Vickie Regish and her two
sons, Rene and David, Meadowbrook Apartments, Northampton,
Massachusetts, 2003
Gelatin silver print
16 x 20 in
Courtesy
of the artist © Michael-Jacobson Hardy
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Meadowbrook Apartments is just a few blocks
away from where I live and work. It came to my attention in September
that that complex was up for sale and that 252 subsidized apartments
could be converted into market-rate units, forcing many residents
to either leave the city or live in the streets. All of the tenants
were worried. Some said that if they were lucky, they might be
able to find a bed in a homeless shelter, but these beds are hard
to come by. Many suffer from disabilities and would be hard-pressed
to afford to live in Northampton.
The issue is money: Aspen Square Management bought the complex
in April 2001 for $9 million with the option of converting the
units to market rates. They hope to sell the housing complex for
a substantial profit. The company owns 124 properties in 27 states.
I met Emma Morgan, Chairperson of the Save Our Homes Meadowbrook
Tenants Association at a rally in front of City Hall. I mentioned
that I was planning to make a series of photographs for an exhibition
at the Smith College Museum of Art. We talked about my making photographs
of some of the tenants and having them write about their concerns.
My project for the exhibition will consist of some of these tenant
portraits plus excerpts from their essays. One woman asked after
I told her that her portrait would be hanging at the Smith College
Museum of Art, “Do I have to pay to see the exhibit?” Her
question was echoed by several project participants—for many,
the 34 million dollar renovated fine arts center, referred to at
its grand re-opening as the jewel of Northampton, seemed a world
away.
As social services are being cut across the state of Massachusetts
and throughout the United States, we must examine the issue of
affordable housing. Who gets to live here and what resources are
made available to low income people must be made a topic of discussion
and debate. Whether or not we have homes for all kinds of people,
from all walks of life, is a measure of the merits or failings
of our economic system.
Born in Worcester, Massachusetts, 1951.
Lives in Florence, Massachusetts.
A largely self-taught photographer, Michael
Jacobson-Hardy has been combining his interests in photography
and social justice
since 1987. In addition to numerous exhibitions of his project-based
photographs focused on social, class, and race issues in the
U.S., Jacobson-Hardy has authored a number of books including:
In the
Spirit of Peace (2004), Beyond the Razor Wire: Portrait of an
American Prison System (1999), The Changing Landscape of Labor
(1996), and
Facing Education (1994).
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