbyhercolleaguestheSmithcommunityandallwhoknewher.MaggieLindassociatedirectororacademicprogramsandpubliceducationrefectsonhermentorsimpactbothpersonalandproessional.AsIstepintotheroleoassociatedirectororacademicprogramsandpubliceducationIeelsohonoredtobecarryingorwardinitia-tivesstartedunderAnnMussersleadership.AnnservedasmymostimportantmentorandsoundingboardasweworkedtodeepentheMuseumsconnectionstoteachingandlearningatSmith.AtoneoourdepartmentretreatsAnnsharedwhatwasmostengagingorherinourworkThinkingaboutbigideasadvocatingorthingsIbelieveinworkingcollaborativelyonprojectswithotherpeoplefndingtheconnectionsbetweenideasandobjectsandbeingcreative.ThesewerealsothestrengthsthatledtomanyoAnnsproessionalaccomplishmentsattheMuseum.Sheservedasaleaderindeepen-ingtheMuseumsoutreachtoacultyacrosstheCollege.Internallysheoversawmajorgrowthinthedepartmentsstaandmission.AnnalsohadasignifcantimpactinpushingtheentireMuseumstatowardamorecollaborativeworkingmodelwhichdirectlyinormedtheMuseumsrecentreinstallationplanningprocess.IparticularlyadmiredandlearnedromAnnsstrongadvocacyaroundissuesodiversityandculturalsensitivity.Shewasdedicatedtomakingmuseumswelcomingandengagingplacesorallvisitors.AnnandIbotheltstronglythatitwasimportanttosurprisepeopleinthespaceotheMuseum.Wesharedenthusiasmorhelpingtoshityoungadultsinparticularromtheirexpectationsohowanartmu-seumcouldftintotheirlivesandorrevealinghowtheexperienceoartcouldbeactiveandpersonalratherthanpassiveanddistant.AnnwascentraltodefningandarticulatingtheEducationTeamsvisiontoacilitateAhamomentsthroughvisualart.HerlegacywillcontinuetoguidemeasIworktosupportmycolleaguesindiscoveringandcultivatingthoseremarkablemomentstogetherwithourMuseumvisitors.21 COMMUNITYSTUDENTPROGRAMSSCMAOFFERSMANYPUBLICANDFAMILY-ORIENTEDPROGRAMSFOROURCOMMUNITYATLARGE.TheseincludeSecondFridayswhentheMuseumisreetoallrom48pminassociationwithNorthamptonsArtsNightOut.AspartothiseventtheMuseumoersahands-onart-makingprogramthatrelatestothecurrentexhibitionsandcollection.FeaturedprojectsincludedgoldoilplaquesbasedonimageryintheRiverofGoldexhibitionandlandscapepaintingbasedonAnneWhistonSpirnslandscapephotography.Additionallyeachmonthamuseumeducatorengagesagroupoadultvisitorsinaninormalgalleryconversationaboutoneworkoart.ThesediscussionscalledOpenEyesareaimedatsupportingvisitorsinfndingtheirownmeaninginaworkoartthroughdialogue.InadditiontoSecondFridaysSCMAhostedAternoonMyMuseumCreativeKidsareeamilyprogramacilitatedbyvolunteerSMEsandattendedby441people.Smithstudentsreadbooksinthegalleriesthroughouttheaternoonandledaccompanyinghands-onprojectsthroughouttheMuseum.NickDeysheranaward-winningsongwriterochildrensmusicandthemusicteacheratTheSmithCollegeCenterorEarlyChildhoodEducationatFortHillperormedintheAtriumtoanenergeticdancingcrowd.OtherprogramsonoteNightatYourMuseumforSmithStudentsFebruary212014Arecord-setting650Smithstudentsattendedthisyearsater-hourscelebrationintheMuseum.ThisprogrambroughtSmithstudentsintothemuseumgalleriesormusicapoetryreadinghands-onactivitiesandtimetolookatartwithriends.SMEsandSMACvolunteerswerecentraltothesuccessothiseventstafngthemultipleactivitystationsandwelcomingtheirellowstudentstotheMuseum.communitystudentprogramsevents123422 COMMUNITYSTUDENTPROGRAMS11thAnnualMillerLectureinArtandArtHistoryMayaLinMarch112014TheinvitationtoMayaLintopresentthisyearsMillerlecturerecognizedherextraordi-naryachievementintheworldoartanddesign.Thelecturewasattendedbyarecord722peoplewiththreeo-sitesimulcastlocations.Linhighlightedexamplesoherworkrangingromlarge-scalesiteinstallationstointimatestudiopiecesandarchitecturalworks.Sheconcludedwithanin-depthlookatwhatshehasdescribedasherfnalmemorialWhatisMissingThismulti-sitemulti-mediaworkseekstoocusattentiononchangesassociatedwithclimatechangeandhumanimpactonbiodiversity.FACULTYCOLLABORATIONThreshholdAnEveningofDanceMusicandImagewithAnneWhistonSpirnChrisAikenAngieHauserandMikeVargasFebruary112014Inacollaborativeperormanceoranaudienceo300ChrisAikenassistantproessorodanceanddirectorotheMFAindanceandAngieHauserassistantproessorodancewithmusicianMikeVargasrespondedtotheconceptspresentinAnneWhistonSpirnsphotographyandwriting.Inaollow-updiscussionacilitatedbyMaggieLindtheyengagedinconversationaboutconnectionsacrosstheirworkinrelationtoaestheticsprocessviewerengagementandmomentsodiscovery.MayaLinhasdescribedherselfasexistingandworkinginthespaceofboundaries...betweendisciplinesplacesmaterialsgeometriesandcultures.InmanywaysherexplorationsandherrefusaltobelimitedwithinoneparticulardisciplinealigncloselywiththegoalsofSmithCollege...Herpracticehaschallengedtheacceptedstatusquoanddeferreddisciplinaryconstraintsinfavorofsensitivepoeticexpressionandcarefulinvestigationoftheworld.JamesMiddlebrookAssistantProfessorofArtandArchitecture567891NightatYourMuseum2Threshold3Hands-onArt-makingatSecondFriday4NightatYourMuseum56SecondFriday78NightatYourMuseum9MayaLin23 24MEMBERSHIPMATTERSTHESCOPEANDSUCCESSOFOURWORKINEDUCATIONANDINTHEGALLERIESISPOSSIBLETHANKSTOTHELOYALTYANDGENEROSITYOFSCMASSUPPORTERS.Overthepastyearwehaveimprovedourmembershipprogramtoprovideadditionallevelsoengagementandtobestreecttheessen-tialroleMembersplayinsustainingtheworkotheMuseum.OurnewlyrebrandedprogramMembershipMattersocusesonimpactandinstitutionalmission.Ourrevisedoeringshavecontributedtoa36percentincreaseinmember-shiprevenueinthisfscalyearalone.AlllevelsomembershipsustaintheMuseumwithessentialsupportandthisyearweintroducedtheDirectorsAssociatesanewlevelomembershipthatundspriorityinitiativesrangingrompilotprogramstoartpurchases.TryonAssociatescontinuetoprovidesupportortheMuseumscoreinitiativesexhibitionsprogramsandspecialprojectswhileContemporaryAssociatesprovideessentialundingorpurchasesocontemporaryartorthepermanentcollection.ThisyearthroughaninitiativecalledSummerFreeorAllmembershipsupportwasusedtounderwritereeadmissionorallvisitorswhilethesecondandthirdoorgallerieswererede-signedandreinstalled.TheMembershipMattersprogramisrepresentedbyadynamicsuiteoprintedmaterialsincludingacomprehensivegeneralinormationbrochurethatearnedtwoprestigiousdesignprizesfrstplaceintheNewEnglandMuseumAssociations2014PublicationAwardsandanhonorablementionintheAmericanAllianceoMuseums2014MuseumPublicationsDesignCompetition.WearedeeplygrateultotheMuseumsmanydedicatedMembers.YoursupportnurturesSCMAandallotheMuseumsprogramsincountlesswayssustainingexcellenceinteachingandlearningwithexceptionalart.MEMBERSHIPmatters123 25MEMBERSHIPMATTERSARTINSIGHTSSpecialprogramsandtripsforMuseumMembersJuly302013OpenEyesforMembersArtoutdoorswithJulieMcLeanOctober42013RiverofGoldFirstLookExhibitionPreviewwithElizabethKlarichFiveCollegeassistantprofessorofanthropologyandFernandoArmstrong-FumeroassistantprofessordepartmentofanthropologyNovember92013MembersBusTriptoNYCandtheIFPDAPrintFairNovember212013WhatsyourArtStoryGalleryTalkVTSExperiencewithJessicaNicollandTaigaErmansonsJanuary302014AnneWhistonSpirnTheEyeisaDoorExhibitionPreviewwithAprileGallantFebruary262014OpenEyesforMembersAnneWhistonSpirnwithTaigaErmansonsApril182014GalleryTourACloseLookatFrameConservationwithWilliamMyerschiefpreparatorBreanaLatty11andHannahBraunMHC13May12014OpenEyesforMembersArtoutdoorswithTaigaErmansonsJune132014MembersGalleryTourConversationwithAnneWhistonSpirnPLEASEBESEATEDMembersreservedseatingatMuseumlecturesNovember62013RiverofGoldExhibitionLecturebyJuliaMayoFebruary112014ThresholdAnEveningofDanceMusicandImagewithAnneWhistonSpirnChrisAikenAngieHauserandMikeVargasMarch112014MillerLecturebyMayaLinMEMBERSDAYSNovember21242013MembersDoubleDiscountDaysFallJune25282014MembersDoubleDiscountDaysSummerFORSTUDENTSSeptember122013StudentMembersGatheringplusallaboveprogramsThroughouttheyearSCMAMembersareinvitedtoparticipateinadiverseslateofspecialprogramsdesignedtofosterdeeperengagementwiththeMuseum.12MembersgallerytalkonTheEyeisaDoor3DoubleDiscountDaysattheMuseumShop46lefttorightMembersgallerytalksbyWilliamMyersBreanaLatty11FernandoArmstrong-Fumeroassociateprofessorofanthropology456 