The Inherent Quality of the
Object, 2004
Digital video projection (looped 2:35 minutes); digital
video displayed on monitors at the Smith College Museum
of Art and public sites in Northampton (16 minutes);
and six objects from New Guinea, gifts to the
Smith College Museum of Art from Frances Peregrine Palmer,
(class of 1966)
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When invited to participate in the exhibition
Picturing Northampton, we thought it worthwhile to think about
how the museum itself functions as a “picturing” device
for the communities of Northampton.
The Inherent Quality of the Object began
when we discovered eighty-two items from colonial New Guinea in
the museum’s
collection, donated by Smith alumna Frances Peregrine Palmer. Ms.
Palmer traveled
to New Guinea shortly after graduating in 1966 and gave her collection
to the museum twenty years later. Curious about the histories of
these objects, we invited her to be interviewed, and then began
an on-going exploration and selective documentation of the gift
within its institutional framework. We also conducted an interview
with Suzannah Fabing, director and chief curator of the museum
since 1992.
Central to the project are questions concerning how institutions
define cultural “importance” through either explicit
or implicit value systems. Does what a museum collects, categorizes,
archives and displays reveal intentional and unintentional myth-making
processes? And if so, what roles do these processes play in shaping
audiences.
As a multiple-site work, installed at the museum as well as in
public spaces in Northampton, The Inherent Quality of the Object attempts to rethink the traditional interplay between museum and
audience.
Susan Jahoda
Born in Bolton, England, 1952.
Lives in Amherst, Massachusetts.
Susan Jahoda is an interdisciplinary artist, art editor for Re-thinking
Marxism, and Professor of Art at the University of Massachusetts,
Amherst. She received a B.F.A. from the Visual Studies Workshop
(New York) and an M.F.A. from the Rhode Island School of Design.
Her work includes performance, installation, images/texts, and
photography. She has been the recipient of grants and awards from
the National Endowment for the Arts and the New York Foundation
for the Arts. Her work has been exhibited and published widely
in both Europe and North America.
Nathan Ford
Born in Providence, Rhode Island,
1971. Lives in Holyoke, Massachusetts.
Nathan Ford is a film/video maker who has lived in the Northampton
area for most of his life. He graduated from Hampshire College
in 1998 and is a candidate for an M.F.A. at the University of Massachusetts,
Amherst, where he is concentrating in experimental documentary
filmmaking. Ford also teaches Video Production and Documentary
Filmmaking at Bay Path College. His films have been recognized
locally and internationally, screening at the Northampton Film
Festival and receiving a Director’s Citation at the Black
Mariah Film Festival. Recent work includes white male, 30-35, which
was exhibited at the University of Massachusetts’s Student
Union Gallery in March of 2004.
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