26MEMBERSHIPMATTERSMUSEUMMEMBERSSCMAMemberssupportandsustainexcellenceinteachingandlearningwithart.WethankthosewhoconnectwiththeMuseuminmeaningfulwaysandprovideessentialsupport.DirectorsAssociatesLaunchedinthefallof2013theDirectorsAssociatessupporttheDirectorspriorityinitiativesrangingfrompilotprogramstoartpurchases.TheMuseumwishestoacknowledgethechartermembersJaneCarroll53andLeoArnaboldiPeggyDanziger62andRichardM.DanzigerValerieDiker59andCharlesDikerJohnEastmanCatherineFreedberg64JanGolann71SusanneGrousbeck58JanetKetcham53DianeNixon57EliotNolen54andWilsonNolenJaniceOresman55LouisaSarofm58SharmilaSinha88andRaviSinhaRobertaSommers64andJereySommersAnitaWien62TryonAssociatesTryonAssociatesfundtheMuseumscoreinitiativesexhibitionsprogramsandspecialprojects.ElsieAidino53andM.BernardAidinoElizabethAnderson84andJoanneAnderson53PatriciaAshton53JoanLeboldCohen54andJeromeA.CohenAnnCollier55andMarvinCollierChristinaEldridge53GeorgiannaErskine54ElizabethEveillard69andJean-MarieEveillardNancyFessenden50andHartFessendenMargotFreedman62RebeccaHumphrey48EileenJachym75andPeterJachymAnnKaplan67ElizabethKelsey55andThomasKelseySarahLeahy54andRichardLeahyPhoebeLewis51andJohnLewisMargotLinton52andRobertLintonMarilynLummis54AnnMandel53MaryNewman61andFredricS.NewmanLouiseParent72SusanRose63BonnieSacerdote64BettySams57JoanSchuman62AdrianShelby55andEdwardBindelAnnSolomon59andRichardSolomonCarlynSteiner67EllenStrickler57andDanielStricklerJudithTargan53JudyTenney49JoyceThurmer52JaneTimken64AnnWales57RobertaWeinstein67andDavidWeinsteinMelissaWells93ElsieWheeler54MargaretWurtele67ContemporaryAssociatesContemporaryAssociatesfundpurchasesofcontemporaryartfortheMuseumspermanentcollection.CathyCarron79andAndrewCarronMarilynCohen68andL.RobertCohenSaraCrawleyWendyCromwell86NancydeLaSelle69LouiseEastman88LisaMarks84JoanandLucioNotoJaniceOresman55FloraSchnall56MarySolomon84andDavidSolomonRoraTanaka88MEMBERSHIPSUPPORTMemberssustaintheMuseumwithfundamentalsupport.ThefollowingindividualsgavetoSCMAattheContributorleveloraboveMeganAdamson75inmemoryoVictoriaMcCarthy75andMargaretWalsh75KathleenAllard-Madaus89JeanAllen45AnnAlpers84JoeAmbessiinhonorostaandvolunteersotheArtMuseumJacquelineAnderson80MaryAndersonandHarryAndersonNaomiAntonakosSusanBaker79inmemoryoNancyBaker50KathleenBalun72SusanBarr94DeeBatesKayBearman60SarahBellrichard94WendyBergandThomasWartenbergEdithBingham55NancyBissell61NancyBlack76inmemoryoRitaBlack71BarbaraBlumenthal75SarahBolster50AndreaBonn73andJohnBonnSuzanneBoorsch58andAllanAppelNancyBradbury74andScottBradburyHeatherBrandes89RenaBransten54LindaBrennan84ErikaBrewer86andWilliamBrewerAnneBrown62LindaBruemmer73J.ElizabethBurbankandJeremiahBurbankLaleBurk64andCarlBurkBrookesByrd65EdithByronandFredrickByronElizabethCaineandThomasCaineAnnCaplanandJereyCaplanDorotheaCardamone69CarolynCarr61JudithCarroll74throughthePattersonCarrollFamilyTrustJanetCase54EuniceChambers77KathleenChartener89CarolChristthroughtheCarolT.ChristTrustAnneCohen76JennierConnolly73PriscillaCunningham58JoanCurhan59throughtheLeoWassermanFundinmemoryoMurielPokross34DeborahCushman77JereyDanMaryDangremond76RobertDelaneyinmemoryoM.QuinnDelaney50EdithDinneen69inmemoryoEdithDinneen27DonnaDonaghy59SusanDonovan76throughtheJoanC.andRichardA.VanDeurenFamilyFoundationInc.AnnDoyle89NancyDuck63DeborahDuncan77LouiseEastman88NicoleEhrlich98throughRocketInMyPocketInc.EmilyEvans94SuzannahFabingandJamesMusprattthroughtheFidelityCharitableGitFundM.NaomiFeldman69LouisaFerreeGayFlood57JaneFogg54PatriciaFoulkrod66MeredithFrapier58LeslieFreudenheim63EugenieFriedman47throughtheRobertG.FriedmanFoundationRuthFriendly45LesleyFriskel93HelenGabriel48MarthaGalley79AnneGares74 27MEMBERSHIPMATTERSJaniceGerton41throughtheArtsLettersFoundationInc.WalterGibsonThelmaGolden87AliceGoldman62ElizabethGraham79andGeorgeGrahamNatalieGraham49MarthaGray83AutumnGreen03JanetGrifn73ElizabethGuthman60MargaretGuyer90LaurelHaarlow88throughtheHaarlowFamilyCharitableFoundationTimiHallem68EszterHargittai96NancyHarvin80GailHecht58andHarveyHechtDianeHellens76LaurelHenschel78AnnHilliard59MaryHinds76throughErnstandYoungFoundationJudyHoman53JulieHoman76AnnaHogan66VirginiaHorner54andThomasHornerCorneliaHugel50AnneHull38AnneHulleyandDavidHulleyCatherineJenkins96AnnJonesandPeterStallybrassT.JonesBarbaraJudge46WendyKaminer71andWoodyKaplanMarshaKesslerandDavidGoldenCatherineKing89ElizabethKinney57FlorenceKmetzMorleyKnoll67andJamesKnollConradKronholmJr.PhyllisLavine87LianneLazetera84SusanLeland53AllaLeshkoandJaroslawLeshkoMarilynLevine64andMichaelLevineJennierLevy76JanetLey52throughtheJanetUpjohnStearnsCharitableTrustinmemoryoJanetStearnsSusanLindenauer61andArthurLindenauerKatherineLinton93ChristopherLoringMelissaLoving84NancyLustgartenandEdmundDeLaCourHeatherMacchi93SarahMacCullough80andGlennMacCulloughPatriciaMail65ClaireMansur76throughtheSchwabFundorCharitableGivingAnnMartin77SallyMayer79ElizabethMayor57KathleenMcCartneySuzanneMcCullagh73MaryMcLean68ElizabethMcManus91inhonoroDeborahBabb91LauraBloom91KatharineClegg91HeatherRussell91ElizabethThauer91andinmemoryoMargaretStout91AnnMitchell75RachelMooreStephanieMudick76JoanneMurphy82SybilNadel57KarenNelson62MaryNewman50LisaNovick89JudyOberlander78NancyOBoyle52KateOBrian80MaureenOBrien54DeidreOFlaherty70JeanONeilandEdONeilMarciaOsborn53ElizabethOsborneandJeSchwartzAlisonOverseth80EleanorPanasevich63TheodoraPerryPatriciaPinkston74andMartinGutierrezMaryPinney58inmemoryoFlorenceMacdonald32ConstancePollak55PaolaPrins86SusanProctor68E.UpshurPuckette57BarbaraQuilty75RebeccaRabinow88ElizabethRajamSallyRand47JanetRassweiler80AnnRawley44RichardandRebeccaEvansFoundationCarolynRichmond60andChrisEllisAliceRobbinsandWalterDennyAlisonRooney87KatherineRostand65andStephenRostandElizabethRowe59ElizabethSalsedo02andAlexisSurovovinhonoroJaniceMcDowellBarbaraSalthouseandRobertSalthouseRitaSaltz60SamuelSamuelsAnnSanord75DorothySawyer55CathySchoen70SusanSeamans70HenrySeayPhyllisShapiro69AnneSherrerdMarySianoandAlredSianoFrancesSimonds54DianaSimplair87SusanSmall48BarbaraSmith50TracySmith90CynthiaSommer75andAndrewBalderEstelleSosland46andMortonSoslandthroughtheSoslandFoundationLauraSpadone57BonnieStacy80HeatherStalort97RuthStavis58throughtheRuthandFrederickStavisFamilyFoundationInc.JoannaSternberg91NanStiel77D.AnnStromberg58ElizabethSussman54GretchenSwiboldandRichardSwiboldBarbaraTownsend74LeeTraub47SusanVanDyneAbigailVanSlyck81andMitchellFavreauCynthiaVolk83BarbaraWaite56LeahWalker99inmemoryoRoselleHomaster98JanetWallstein71KalleWeeks67NoreenWhite79SusanWhitman93LisaWiese78throughtheWieseCavanaughFamilyFoundationAnneWilliams65inmemoryoElizabethSheppard81SybilWilliamsinmemoryoLoisWilliams48MarshaWiseheart60inmemoryoPatriciaJeeries60ToniWolman64KathrynWood86MarthaWood69inhonoroEmilyWood46andinmemoryoRuthChurchill19NancyWood73inmemoryoLynCorbett74AmyWorthen67AilynaYarringtonKarenZens71AdditionalinformationonMembershipopportunitiesisavailableonlinesmith.eduartmuseumMembership-MattersMembersattendagallerytalkledbyCuratorLindaMuehligintheredesignedthirdoorgalleries 28ADVISORYGROUPSMUSEUMVISITINGCOMMITTEEasofJune302014TheMuseumVisitingCommitteeisanadvisorybodywhosemembersappointedtothree-yeartermsbythePresidentotheCollegeprovideleadershipinstrengtheningtheMuseumsbaseofnancialsupportanditscollectionsestablishingMuseumpoliciesandrepresentingtheinterestsoSCMAtothebroadercommunity.JaneCarroll53ChairSusanBrundage71NominationsChairJoanLeboldCohen54AsianArtTaskForceChairWendyM.Cromwell86PeggyDanziger62NancydeLaSelle69CatherineFreedberg64ThelmaGolden87SusanneGrousbeck58JanetKetcham53SarahLeahy54EllenLee71AnneManning89JuliaMeech63DianeNixon57EliotNolen54JaniceOresman55RebeccaRabinow88AcquisitionsCommitteeChairSueReed58HonoraryMemberBettySams57LouisaSarofm58MonaSinha88AnnSolomon59JudithTargan53JaneM.Timken64MelissaWells93AnitaWien62AmyWorthen67ASIANARTTASKFORCEasofJune302014TheMuseumsAsianArtTaskForceisanadvisorybodywhosemembersincludealumnaeandacultywithexpertiseinAsianartandstudieswhoareinstrumentalinnurturingastrongprograminAsianartatSCMAbybuildingfnancialsupportandadvisingonexhibitionsacquisitionsandprogramming.JoanLeboldCohen54ChairPatriciaBeckwith68StephenBeckwithNancyBlume61JaneCarroll53YingChua95VictoriaChan-Palay65PeggyDanziger62NancyFessenden50JoanJacobson47JeanKim90WanKim60AlixLaager80SallyLeahy54JuliaMeech63YaminiMehta93SamuelMorseProessorHistoryoArtandAsianLanguagesandCivilizationsAmherstCollegeJessicaNicoll83AnnNieho75EliotNolen54JaniceOresman55TomRohlichProessorEastAsianLanguagesandLiteraturesBettySams57LouisaSarofm58MonaSinha88AnnSolomon59CarlynSteiner67HilaryTolman87MarthaWright60SujaneWuAssociateProessorEastAsianLanguagesandLiteraturesADVISORYGROUPSletJaneChaceCarroll53arrightwithmembersotheMuseumsVisitingCommitteeexaminesprintsbyVijaCelminsandAlexKatzacquiredinhonoroMrs.CarrollstenureaschairotheVisitingCommitteerightMonaSinha88visitswithFloydCheungassociateproessorEnglishlanguageandliterature 29Dr.KurtLangandDr.GladysEngelLangdistinguishedscholarsinthefeldsocommunicationmediaandpublicopinionandemeritiproessorsosociologyattheUniversityoWashingtonSeattlehavepromisedtheircollectionoprintswater-colorsanddrawingstoSCMA.Thecoreothecollectionisocusedonthepainter-etchermovementbetweenthe1860sandWorldWarII.TheLangCollectionsubstantiallybolstersSCMAsabilitytorepresentacrucialperiodinthehistoryoprintmakingaswellasprovidinganimportantar-chiveotheworkotalentedyetunder-recognizedartistsnotesAprileGallantcuratoroprintsdrawingsandphotographs.Itisadeepandlastingresourceorscholarsacultyandstudents.WearedeeplygrateultotheLangsandtheiramilyorthisoutstandingcollection.GIFTSTOTHEMUSEUMAllgitsweremadetoSCMAduringthe2014scalyearJuly12013June302014.Grantslistedwereawardedoractiveduringthatperiod.Everyeorthasbeenmadetoaccuratelyreportdonors.ANNUALAPPEALSCMASCOLLECTIONANEWINTERPRETATIONANDINSTALLATIONTheMuseumthankstheollowingdonorswhogavegitso1000ormoretosupportthereurbishmentreinstallationandreinterpretationothesecondandthirdfoorpermanentcollectiongalleriesotheMuseumRenaBransten54WalterGibsoninmemoryoSarahGibson53ElisabethIreland79throughtheElizabethRingMatherandWilliamGwinnMatherFundJoanNotoandLucioNotoJaniceOresman55inhonoroKathleenMcCartneyLetitiaRoberts64AngelicaRudenstine63andNeilRudenstineandmatchinggitromJ.PaulGettyFoundationBonnieSacerdote64throughthePeterM.SacerdoteFoundationAnnSolomon59andRichardSolomonthroughtheRichardAnnJohnJamesSolomonFamiliesFoundationArikoTamenaga87JaneTimken64throughtheJaneM.TimkenFoundationPhoebeWeilWallaceWilsonASIANARTINITIATIVESTheMuseumthankstheollowingdonorswhomadecontributionstosupporttheMuseumsAsianArtInitiativesincludingstrengtheningitsAsianartcollectionmountingexhibitionsandeducationalprogramsandestablishingtheCarolT.ChristGalleryorAsianArtinhonoroCarolChristthe10thpresidentoSmithCollegeMeganAmbrus07JaneCarroll53toendowtheutureJaneChaceCarrollCuratoroAsianArtLindaCharles74throughtheFordFoundationinhonoroCarolChristJoanLeboldCohen54ElizabethLiedel04throughthePGECorporationFoundationEliotNolen54andWilsonNolenthroughtheGreatIslandFoundationtoestablishtheCarrollandNolenAsianArtAcquisitionFundandtheNolenEndowedFundorAsianArtInitiativesJoanNotoandLucioNotoandmatchinggitsromPenskeAutomotiveGroupandExxonMobilSusanPorth70inhonoroCarolChristDebraRomero77inhonoroCarolChristGIFTSOFFUNDSFOROTHERPURPOSESTheMuseumthanksdonorsogitsthatsupportSCMAmission-centeredactivitiesincludingacademicprogramsandcollectionscareanddevelopmentAnonymousCarolineBain44ConstanceBergors52thoughtheFredBergorsandMargaretSandbergFoundationInc.RenaBransten54ValerieDiker59throughtheValerieCharlesDikerFundInc.FiveCollegesInc.JanGolann71throughtheFullgraFoundationtoestablishtheMuseumoArtDirectorsInitiativesFundWendyKaplan65LindaMuehligthroughtheNewEnglandPaperweightCollectorsAssociationinmemoryoHomerPerkinsDianeNixon57inhonoroCarolChristandinmemoryoPaulAlperstotheDianeAllenNixon57FundArtAcquisitionsSueReed58BettySams57throughtheJamesandBettySamsFamilyCharitableLeadTrustSandraStreepey58BequestJaneTimken64TrusteesoWestministerSchoolInc.BarbaraWeeks53GRANTSUPPORTTheAndrewW.MellonFoundationTheAndyWarholFoundationortheVisualArtsInc.ArtMentorFoundationLucerneTheBrownFoundationInc.oHoustonE.RhodesandLeonaB.CarpenterFoundationMassachusettsCulturalCouncilaStateAgencyNationalEndowmentsortheArtsGIFTSTOTHEMUSEUMTHELANGCOLLECTION ACQUISITIONSSCMAscollectionrootedinoriginalworksoAmericanandEuropeanarteaturesworksohighqualitywhilerecognizingtheinstructionalvalueopreparatorystudiesandunfnishedpiecesthatrevealanartistsprocess.DuringthelastdecadetheMuseumscollectingplanhassignifcantlyexpandedtoincludeAricanIslamicandparticularlyAsianarttosupporttheCollegesglobalcurriculum.Wearepleasedtohighlightsomeoourrecentacquisitionshere.ACQUISITIONSJohnAngusChamberlain.American19272011Homer1960PaintedtinwithwoodbasePurchasedwithabequestromIsabelWilsonIsabelBrownclasso195330 ACQUISITIONSJOHNCHAMBERLAINSEARLYSCULPTUREHOMER1960ISAMAJORACQUISITIONMADEPOSSIBLEBYTHEGENEROUSBEQUESTOFISABELBROWNWILSON53.ThesculpturepurchasedromtheRauschenbergFoundationwasormerlyinthepersonalcollectionoartistRobertRauschenberg19252008whoamassedanimportantcollectionotheworkothreegenerationsoAmericanartistsothe20thcentury.ChamberlainsworkisidentifednotonlywithAbstractExpressionismandPopbutwithMinimalismandsub-genresothe1960sincludingtrashart.HomeristhefrstsculpturebythisimportantpostwarAmericanartisttoenterthecollectionandmarksacriticalmomentotransitionintheartistsca-reer.ConstructedromcrushedandoldedmetaldomesticcontainersitanticipatestheworkorwhichChamberlainisbestknownassemblagesobentandcrushedcarparts.HomerbelongstoChamberlainsseriesobrightlycoloredsmall-scalesculpturesromthelate1950sand1960sandlikemanyothemmayhavebeennamedoranacquaintanceriendoramilymember.TheartistsfrstsculpturesresembledthemonochromaticbentandweldedmetalconstructionsoDavidSmithaswellasthoseoJosephGoto.WhileattheBlackMountainCollegein1956and1957ChamberlainwasinuencedbypoetsCharlesOlsonandRobertCreeleyandbegantomakewordcollageswhilestillcreatingbasicallylinearsculptures.Hisepiphanycamein1957duringavisittoartistLarryRiversshomeinSouthamptonNewYork.PullingtherontendersromanoldFordChamberlaincrushedandassembledthemthenranoverthesculpture.TheresultingworktitledShortstopwasthefrstChamberlaincreatedromcarpartslatertobecomehissignaturemediumandwashisfrstessayinsculpturalvolume.ChamberlainsuseocolorintheseearlyassemblageswasinuencedbyAbstractExpressionistpaintingsbutorthemostpartChamberlainscolorswerechosenratherthanintroducedorapplied.CarpartsandothercomponentslikethecrushedcontainerscomposingHomerretainedtheirmanuacturerscolors.InHomerscasethecolorsarethoseothecansorkitchencontainersastheywereproducedintheactorybutweatheredagedordistressed.HomersdistinctlydierentacadeshavedierentcolorpalettesonesidewithbrightyellowsredsandbluesorecastsPopcolorswhilethemoresubduedpaletteotheoppositeacerecallsCubistcollages.HomersinclusioninRauschenbergspersonalcollectionistestamenttothesculpturesimportance.ItwasanapparentavoritepresidingoverRauschenbergskitchenalwaysonviewandlivedwithsinceheacquireditromCastelliGallery.ChamberlainsHomerhasimmediatelyounditsplaceinthepermanentcollectioninstallationlinkingtheMuseumsfnegroupoAbstractExpressionistpaintingstoworksromthe1960s.ItrealizesMrs.WilsonsintentiontoenabletheMuseumtoacquireanimportantworko20th-centuryAmericanartorthecollectionreectingherpersonalartistictasteaswellashercommitmenttosupportingtheacademicinterestsoSmithacultyandstudents.InadditiontomakingthishighlysignifcantbequesttobuildtheMuseumscollectioninanareaoneedMrs.WilsonservedSmithCollegeasamemberotheBoardoTrusteesandwasavaluedadviserontheMuseumsVisitingCommittee.WithhersisterthelateMacondaBrownOConnorandcousinLouisaStudeSarofm58shedonated14milliontoSmiththroughtheBrownFoundationin1997.ItremainsoneothelargestgitsintheCollegeshistorysupportingamajorrenovationotheFineArtsCenterin2000.ohnChamberlainHomerJ31 ACQUISITIONSASTHEMUSEUMLOOKSFORWARDTOOPENINGTHECAROLT.CHRISTASIANARTGALLERYIN2015andnamingitsfrstcuratoroAsianartgitsoAsianartromthepastyearparticularlyJapaneseprintsphotographsceramicsandlacquerwarehavecontinuedtoenrichtheMuseumsholdings.INSPRING2014SCMARECEIVEDAGIFTOF50PRINTSBYFIVEDIFFERENTJAPANESEARTISTSFROMTHETOLMANCOLLECTIONTHELARGESTPUBLISHEROFCONTEMPORARYEDITIONSINJAPAN.Thesegitsweremadeinhonorothe50thbirthdayoHilaryTolman87.Theyjoin30otherprintsgiveninMs.Tolmanshonorwithinthepastsevenyears.ThefveartistsincludedinthisrecentgitShinodaTokoIwamiReikaWakoShujiHiromitsuTakahashiandHasegawaYuichieachexempliygraphicexcellenceinaparticularprintmakingmedium.Asagrouptheseprintsormavitalanduseulteachingcollection.SHINODAISREGARDEDBYMANYASTHEMOSTIMPORTANTWOMANARTISTINJAPAN.Trainedasacalligrapherbyherathershehaspursuedacareerasanabstractpaintercalligrapherandprintmaker.Iwamiusessimplematerialsinkwoodandmetalleatocreateabstractcompositionsthatcapturethesubtlequalitiesonature.HasegawaYuichisthicklylayeredprintsarerenderedbymeansoadazzlinglycomplexandcolorulreductionwoodcutprocess.WakoShujicreateshighlydetailedrichlycoloredexpertlyrenderedandprintedlithographicstilllies.HiromitsuTakahashiisamasterokappazuriatraditionalstenciltechniqueheusestomakeboldimagesocharactersdrawnromkabukitheater.SCMAHASALSOBEENABLETOADDSIGNIFICANTEXAMPLESOFJAPANESEARTFROMTHE1960sthroughthegenerosityoLucioandJoanNotoincludingthisyearsgitoaprintbyHiratsukaUnichiaprominentfgureinthesosaku-hangaCreativePrintmovementandaphotographbySatoAkirawhoisbestknownorhisexperimentalphotographsowomen.NewYorkcollectorJohnWeberpresentedtheMuseumwithagitosixJapaneseceramicobjectsandonebyMalcolmWrightinhonorocuratorandscholaroJapaneseartJuliaMeech63.AmongthemisaacetedbottlewitharichgreenOribeglazebytheMinopotterKatoYasukagewhowasthe14thgenerationartistinhisamily.ThegroupalsoincludesaliddedsakebottlebyTerauchiShinjiwhoworksinporcelainwithunderglazecobaltdecora-tionandateabowlbyHamadaShojiimage10.TeruiIchigenproducestraditionalshapestheowervasegiventoSCMArevealshisinterestinmoreabstractedorms.UenakaInaemonisthe10thgenerationohisamilytoworkintheTambakilnsandlikemanyothertraditionalpottersproducesdramaticexperimentalormssuchastheovoidowercontainergiventoSCMAalongwithconventionalshapes.TwoothevesselsgivenbyMr.WeberdemonstratethedialoguebetweentheAmericanpotterMalcolmWrightandtheJapanesepotterNakazatoTakahashiwhohavecontinuedanartisticexchangesincethe1980s.CHARLESANDVALERIEDIKERVALERIETISHMAN59GAVETHEMUSEUMABEAUTIFULLACQUERTEBAKOCOSMETICBOXBYUMEZAWARYUSHINTHETHIRDSONOFSHIBATAZESHINoneothemostillus-triouslacquermakersothe19thcenturyreproducedonpage36.Hispainterlyaestheticisevidentinthistebakowhoselidandsidesdepictavarietyoshellsarrayedonaseaweed-strewnbeach.Thecompositionoeachisanextensionothecomplexarrangementonthelid.Umezawaallowsthetraditionalgoldecksontheblacklacquertostandinorthesandandeachotheshellshasbeenexecutedinraisedlacquerodierentcolorsandtextures.itsoAsianArtG32 ACQUISITIONS134256789101HiratsukaUnichi.Japanese18951997StepsofJakko-inTempleKyoto19602IwamiReika.Japaneseborn1927WaterandtheMoon19723HasegawaYuichi.Japaneseborn1945Paradise19974SatoAkira.Japanese19302002UntitledfromSunset1960s5UenakaInaemonX.Japaneseborn1949OvoidFlowerVesselca.1993946TerauchiShinji.Japaneseborn1960SakePotwithLid20027MalcolmWright.Americanborn1940TeaBowl20058NakazatoTakahashi.Japaneseborn1937Bottle20039KatoYasukage.Japanese19642012FacetedSakeBottle200110HamadaShoji.Japanese18941978TeaBowln.d.33 34ACQUISITIONSFrazerWardAssociateProessorOArtSmithCollegeIntheearly1990sCandiceBreitzwasworkingwithootagesheselectedrommusicvideosandHollywoodmoviesandeditingthesoundtrackstorevealunderlyingstructuresomeaning.AsherworkdevelopedBreitzwasabletoputeditedsequencesindialoguewithoneanothertodemonstratetheideologicaltropesthatrunthroughthemassculturalenvironment.MorerecentlycontinuingherexplorationosubjectivityandhowitisormedBreitzmadetheFactumseries.Thisworkoperatesatthecuttingedgeovideoartanddocumentary.Breitzflmedinterviewswithsetsoidenticaltwinsandtrip-letseachindividualflmedseparatelyansweringthesamequestionstheeditedresultsshownonsplitortripledscreens.Theresultisnotonlyaascinatingstudyotwinandtripletrelationshipsbutoersarichmeditationonthecategoriesosameanddierentastheygotoormidentities.ThetitleFactumreerstoRobertRauschenbergsamouspairoworksFactumIandFactumIIinwhichRauschenbergbroughtintoquestionthesupposedindividualityothepaintedgesturebyrepeatingsuchgesturesnearlyidenticallyoverabackdropooundmass-culturalmaterials.TheCanadiantwinsinFactumTremblayareespeciallyarticulateandengagingcontemporaryversionsoWarholsstarsandtheirdiscussionogenderidentitywillbeoparticularinterestinthecontextoawomenscollege.THEMUSEUMHASBEENSTEADILYBUILDINGITSCOLLECTIONOFNEWMEDIAincludingvideoinstallationsbyWilliamKentridgeandSmithalumnaSusanHiller61aswellassingle-andmultiple-channelvideosbyavarietyofcontemporaryartistsfromAsiaEuropeandtheU.S.Inanticipationofinauguratinganewgalleryin2015dedicatedtovideoarttheMuseumpursuedanexcitingopportunitytoacquireaworkbytheinterna-tionallyacclaimedSouthAfricanvideoartistCandiceBreitzwholivesandworksinBerlin.AfterconsultingwithProfessorFrazerWardArtDepartmentandProfessorAlexandraKellerFilmStudiesMuseumstaffchoseFactumTremblayfromBreitzsFactumseriesbasedoninterviewswithidenticaltwinsandtriplets.ThevideowasjudgedasnotonlypowerfulbutaworkwhoseyoungfemalesubjectssistersNatalynandJocelynTremblaywhodiscusstheirlifeexperiencesgrowingupinruralCanadawouldbemostrelevantandinterestingtostudents.ThepurchasewasmadepossibleinpartbytheContemporaryAssociatesoftheMuseumwhoseannualduesareusedtoacquireanewmediaworkoranexampleofcontemporaryphotography.AtthetimethevideowaspresentedforacquisitionProfessorsWardandKellerwrotecompellinglyinsupportofthepurchase.Excerptsoftheirstatementsfollowbelow.andiceBreitzFactumTremblayC 35ACQUISITIONSAlexandraKellerAssociateProessoroFilmStudiesandDirectorFilmStudiesProgramSmithCollegeIntheFactumseriesBreitzcontinuestomeshherinterestinConceptualandPoptraditionswithanacutesenseomoving-imagetraditionsturningherattentiontothelanguageodocumentary.Theseriesointerviewswithsetsoidenticaltwinsandtripletsansweringthesamequestionsinclassictalkingheadsstyleisriveting.Hersubjectsallvolunteersarepsychologicallyascinatingthewaysinwhichtheyagreeanddisagreewithoneanothersresponsesopenimportantquestionsaboutnatureandnurtureandaboutthebedrockoidentityormation.AtthesametimeaswithherearlierworkusingoundimagesBreitzsbrillianteditingsubtlydisturbsexpectationsodocumentaryveracity.ItisprobablyonlypossibletodothisworkingasBreitzdoesattheintersectionoavant-gardeartanddocumentary.FromtheperspectiveoflmandmediastudiesthiswillbeasignifcantacquisitionasBreitzisaglob-allyimportantartistwhoseworkiscriticallyengagedwithflmandmassmediaaswellasbeingjuicilyteachable.IroutinelyteachBreitzsworkandFactumTremblaywillimmediatelybecomeastapleoteachingintheprogram.CandiceBreitz.SouthAfricanborn1972FactumTremblayfromFactumseries2009Dual-channelinstallationPurchasedinpartwithfundsfromtheContemporaryAssociatesSCMA IFTSPURCHASESOFARTGCOLLAGEBROWNJames.Americanborn1951Untitled1991CollageonversooantiquemapGitoVincentandShellyDunnFremontDECORATIVEARTSHAMADAShoji.Japanese18941978TeaBowln.d.StonewarewithblackglazeandironsplashesGitoJohnC.WeberinhonoroJuliaMeechclasso1963KATOYasukage.Japanese19642012FacetedSakeBottle2001Oribe-typeMinowarewithcoppergreenglazeGitoJohnC.WeberinhonoroJuliaMeechclasso1963NAKAZATOTakahashi.Japaneseborn1937Bottle2003StonewarewithcoppergreenglazeGitoJohnC.WeberinhonoroJuliaMeechclasso1963TERAUCHIShinji.Japaneseborn1960SakePotwithLid2002PorcelainwithunderglazeandbluedecorationbamboohandleGitoJohnC.WeberinhonoroJuliaMeechclasso1963TERUIIchigen.Japaneseborn1943FlowerVase2002UnglazedwhiteporcelainGitoJohnC.WeberinhonoroJuliaMeechclasso1963UENAKAInaemonX.Japaneseborn1949OvoidFlowerVesselca.199394TambawareGitoJohnC.WeberinhonoroJuliaMeechclasso1963UMEZAWARyushin.Japanese18741955Tebakoornamentalcosmeticboxwithseashellsandseaweed1937IMAGE1Lacquerornamentedintakamakieraisedgoldandcoloredlacquersandnashijigold-fakedlacquerswithrimsoappliedpewterGitoCharlesandValerieDikerValerieTishmanclasso1959UNKNOWN.Roman5thcenturybceEarringsn.d.GoldwithredglassmoderninsertsGitoHildamarieHendricksclasso1948UNKNOWN.PeruvianCentralCoastChancaycultureLateIntermediateperiod10001470cePotn.d.ClayGitoSusanC.BourqueWRIGHTMalcolm.Americanborn1940TeaBowl2005Shino-typeMinowareGitoJohnC.WeberinhonoroJuliaMeechclasso1963DRAWINGSBISTTRAMEmil.American18951976NocturneStudyforMoonMagic1942IMAGE2Gouacheandmicaonmediumweightslightlytexturedcream-coloredpaperPurchasedwiththeKathleenComptonSherrerdclasso1954AcquisitionFundorAmericanArtDOVEArthurGarield.American18801946TugandTow1931StormintheOrchard1937IMAGE3Watercolorandgraphiteonmediumthicksmoothcream-coloredpaperGitotheestateoArthurDove123ACQUISITIONS36 FRIEBERTJoseph.American19082002CoalPickers1938Peninkandwatercolorwithblackchalkonthickslightlytexturedcream-coloredpaperGiftoftheJosephandBetsyRitzFriebertFamilyPartnershipSusanFriebertRossenclassof1963GALOFREYGIMENEZBaldomero.Spanish18491902Roman.d.Watercoloronmoderatelythickroughcream-coloredpaperGiftofEliseTrippHIGHSTEINJene.American19422013Untitled1979IMAGE4Possiblyfelttipmarkerandgraphiteonthintranslucentcream-coloredpaperAnonymousgiftinhonorofRosaEsmanclassof1948JOHNSONDavid.American18271908OakTreesSeptember1888GraphiteonmediumweightsmoothbuffpaperGiftofElizabethMayerBoeckmanclassof1954LARKINOliver.American18961970RuedesSaintPeresOctober161930Untitledclown1933WatercoloroverchalkonpaperGiftofSarahChapinFlynninmemoryofhermotherHuldaReesMcGarveyFlynn19102000classof1931A.B.1933A.M.Ph.D.ColumbiaUniversityclassof1943LINHARESJudith.Americanborn1940Monarch2000IMAGE5GouacheonpaperGiftofSusanL.Brundageclassof1971andEdwardThorpLIPTONSeymour.American19031986Sevenuntitleddrawingsn.d.Graphiteonmediumthicksmoothcream-coloredpaper2Inkovergraphiteonmediumthicksmoothcream-coloredpaper2IMAGE6Contcrayononmediumthicksmoothcream-coloredpaper2Blueballpointonmediumthicksmoothcream-coloredpaper1Untitled1962Untitled1963Contcrayononmediumthicksmoothcream-coloredpaperUntitled1969ContcrayononmediumthicksmoothbluedwhitepaperGiftofAlanLiptonLOBERobert.Americanborn1945Rock1980IMAGE7Graphiteandinkonthickmoderatelytexturedcream-coloredpaperGiftofVincentandShellyDunnFremontLOUDHerbertRichardson.American18781932UnCafMarch1902Watercoloroverpencilonmediumthickslightlytexturedcream-coloredpaperGiftofCaryPetersonclassof1960inmemoryofEthelGodfreyLoudclassof1901PEABODYLouise.Americanborn1944Untitledn.d.IMAGE8WatercolorandcharcoalonmediumthickroughwhitepaperGiftofmembersoftheclassof1963WILLIAMSMicahattributedto.American17821837PortraitofaManandPortraitofaWomanca.181722PastelonpaperGiftofBarbaraStevensWeeksclassof1953inmemoryofhersisterKatharineNicholsWeeksPrinceclassof195146578ACQUISITIONS37 NEWMEDIABOLOTINJay.Americanborn1949Kharmen2013DigitalvideoAnonymousgitinhonorotheartistandinmemoryoAraleeStrangeBREITZCandice.SouthAricanborn1972FactumTremblayromFactumseries2009Dual-channelinstallationPurchasedinpartwithundsromtheContemporaryAssoctiatesSmithCollegeMuseumoArtFROMENTAurelien.Frenchborn1976SecondGift2010VideoprojectionPurchased9PAINTINGSAUDETTEAnnaHeld.American19382013Helicopter1984IMAGE9OiloncanvasGitoPhoebeDentWeilBENBRIDGEHenry.American17431812RebeccaLloyd1775IMAGE10OiloncanvasGitoSarahSatherGivenclasso1948inhonoroSarahTinsleyReesclasso1905andMaryAddisonReesclasso191310EmilBisttram.American18951976MoonMagic1942OiloncanvasPurchasedwiththeKathleenComptonSherrerdclasso1954AcquisitionFundorAmericanArtEmilBisttramSel-describedasaclassicmodernistEmilBisttramisparticularlyknownorhisgeometricabstractpaintingsandhisimagesoNewMexico.AlthoughinitiallyarealistpainteratermovingtoTaosintheearly1930shebeganworkinginbothrealistandabstractstyles.AccordingtoBisttramhisexposuretotheNativeAmeri-canartoNewMexicoledhimtoabstraction.AdeeplyspiritualartisthecloselystudiedKandinskysgeometricpaintingsandartisticphilosophiessharingtheartistsbeliethatabstractpaintingwasavehicleortranscendingrealitytorevealthespir-itual.In1938BisttramjoinedwithotherartistswhosharedthisperspectivetooundtheTranscendentalPaintingGrouponeothemostsignifcantartisticassociationsormedoutsideamajorurbancentertoadvocateorabstractandnon-objectiveart.MoonMagicdatestotheheightotheartistscareerandistypicalothecareullycomposedlivelygeometricimagesorwhichhebecamecelebrated.Hereapurplespherepossiblythemoonothetitleanchorsthelowerletothecomposition.Orbsandtrianglesoatinadeepgreenspaceandapinkobjectorpersonagewithitssuggestionoalargeeyeandredmouthpliesitswaythroughtheheavens.Thesubjectocelestialspacesandplanetaryorceswasathemetheartistreturnedtorepeatedlyinhisabstractpaintings.ThetitleMoonMagicpointstoBisttramsinterestinoccultphilosophy.Italsosuggestshisquestormetaphysicaltruththroughthesymbolicrepresentationotheheavensasbothascientifcandaspiritualrealm.InadditiontothisoilpaintingtheMuseumalsopur-chasedBisttramsgouachestudyorMoonMagic.ACQUISITIONS38 BISTTRAMEmil.American18951976MoonMagic1942OiloncanvasPurchasedwiththeKathleenComptonSherrerdclassof1954AcquisitionFundforAmericanArtCHEONMinaakaKimIlSoon.AmericanbornKorea1973SonsofChoseonSquirtWaterNotBullets2013IMAGE11AcryliconcanvasPurchasedinpartwiththeJoanCohenclassof1954AsianArtAcquisitionFundinhonorofEthanCohenDEIHLRandall.Americanborn1946WomanwithPinkLetter1978IMAGE12OilonpanelPurchased1214151311FESENMAIERHelene.American19372013Untitled1972CanvasandwoodGiftofRogerHorchowinhonorofEmilieSmithKilgoreclassof1957FRIEBERTJoseph.American19082002HumanCarnival1953IMAGE13OilonmasoniteGiftoftheJosephandBetsyRitzFriebertFamilyPartnershipSusanFriebertRossenclassof1963GORNIKApril.Americanborn1953TreesinaStorm1982IMAGE14OiloncanvasGiftofLauraandSteveRiggioJENKINSPaul.American19232012PhenomenaToilNorSpin1969AcryliconcanvasGiftofJaneMeyerGrottaclassof1933LANYONEllen.American19262013StateLake1956EggtemperaonmasoniteGiftoftheestateofEllenLanyonSHAPIROMiriam.Americanborn1923PasdeDeux1986IMAGE15AcrylicandfabriconcanvasGiftofDr.andMrs.AnthonyJ.AcinapuraXUWenhua.Chineseborn1941Winterscenewithhousesandsnow198090OiloncanvasGiftofClaudiaHillinhonorofherparentsGraceHopeHillandProfessorErrolGastanHillACQUISITIONS39 ACQUISITIONSLastJanuaryIparticipatedorthesecondtimeinExcavatingtheImageacollaborationbetweentheMuseumoArtandtheKahnInstitutethatbringsacultyandstaromSmithandtheFiveCollegestogetherortwodaysointenseencounterwithaworkoartromtheMuseumscollectionundertheexpertguidanceotheMuseumscuratorialandeducationsta.ThismightseemlikeacuriouswayorsomeonewhoalreadyspendsagoodpartohisyeartryingtointerpretcomplexworksoarttospendachunkowinterbreakbutIrememberedvividlytheexhilarationomyearlierexperienceweexcavatedapaintingoanexcavationGeorgeBellowssspectacularPennsylvaniaExcavation1907thenanewadditiontotheMuseumscollectionandIwaseagertosignonagain.Wewerediggingindierentterritorythistimearound.ThepaintingwasRandallDeihlstroublingmysteriousBelchertownStateSchool1976.Notonlywasthisadeeplyimaginedworkbyacontemporaryartistandonewhohadagreedtocometalktousonthefrstdayoourseminartoexcavatethisimagewasalsotoexplorethehistoryoourregionthehistoryotheconcep-tionsoeeble-mindednessomentalretardationthatunderwroteinstitutionslikethisoneandfnallythehistoryotheheroicchallengesmountedtotheauthorityothoseconceptions.UndertheguidanceoMaggieLindwelookedandlookedagain.Wetalkedtogetherandpuzzledoverwhatwewereseeing.RandyDeihlplacedthepaintingoruswithinthelargerbodyohisworkandamidsttheotherchallengestoestablishedauthoritythatwereemerginginthe1960sand1970s.WeheardromJamesTrentaprominenthistorianoconceptionsomentalretardationintheUnitedStatesandromStevenKaplanalawyerwhohadcollaboratedonamemoirbyRuthSienkiewicz-Merceraresidentotheschoolor16years.WereadtheBelchertownStateSchoolsannualreportsnewspaperarticlespersonalaccountsotheSchoolandporedoverimagesothesiteasithadbeenasitlooksnowandreportedtooneanotheronwhatwedound.Andthenwelookedatthepaintingagainandagainandtalkedsomemore.MytwoexcavationstookmealongwithmyJanuarycompanionstoverydierentplacesbuttheexperiencessharedtwoeaturesthatwereimmenselyvaluable.Onewastheemergenceoacommunityoexcavatorstheeectolookinghardandthinkinghardtogetherandohavingonescapacitytowitnessenlargedanddeepenedbythewitnessingoonescompanions.TheotherwasthesenseodiscoveringthroughthisintensiveactovisionandthoughtarereshedcapacityorattentionthespecialgitIthinkothevisualartsandoourremarkableMuseum.Itwasaverydierentpaintingwhenwesawitlastandourworktogetherhadmadespacewithinusalloranewwaytosee.PERSPECTIVERICHARDMILLINGTONHelenandLauraSheddProfessorofEnglishLanguageLiteratureParticipantExcavatingtheImageRandallDeihl.Americanborn1946BelchertownStateSchool1976OilonpanelPurchasedinpartwiththegiftoftheFredBergforsFundforworksbylivingAmericanartistsACQUISITIONS40 PHOTOGRAPHSANTINEleanor.Americanborn1935100bootsunderthebridgeSorrentoValleyCaliornia1972PhotolithographonpostcardPurchasedwiththeRebeccaMorrisEvansclassof1932AcquisitionFundBALTERMANTSDmitri.Russian19121990Fivephotographsprinted2003DiggingAnti-TankTrenchesNearMoscowOctober1941AWomanFindsherHusbandKerchCrimeaJanuary1942IMAGE16TheMarchotheGermanPOWs1942Forward1943SharpshooterintheSchoolhouseGermany1945GelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarBENARIRichardandLaurenHenkinBenariIsraeliAmericanborn1957HenkinAmericanborn1974Pictures2013TwentyinkjetprintsonmediumthicksmoothbrightwhitepaperAnonymousgiftBEYDawoud.Americanborn1953BettySelvageandFaithSpeightsfromTheBirminghamProject2012IMAGE17TwoarchivalpigmentprintsmountedtodibondPurchasedinpartwiththeElizabethHalseyDockclassof1933FundBINGIlse.German18991998Alpineroadnearhouse1935CathdraledAmboise1935Chteau1935MerdeGlace1935Nunwithbook1935AerialviewoManhattan1936NewYorkCityskylineCentralPark1936Playgroundwithagpole1936RosieNYC1936StatenIsland1936Sel-portrait1945PlantsatGutterParis1952Pleinairpainter1952Poissons1952Bicycleonporch1953Gardenwire1953IMAGE18LampdetailFormerFrenchEmbassyWashingtonD.C.1953Picketence1953Firehydrant1954NewYorkWashingtonHeights1954NewYorkWashingtonHeightsbigtree1954VintagegelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarBLACKMONJulie.Americanborn1966PlayGroup2005C-printPurchasedwiththeElizabethHalseyDockclassof1933FundCAPARobert.Hungarian19131954CollaborationistisScornedbyHerPeopleChartresFranceca.1944VintagegelatinsilverprintPurchasedwiththeElizabethHalseyDockclassof1933FundCARTIER-BRESSONHenri.French19082004CoupleembracingonadanceoorQuebec1965VintageferrotypedgelatinsilverprintGiftofNicoleMorettiUngarclassof1982andJonUngarCLERGUELucien.Frenchborn1934JSBachNY19992011NuzebraIVNewYork2009ArchivalpigmentprintsGiftoftheConnellyFamilyCollectionCRANEBarbara.Americanborn1928HumanForms1965VintagegelatinsilverprintPurchasedwiththeKatharineS.Pearceclassof1915AcquisitionFundandtheRebeccaMorrisEvansclassof1932AcquisitionFundDAYE.V.Americanborn1967TailK2ED542007C-printGiftofFriedmanBendaLLCEGGLESTONWilliam.Americanborn1939DeltaPine1992IMAGE19Portfoliooffourteenc-printsGiftofBarbaraJakobsonBarbaraPetcheskyclassof1954FINKLarry.Americanborn1941Tenphotographsprinted1983BeneftTheMuseumoModernArtNewYorkCityJune1977HungarianDebutanteBallNewYorkCityFebruary197819171816ACQUISITIONS41 VintageplatinumprintsPatSabatinesEighthBirthdayPartyApril1977Sabatine-MillerGraduationPartyJune1977AllentownMuseumPennsylvaniaDecember1978NewYearsEvePartyAmericanLegionBangorDecember1979BangorAmericanLegionJanuary1980JohnSabatineandMollyatPatSabatinesEleventhBirthdayPartyApril1980IMAGE20SkatingRinkApril1980PatSabatinesTwelthBirthdayPartyMay1981GelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarFREEDLeonard.American19292006ArielviewobuildingsromShalomMaierTowerTelAvivIsrael1968TransvestiteholdingprotestsignGayLiberationParadeNewYorkCity1970Residentsprotestbuildingolow-incomepublichousingintheirneighborhoodForestHillsQueensNewYorkCityUSA1971TransvestitesseatedintheaudienceoaperormancebytheCockettesNewYorkCity1971Policelookingordeadbodiesinoldbuildings1972AyoungboyworksatamachineinaclothingactoryLondonEngland1973VietnamesereugeesUSA1975OnawarmJulydayneighborhoodchildrenplayinapatrolcar1976CommunistsatamassmeetinginaMadridparkMadridSpain1977HundredsoclappingsupporterswelcometheirleaderBlasPiartoameetingotheFuerzaNuevaBilbaoSpain1977PolicehelpawomanondrugsgettothehospitalNewYorkCity1978Wearegoingtopickupamurdersuspecttheofcersaidasheputonabulletproovest1978PassengerswaitingatGareduNordstationParisFrance1980SoldierinfringpositionagainstasnipernearRepublicSquareRomania1989VintagegelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarFUDGECarl.Englishborn1962Untitled1998CibachromeGiftofVincentandShellyDunnFremontGALLSally.Americanborn1956HamptonHall1980IMAGE21LindatheBaths1986GelatinsilverprintsGiftoftheConnellyFamilyCollectionGIBSONRalph.Americanborn1939Untitled74fromtheInantaSeries2011GelatinsilverprintGiftoftheConnellyFamilyCollectionHEYMANKen.Americanborn1930ThreeimagesfromHipShotsParadesManinAmericanagsuitsleepingongroundNewYork1985TennismatchNewYork1985WomanstretchingholdingtheencewithshortskirtNewYork1985VintagechromogeniccontactprintGelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarKETASeydou.Malian19212001MalianWoman194951IMAGE22VintagegelatinsilverprintwithhandcoloringPurchasedLYONDanny.Americanborn1942SeventeenimagesfromBikeridersprinted2008GauchofeldmeetChicago1961RonnieandCheriLaPorteIndiana1962RidersmeetingElkhornWisconsin1963SantaFetrackChicago1965SeventeenthAnnualWorldsLargestMotorcycleBlessingSt.ChristopherShrineMidlothianIllinois1965BigBarbaraChicago196566CalSpringfeldIllinois196566NewYorkEddiesChicago196566OutlawcampElkhornWisconsin196566OutlawwomenStarvedRockpicnicIllinois196566BennyattheStoplightCiceroIllinois1966ClubhouseduringtheColumbusrunDaytonOhio1966CrossingtheOhioLouisville1966IMAGE23FromLindseysroomLouisville1966KathyathomeChicago1966RenegadesuneralDetroit1966TorelloTachhisbackLoudonNewHampshire1966ThreeimagesfromTheDestructionoLowerManhattan1967printed200787-95NorthMooreStreet174ChambersStreetatBishopsLaneAReadeStreetentranceto187WestStreetTwoimagesfromConversationswiththeDead196869printed2011TheelectricchairRamsey222021ACQUISITIONS42 ThreeimagesromHaiti198386printed2007CapHaitianhandholdingkitewavinginthewindRevolutionariesromGonaiveshunttheTontonsMacouteGros-MarneWomenwaittoplantafeldaboveJacmelGelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarMATHISJill.Americanborn1965UntitledReggiano1993GelatinsilverprintGiftoftheConnellyFamilyCollectionMEYEROWITZJoel.Americanborn1938BaySkySeries1981Spain1984BaySkySeries1985ChairMaid1990Irwininstallation1991VintagechromogeniccontactprintsGiftofNicoleMorettiUngarclassof1982andJonUngarMONAKHOVYola.AmericanbornRussia1974Science2010BlueChina2011Butnotoryoumylove2011IMAGE24We2011ArchivalpigmentprintsPurchasedUntitledExposedthroughPostalService2013UniquegelatinsilverprintPurchasedwiththeJosephineA.Steinclassof1927FundinHonoroftheClassof1927MULJIHuma.Pakistaniborn1970DoParallelLinesEverMeet2004StillLie2004UntitledinAutumn2004UntitledwithGoats2004TableorTwo2007IMAGE25InkjetprintsonHeinermullerPhotoragGiftofFriedmanBendaLLCNAGATANIPatrick.Americanborn1945RyoichisJournalShowa61January2Kyoto.TranslationtextcoversheetfromRyoichiExcavations2001Heisei1February19ItalyRome.TranslationtextcoversheetfromRyoichiExcavations2001ChromogenicFujiCrystalArchiveprintswithtextonLightImpressionsbufferedpaperGiftofNicoleMoretticlassof1982andJonUngarPARKSGordon.American19122006FlaviodaSilvaAterAsthmaAttacktheFavela1961GelatinsilverprintPurchasedwiththeFundinHonorofCharlesChethamRONGRong.Chineseborn1968ZHANGHuan.Chineseborn196512SquareMeters1994IMAGE26GelatinsilverprintToRaisetheWaterLevelinaFishpondChild1997C-printonFujiarchivalpaperGiftofFriedmanBendaLLCROSENBLUMDiane.Americanborn1964GiggyfromTheNakedTruthAboutWomen1992SeleniumtonedgelatinsilverprintGiftofFosterGoldstromSATOAkira.Japanese19302002UntitledfromSunset1960sVintagegelatinsilverprintPurchasedwiththegiftofLucioandJoanNotoandmatchinggiftsfromPenskeAutomotiveGroupandExxonMobil24252326ACQUISITIONS43 SELTZERDavid.American20thcenturyDesire1998GelatinsilverprintMiddleMist2006printed200812IMAGE27ArchivalpigmentprintGiftoftheConnellyFamilyCollectionSTRUSSKarl.American18861981UntitledBridgeoverrivertwilightn.d.UntitledDetailofGrandCanyonn.d.UntitledGrandCanyonn.d.LandscapeChesterNovaScotia1911VintagegelatinsilverprintsGiftofNicoleMorettiUngarclassof1982andJonUngarUNKNOWN.American20thcenturyGetOffthePavementDr.KingHernandoMississippi1966IMAGE28VintagegelatinsilverprintGiftofLaurenandMichaelLeeWARRENGeorgeKendall.American1824or18341884FrancisP.ClaryHarvardUniversity1861printed1865AlbumenprintPurchasedwiththeFundinHonorofCharlesChethamWOLCOTTMarionPost.American19101990VegetablePickersmigrantswaitingafterworktobepaidnearHomesteadFloridaFebruary1939VintagegelatinsilverprintPurchasedPRINTSASPINWALLAnn.Americanborn1976MunchenIII2009IMAGE29OpenbiteetchingandcollagraphPurchasedwiththegiftofCatherineBlantonFreed-bergclassof1964inhonorofSuzannahFabingDirectoroftheSmithCollegeMuseumofArt19922005AUDUBONJohnJames.American17851851CastorFiberAmericanusLinnAmericanBeaver1844IMAGE30AntilopeAmericanaOrd.Prong-HornedAntelope1845BosAmericanusGmelAmericanBisonorBuffalo1845CervusAlcesLinnMooseDeer1845CervusCanadensisRayAmericanElkWapitiDeer1845OvisMontanaDesm.RockyMountainSheep1845LithographsprintedincoloronmediumthickslightlytexturedbeigepaperGiftofSusanS.SmallSusanSpencerclassof1948AUSTINRobertSargent.English18951973Bethlehem1915IMAGE31LineengravingprintedinblackonmediumthickmoderatelytexturedbeigepaperGiftofMarilynF.SymmesinmemoryofElizabethMonganAVERYEric.Americanborn1948MyTexasDealeronhisDeathBed1992Etchingandaquatintprintedinblackwithhandcoloringonmediumweightslightlytexturedcream-coloredpaperEscape199293printed2013WoodcutandlinocutprintedinredandblackonmediumweightslightlytexturedwhitepaperKaposiSarcomaTorso1994WoodcutprintedinblueonHoshopaperGiftoftheartistBloodTest1985Moldedpaperwoodcutprintedinblack1984AIDS1990WoodcutprintedinblackonMexicanwrappingpaper2729313028ACQUISITIONS44 ScreenprintsprintedinblackandblueonHoshopaperHowToUseaMaleandFemaleCondom1995Photo-relieengravingonmulberrypaperTheLastLymphocyte1996LinocutprintedinredandblackonHoshopaperLifecycleofHIVShowingSitesofActionsofMedications1996LinocutprintedinblackonOkawarapaperEmergenceofInfectiousDiseases2000LinocutandlithographprintedincoloronMulberrypaperMyPatients2008Portolioosixreductionphoto-engravingsprintedinblackonhandmadepaper1984AIDS2012WoodcutandlinocutprintedinyellowandblackonhandmadepaperPurchasedFoggExhibitionPosterWorldAIDSDay1997WoodcutprintedingreenandblackonMulberrypaperPurchasedwiththegitoSueReedclasso1958DamnItSuite1987WoodcutsprintedincoloronhandmadeMulberrypaperMeTodayGoneTomorrow1989ReductionlinocutprintedinredandblackonMulberrypaperMyArtDealeronHisDeathBed1992EtchingandaquatintprintedinblackonmediumweightroughpinkpaperUseYourHeadUseACondom1992Photo-screenprintandwoodcutprintedinblackgreyandyellowonhandmadepaperBlueSmallpoxThePrintofHope1993PhotoengravingrelielinocutandmonoprintprintedinblueandblackonHoshopaperChanceTattoo1993LinocutandlithographprintedincoloronMulberrypaperHIVCondom-FilledPiata1993WoodcutoncasthandmadepaperTheLastTCell1993LinocutandmonoprintprintedinblueandblackonhandmadepaperNottheFeetoftheOneandOnly1993LinocutandmonoprintprintedinblueonHoshopaperTheStuffofLifeandDeath1993LinocutandmonoprintprintedincoloronOkawarapaperPatientinHIVRiskFrame1994MoldedpaperwoodcutprintedinblackPatientsinFramesofHIVRisk19942011WoodcutsprintedinblackonhandmadepaperGalvestonBlueMagnoliasKaposiNoses1995EricAveryAnaccomplishedgraphicartistaswellasphysicianretiredromactivepractice2012EricAveryhascreatedawide-rangingbodyoworkincludingprintsartistsbookssculptureandinstallationsonthesubjectopublichealthandinectiousdiseases.In2014SCMAandtheMortimerRareBookRoombandedtogethertobecomethefrstcollectionstoacquireaullsetoAverysprintsandartistsbooksonthesubjectoHIVAIDS.Thecollectionincludes27printedworkssomemulti-panelandeightartistsbooks.In1984asthedeathtollromAIDSroseAverycreated1984AIDSinspiredbya16th-centurywoodcutplagueposterinthecollectionothePhiladelphiaMuseumoArt.Hedidnotcutorprinttheblockuntil1990.Oneeditionotheimagewasprintedonacheaprose-printedMexicanwrappingpaperthatadeseasilyanaptmetaphorortheeetingnatureolie.SCMAispleasedtohaveacquiredsuchacohesiveandimportantbodyoworkthatdocu-mentsthreedecadesinthelieoamajorpublichealthcrisisthroughtheeyesoanartistcapableoseeingunderstandingandtranslatingtheissuerommultipleperspectives.EricAvery.Americanborn19481984AIDS1990WoodcutprintedinblackonMexicanwrappingpaperPurchasedwiththegitoSueReedclasso1958ACQUISITIONS45 BARNETWill.American19112012MyFather1937Etchingprintedinblackonmediumthickslightlytexturedcream-coloredpaperTransferredfromRentalCollectionGramercyPark2012IMAGE32Fivecolorphoto-lithographfromhanddrawnmylarsonthickslightlytexturedwhitepaperGiftofJaniceCarlsonOresmanclassof1955BERGSTROMAnders.Americanborn1931Alone2007WoodcutandlinocutprintedinblackonZerkallpaperGiftoftheGrenfellPressBOLOTINJay.Americanborn1949TheHiddenBoy1985Portfolioofthirty-eightwoodcutsprintedonthickslightlytexturedwhitepaperGiftofAnneS.CovertAdamandEveandOskarIIIIII1996WoodcutprintedincoloronpaperPurchasedwiththeJosephineA.Steinclassof1927FundinHonoroftheClassof1927BRACQUEMONDFlix.French18331914LeLapindeGarennen.d.LePetitPcheurlaLingen.d.LesSaltimbanquesgrandcroquisn.d.IMAGE33RuedesBruyresSvresn.dSujettirdelaLgendedesSiclesn.d.AlphonseLegros1861published1875DuchesneancientconservateurdeCabinetdesEstampes1866EdouardManetfromLEtudesurManetbyEmileZola1867MurilloPortraitdhommefromCataloguedescollectionsSanDonato1870TwotrialproofsforQuinzeEaux-fortespourIllustrerlesoeuvresdeRabelaisLivreIVchLVIIToutpourlatrippe1872tudedePaysageLaMontedeBellevue1873UnDuodaprsGrme1883EtchingsprintedinblackonmediumthickmoderatelytexturedbeigepaperGiftofCarolineF.Bradyclassof1958BRACQUEMONDMarie.French18401916LaDamelEventailSelf-portraitinSpanishcostumeca.1880IMAGE34Etchingprintedinblackonmediumthickslightlytexturedcream-coloredpaperGiftofCarolineF.Bradyclassof1958BROWNJames.Americanborn1951TheCutStems2003PigmentedabacawithwatermarkonabacabasesheetGiftofJaniceCarlsonOresmanclassof1955BUNGEMiki.Germanborn1963TearDowntheWallAct-UpBerlin7-11.06.931993PhotolithographprintedinblackandredonmediumweightsmoothwhitepaperGiftofEricAveryCHAMBERLAINJohnAngus.American19272011Self-Portraitn.d.IMAGE35Etchingprintedinblackonthickmoderatelytexturedcream-coloredpaperGiftofAnnWeinbaumSolomonclassof1959CHIROTHollyCoulter.American19421984Islands1975IMAGE36Portfolioofetchingsonmediumthickmoderatelytexturedcream-coloredpaperGiftoftheCoulterFamilyCOLESCOTTWarringtonW.Americanborn1921FlorentineTowers1951ScreenprintprintedincoloronthicksmoothbluepaperTransferredfromRentalCollection3234353633ACQUISITIONS46 IWAMIReika.Japaneseborn1927AConcertorOnePerson1967WaterandtheMoon1972Autumn1978MorningWaves1978AutumnWaves1981EclipseotheMoonovertheSea1982MorningHorizon1982PoemotheHorizon1982PoemotheSea1982DreamoWater1997Woodblocksandcollographsprintedinblackandmetallicinkwithembossingonmediumthickslightlytexturedcream-coloredpaperTheHilaryTolmanclasso1987Collection.GitoTheTolmanCollectionTokyoKELLYEllsworth.Americanborn1923CamelliaII196465Transerlithographprintedinblackonmoderatelythickmoderatelytexturedcream-coloredRIVESBFKpaperGitoCynthiaHarrisclasso1955KRUGERBarbara.Americanborn1945ImageWorld1989ScreenprintprintedinblackandredonpaperAnonymousgitinhonoroGraiSt.ClaireRiceLINTianmiao.Chineseborn1961FocusIB200607LithographprintedinblackonSTPIhandmadepaperwithembeddedthreadFocusXXIIID200607LithographprintedinblackonSTPIhandmadepaperwithappliedpaperpulpGitoFriedmanBendaLLCMERIANMattaus.Swiss15931650St.GeorgeandtheDragonn.d.EtchinginblackinkprintedonmediumthickmoderatelytexturedbeigepaperTranserredromRentalCollectionDUMONT-COURSELLESHenri.French18561918LeRven.d.Etchingprintedinblackonmediumthickmoderatelytexturedcream-coloredpaperTranserredromRentalCollectionDUNHAMCarroll.Americanborn1949ColorMessageABandC198586Four-colorlithographsprintedonhandmadeGAmatrudaAmalfpaperGitoJaniceCarlsonOresmanclasso1955ETKINSuzan.Americanborn1955UntitledBreastPrint1986MonotypeonvinylGitoVincentandShellyDunnFremontFRIEBERTJoseph.American19082002UntitledPeopleonCityStreetinWinter1940IMAGE37Lithographprintedinblackonmediumthickmoderatelytexturedcream-coloredpaperGitotheJosephandBetsyRitzFriebertFamilyPartnershipSusanFriebertRossenclasso1963GILLESPIEGregoryJoseph.American19362000GregoryGillespieSixImages1986Portoliooetchingsaquatintsandlithographsonmediumthickmoderatelytexturedcream-coloredpaperPurchasedinpartwiththeEvaW.Nairclasso1928FundGORVETTDon.American20thcenturyTautLineinaMoonlightDrit2013IMAGE38ReductionwoodcutprintedincoloronpaperGitoVivienneandJayGaleHASEGAWAYuichi.Japaneseborn1945NewFallenSnow1994WinterLake1994Paradise1997RiverRefections1997TwoHeavens1998NightSky2000Method11NightSky2011TheOldHometown2012GrassesUndertheMoon2013MoonTime2013Woodblocksprintedincoloronmediumweightslightlytexturedcream-coloredpaperTheHilaryTolmanclasso1987Collection.GitotheTolmanCollectionTokyoHIRATSUKAUnichi.Japanese18951997StepsoJakko-inTempleKyoto1960WoodcutprintedinblackonmediumthickmoderatelytexturedbeigepaperGitoLucioandJoanNotoHIROMITSUTakahashi.Japaneseborn1927SukerokuII1987KamakuraNarita2002Hongo2003Shiori2003Hassaku2004Shirate2004Taru2004Mutsumi2007DaibutsuinFlames2009Gonpachi2009Stencilsprintedincoloronlightweightslightlytexturedcream-coloredAsianpaperTheHilaryTolmanclasso1987Collection.GitotheTolmanCollectionTokyo3837ACQUISITIONS47 MITCHELLJoan.American19261992TreeII1992IMAGE39Lithographprintedincoloronheavyweightmoderatelytexturedcream-coloredpaperGiftofMaryPodestaMarySpiecznyclassof1966andJohnPodestaNIELGabrielleMarie.Frenchca.1840after1894HteldeLesdiguiresn.d.Etchingprintedinblackonmediumthickmoderatelytexturedcream-coloredpaperTransferredfromRentalCollectionPOWHIDAWilliam.Americanborn1976UnconsciousCollaborationNumber12008ScreenprintprintedincoloronthickslightlytexturedwhitepaperGiftofMarilynF.SymmesRAUSCHENBERGRobert.American19252008LoveZonefromtheseriesReelsBC1968Three-colorlithographonRivesBFKpaperPurchasedwiththeJosephineA.Steinclassof1927FundinHonoroftheClassof1927REMBRANDTHarmensz.vanRijn.Dutch16061669ChristPreachingLaPetiteTombeca.1652IMAGE40EtchingandaquatintprintedinblackonmediumweightslightlytexturedbeigepaperGiftofHelenHunterclassof1943SCHWARTZDorothy.American19382014BadgeandRiverHiroshima2001IMAGE41Two-colorwoodcutsonthinsmoothwhitepaperTyrannyofNumbers2001WoodcutwithletterpressonthinsmoothwhitepaperGiftofDorothyFeldmanSchwartzclassof1960AMT1962inmemoryofPearlandMorrisFeldmanSHIBATAYasu.Japaneseborn1968HomagetoHF2012Reductionwoodcutprintedincoloronmediumthickmoderatelytexturedcream-coloredpaperPurchasedwiththeJosephineA.Steinclassof1927FundinHonoroftheClassof1927SHINODAToko.Japaneseborn1913Attainmentn.d.Risen.d.Spring1978Contemplation1979NewIllusion1985AGlade1999WildFire2000Relativity2005MysticTexts2007SettingForth2007LithographsandhandcoloringonheavyweightmoderatelytexturedpaperTheHilaryTolmanclassof1987Collection.GiftoftheTolmanCollectionTokyoSIMPSONLorna.Americanborn1961DoublePortrait2013IMAGE42ScreenprintonfeltPurchasedwiththeJaniceCarlsonOresmanclassof1955FundTUTTLERichard.Americanborn1941WhenPressureExceedsWeightX2012Reliefprintonthickroughcream-coloredhandmadepaperPurchasedwiththeJosephineA.Steinclassof1927FundinHonoroftheClassof1927VALOISEdwardafterJohnBornet.ValoisAmericanbornca.1825active18401860BornetAmericanactiveNewYork18501855BayofNewYorkTakenfromtheBattery1851LithographprintedinblackonmediumthickslightlytexturedbeigepaperwithhandcoloringTransferredfromSmithCollege41423940ACQUISITIONS48 WAKOShuji.Japaneseborn1953Rebirthn.d.UnhurriedMomentn.d.TwoFoldedCranes1985GiftfromGenji1987JoinedArrows1987Sundial1989HiddenMessage1980sChainLetter1991RightonTarget2004Lorbitdor2009LithographsprintedincoloronmoderatelythicksmoothwhitepaperTheHilaryTolmanclasso1987Collection.GitotheTolmanCollectionTokyoWARHOLAndy.American19281987HammerandSickleSpecialEdition1977EdwardKennedy1980ReigningQueensRoyalEditionQueenBeatrix1985ReigningQueensRoyalEditionQueenElizabeth1985IMAGE43CowboysandIndiansWarBonnetIndian1986SittingBull1986ScreenprintsonLenoxMuseumBoardGitoTheAndyWarholFoundationortheVisualArtsSCULPTURECHAMBERLAINJohnAngus.American19272011Homer1960PaintedtinwithwoodbasePurchasedwithabequestromIsabelBrownWilsonclasso1953FORDBettyDavenport.Americanborn1924HoodedGibbon1952IMAGE44GlazedstonewareGitoSusanL.Brundageclasso1971andEdwardThorpGARRETTDana.Americanborn1948SpontaneousGeneration1990FourbronzesculpturesGitoVincentandShellyDunnFremontHOLZERJenny.Americanborn1950UntitledItsanoddfeelingromtheLivingseries1981BronzeonblackpaintedwoodbackingGitoMaryPodestaMarySpiecznyclasso1966andJohnPodestaHOUSERAllan.NativeAmericanChiricahuaApache19141994TheNavajo1985IMAGE45BronzeGitoAdrianAustinShelbyclasso1955ingratitudeortheeducationthatsheandhergranddaughterEmilyClaireAndersonclasso2014receivedatSmithCollegeROCKLENRy.Americanborn1978NortonChristmasPresent2013Trophy2013GoldpaintedmetalplasticandwoodelectrifedwithyellowandwhitebulbsGitoJessicaNicollclasso1983throughthegenerosityoGwenandPeterNorton444543ACQUISITIONS49 MUSEUMASSISTANTSCONSERVATIONVolunteersMariaCristinaDelValle16ChelsieDias14YsiGaldone16EmilyGallagher16SallyAnnGarvey-Lumumba16MadelineGoldstein16VictoriaGrace14CandaceKang15EmilyKim15AshleyKosaMountHolyoke15JennierLeman14ClaraRosebrock16TatianaShannonHampshire13GenevaStrauss-Wise16AshleyTemple14ElisabethWroth14HuiYan17SummerInternsHannahBraunMountHolyoke12BreanaLatty11CUNNINGHAMCENTERStudentAssistantsPetruBester15JJennierDuckett14JennierGuerin14MaggieHoot16STRIDEScholarSaraphinaMasters17DIRECTORSOFFICEStudentAssistantFrancesLazare14STRIDEScholarSamanthaPage17EDUCATIONStudentAssistantsNicoleDowner14RebeccaFirkser15OCIPInternMarionGajonera14StudentMuseumEducatorsSMEsBouchraBouzianeUMassJuneCadenhead16NicoleDowner14JennierDuckett14KarlaFaber14MarionGajonera14MinchiHyun15TanviKapoor16ChloeLin16GraceMason16MiriamMosher14SylviaMosiany16DoraNovey-Buttfeld14KylePalmore14GabriellePeterson16DeborahPlace16BrettKatharinePorter15ClaraRosebrock16AyeshaSada-Khan16BingyunWang14GUESTSERVICESStudentAssistantsVictoriaHugo-Vida14RachelFrank14VirginiaLitovich17MEMBERSHIPMARKETINGStudentAssistantsAshtonFancy14CallaBowlesJohnson16NatalieMills17MUSEUMASSISTANTSGaCarynMoon15CarolineNoonan15TianyNova15AnyaRosenburg14LenaWilson16StudentMuseumAdvisoryCouncilSMACChelsieDias14ChairSadaAhmad17AlexandraAulum17KylieBoazman14MengqiChen17KelliCheung17AseeliColeman17NgocDinh17JuliaFernandez14YsiGaldone16EmilyGallagher16VictoriaGrace14LauraGrant17EmilyHernandez17ElizabethHomeyer17XuJiaying17TrangLe17CeceliaLim17ChloeLin16BronteMarsteller16AmandaMorgida16HuiXinNg17IsabelNgan17RachelOsborne14SamanthaPage17KarishmaParikh17EmmaRaleigh17ArundhatiSaikia17AndreaSchmid17MeredithShanoski16SamanthaSteindel-Cymer16GenevaStraus-Wise16AnnaWeston17NicoleWong16PandePutuSriWahyuni17HuiYan17ErikaYoshii17MUSEUMSHOPStudentAssistantsNicoleCroke15YsiGaldone16MarisaHall14MayaRivera16VolunteerGillianMorbeyREGISTRARSOFFICEStudentAssistantsElanaBrooks16MisaKobayashi16aboveSMEsengagewiththepublicatfamilyprogramsnextpageMuseumstaff50 MUSEUMSTAFFSCHEMA20132014ManagingeditorMargiCaplanWritereditorJennierGottliebCo-editorsMarthaEbnerLouiseMartindell02CopyeditorprooreaderAndreaReynoldsContributingwritersAshleyBrickhouse11MargiCaplanAshtonFancy14AprileGallantMaggieKurkoski12MaggieLindLouiseMartindell02RichardMillingtonSamuelMorseLindaMuehligJessicaNicollFactsFigurescontentStaceyAnasaziLouiseMartindell02designLauraRadwellDesignerRadwellCommunicationbyDesignDesignassistantJohnHarrisonPrinterHadleyPrintingPhotographersPetegorskyGipeartobjectDerekFowlesLynneGraveseventportraitCoverandtextpagesprintedon50recycledfbers25post-consumerwaste.AllpaperstocksareFSCcertifedandprintedwithvegetable-basedinks.JessicaNicoll83DirectorandLouiseInesDoyle34ChiefCuratorStaceyAnasaziFinancialandSystemsCoordinatorDavidAndrewsAdmissionsAssistantAshleyBrickhouse11BrownPost-BaccalaureateFellowforMuseumEducationthroughFebruary2014InterimAssistantEducatoreffectiveMarch2014EmmaCantrellBrownPost-BaccalaureateFellowforMuseumEducationhiredAugust2014MargiCaplanMembershipandMarketingDirectorDavidDempseyAssociateDirectorforMuseumServicesMarthaEbnerCommunicationsCoordinatorTaigaErmansonsAC03AssociateEducatorNanFlemingMuseumStoreManagerAprileGallantCuratorofPrintsDrawingsandPhotographsSusanGelotteAssistantMuseumStoreManagerGinaHallAssociateEducatorforSchoolandFamilyProgramshiredSeptember2014KellyHolbertExhibitionCoordinatorKateKearns01CollectionsManagementImagingProjectCoordinatorthroughAugust2013HenrietteKetsdeVriesCunninghamCenterManagerLouiseM.Krieger84AssistanttotheDirectorMargaretKurkoski12BrownPost-BaccalaureateCuratorialFellowhiredAugust2013LouiseLaplanteCollectionsManagerRegistrarMaggieLindAssociateEducatorforAcademicProgramsthroughFebruary2014AssociateDirectorforAcademicProgramsandPublicEducationeffectiveMarch2014LouiseMartindell02MembershipandGiftsAssistantAnnMayo83ManagerofSecurityandGuestServicesJulieMcLeanAssociateEducatorforSchoolandFamilyProgramsthroughFebruary2014CharleneShangMillerAssociateEducatorforAcademicProgramshiredAugust2014LindaD.MuehligAssociateDirectorforCuratorialAffairsandCuratorofPaintingandSculptureAnnE.MusserAssociateDirectorforAcademicProgramsandPublicEducationthroughFebruary2014WilliamF.MyersChiefPreparatorStephanieSullivanAssistantPreparatorRichardTurschmanAssistantManagerforSecurityJulieWarcholBrownPost-BaccalaureateCuratorialFellowthroughAugust2013FanZhangFreemanMcPhersonPost-DoctoralCuratorialandTeachingFellowinEastAsianArtthroughAugust2013MUSEUMGUARDSElizabethBannishJulieBomba11NellieBrahmsLarryCarlsonRyanDuffyDonnaEdgartonNancyElwellTammaFairbrotherPamelaFerrechioJonathanGerhardsonDaveHartCarlottaHoffmanDonnaKurkulBryanLarkinJuliaMaxJasonMazzottaBrendanMcCauleyLourdesMoralesHannahRichards05YulinSanBenShohanKimSpenceWendyStaymanJenniSussmanChristieSvaneKashaTooneDianeWestmanSECURITYSYSTEMSPECIALISTSJimAdamskiMichelleCotugno02SueFarrellKeithGamagePatrickGaudetKateKearns01DebKowalJackMartinJordanSoYungMorrisMikePatenaudeRichardSamuelsonFranTaylorMUSEUMSTAFF51 FACTSFIGURESCONTEMPORARYASSOCIATESTRYONASSOCIATESDIRECTORSASSOCIATESMEMBERSHIPCOUNTS381512STUDENTPATRON1144ENDOWMENTMARKETVALUEFY14MARKETVALUEAT-A-GLANCEFY09FY14OPERATIONSACQUISITIONSCOLLEGESUPPORTOPERATIONSCOLLEGESUPPORTACQUISITIONS7.7M21.7M11.7MFACTSFIGURES11.7M7.7M21.7M40M5.3M4.9M13.5M25M52 53FIVECOLLEGESTUDENTFACULTYVISITSREVENUEFY09FY14375K313KOFSMITHSENIORSWHOVISITEDSCMAIN2013MEMBERSHIPACADEMICVISITSREVENUESOURCES2726425STUDENTPATRONDIRECTORSASSOCIATESTRYONASSOCIATESCONTEMPORARYASSOCIATESFY09FY1463308087OFVISITS015610104701412 54PAGEFOLIOINFORMATION20ElmStreetatBedordTerraceNorthamptonMassachusetts01063Non-proftOrgUSPostagePaidFiveMaplesINSPIRATIONEVERYWHERETuesSat104Sun124SecondFridays10848FREEClosedMondaysandmajorholidays413.585.2760smith.eduartmuseum2O134SCHEMA